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Fabrizio Acanfora: Home

Maker of early keyboard instruments. Harpsichord maker in Barcelona. I’ve been making harpsichords since 1997. My instruments are well known for the beauty of their dark, round and elegant sound. Being myself also a professional player gives me the advantage of knowing perfectly how the action of an instrument should respond to every kind of touch and technique. My harpsichords are in fact very well known among players for their reliable, perfect action and voicing.

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Fabrizio Acanfora

Fabrizio Acanfora

c/ de ●●●●●●17-1-1

Bar●●●ona , ESPANA, 08012

ES

34.6●●●●7375
fa●●●●●●●●●●●●●●●@gmail.com

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Fabrizio Acanfora

Fabrizio Acanfora

c/ de ●●●●●●17-1-1

Bar●●●ona , ESPANA, 08012

ES

34.6●●●●7375
fa●●●●●●●●●●●●●●●@gmail.com

View this contact

Fabrizio Acanfora

Fabrizio Acanfora

c/ de ●●●●●●17-1-1

Bar●●●ona , ESPANA, 08012

ES

34.6●●●●7375
fa●●●●●●●●●●●●●●●@gmail.com

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Fabrizio Acanfora: Home | fabrizioacanfora.com Reviews
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Maker of early keyboard instruments. Harpsichord maker in Barcelona. I’ve been making harpsichords since 1997. My instruments are well known for the beauty of their dark, round and elegant sound. Being myself also a professional player gives me the advantage of knowing perfectly how the action of an instrument should respond to every kind of touch and technique. My harpsichords are in fact very well known among players for their reliable, perfect action and voicing.
<META>
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1 fabrizio acanfora
2 philosophy
3 instruments
4 flemish
5 french
6 italian
7 discography
8 audio samples
9 photos
10 workshop
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Fabrizio Acanfora: Home | fabrizioacanfora.com Reviews

https://fabrizioacanfora.com

Maker of early keyboard instruments. Harpsichord maker in Barcelona. I’ve been making harpsichords since 1997. My instruments are well known for the beauty of their dark, round and elegant sound. Being myself also a professional player gives me the advantage of knowing perfectly how the action of an instrument should respond to every kind of touch and technique. My harpsichords are in fact very well known among players for their reliable, perfect action and voicing.

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1

Fabrizio Acanfora: French

http://www.fabrizioacanfora.com/instruments/french

Maker of early keyboard instruments. Late French harpsichords are quite different from the early ones. During the XVIII century many French builders were making ravalements (enlarging the compass and coupling the keyboards) of early Flemish, mostly Ruckers, harpsichords. This contamination gave birth to an original late French tradition that found its highest expression in Blanchet, Taskin and Hemsh. Double harpsichord after P. Taskin, 1769. Disposition: 8’, 4’, 8’ and buff stop.

2

Fabrizio Acanfora: Links

http://www.fabrizioacanfora.com/links

Maker of early keyboard instruments. Ut Orpheus – edizioni musicali. Carey Beebe, Australian harpsichord maker. Medieval Music and Art Foundation. W=all&q=Fabrizio Acanfora&m=text.

3

Fabrizio Acanfora: Workshop

http://www.fabrizioacanfora.com/photos/workshop

Maker of early keyboard instruments.

4

Fabrizio Acanfora: Building process

http://www.fabrizioacanfora.com/photos/harpsichords

Maker of early keyboard instruments.

5

Fabrizio Acanfora: Philosophy

http://www.fabrizioacanfora.com/philosophy

Maker of early keyboard instruments. There are many different approaches to harpsichord building nowadays: some builders reproduce an instrument trying to get as close as possible to the original, also using the same techniques and tools they could have used in the past; some others have the idea that if the builders of the past had our technology and modern tools, they would have made instruments in a different way . Who knows. Of course the starting point is always an existing instrument and this becau...

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Fabrizio Acanfora: Home

Maker of early keyboard instruments. Harpsichord maker in Barcelona. I’ve been making harpsichords since 1997. My instruments are well known for the beauty of their dark, round and elegant sound. Being myself also a professional player gives me the advantage of knowing perfectly how the action of an instrument should respond to every kind of touch and technique. My harpsichords are in fact very well known among players for their reliable, perfect action and voicing.

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