failedascetic.blogspot.com

FAILED ASCETIC

Foetal death forced my hand. Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. Typewriter in tow,. This is my story.

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FAILED ASCETIC | failedascetic.blogspot.com Reviews

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Foetal death forced my hand. Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship, speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. Typewriter in tow,. This is my story.

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FAILED ASCETIC | failedascetic.blogspot.com Reviews

https://failedascetic.blogspot.com

Foetal death forced my hand. Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. Typewriter in tow,. This is my story.

INTERNAL PAGES

failedascetic.blogspot.com

1

FAILED ASCETIC: March 2010

http://www.failedascetic.blogspot.com/2010_03_01_archive.html

Foetal death forced my hand. Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. Typewriter in tow,. This is my story.

2

FAILED ASCETIC: February 2010

http://www.failedascetic.blogspot.com/2010_02_01_archive.html

You're stuck in the stinker. Wind hisses, one foot in the door. No alcoves here,. They are warded off;. Reality ends with your sunday mass,. But we've always been. You've struck and spent. Photos, recitals, sub-conscious literal mind sounds. You spoke of cotton candy clouds. But all I see are shaken. Despair revs up,. Wheels and drumsticks spinning. Us, in the animal soup of time. Celluloid and all is all. Where are we going, ? I am the mediator, negotiating their passage. Deep sighs, abound. Yes. I was ...

3

FAILED ASCETIC: -azine/-idol/-idone

http://www.failedascetic.blogspot.com/2010/02/supermarket-in-london.html

You're stuck in the stinker. Wind hisses, one foot in the door. No alcoves here,. They are warded off;. Reality ends with your sunday mass,. But we've always been. You've struck and spent. Photos, recitals, sub-conscious literal mind sounds. You spoke of cotton candy clouds. But all I see are shaken. Despair revs up,. Wheels and drumsticks spinning. Us, in the animal soup of time. Celluloid and all is all. Where are we going, ? March 19, 2010 at 11:07 PM. Subscribe to: Post Comments (Atom).

4

FAILED ASCETIC: Tied to our Bedpost

http://www.failedascetic.blogspot.com/2010/03/tied-to-our-bedpost.html

Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. You bled so much. Sheep, tied to the bedpost. Typewriter in tow,.

5

FAILED ASCETIC: Abort

http://www.failedascetic.blogspot.com/2010/03/abort.html

Foetal death forced my hand. March 21, 2010 at 5:04 PM. Subscribe to: Post Comments (Atom). Tied to our Bedpost.

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thecinemascapes.blogspot.com

cinemascapes: une femme est une femme

http://thecinemascapes.blogspot.com/2010/01/une-femme-est-une-femme.html

Sunday, January 10, 2010. Une femme est une femme. Chaplin once said that tragedy is life close-up; and that comedy is life shown as long shot. Here, Godard films a comedy in close-up, and so begins the tragi-comedy Une Femme est Une Femme. Angela: Je veux etre dans une comedie musicale! Eccentricities of Angela and Emilie as motif: the silent communication through book titles, the cleansing of bare feet before bed, the tap of the shower pipe with a hammer, oh! Contrasted by the seriousness of infidelity...

thecinemascapes.blogspot.com

cinemascapes: Mean Streets

http://thecinemascapes.blogspot.com/2010/04/mean-streets.html

Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.". The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.". But I didn't say nothing.". And we don't pay mooks.". I don't know.".

thecinemascapes.blogspot.com

cinemascapes: The Auteur of Wes Anderson

http://thecinemascapes.blogspot.com/2010/01/auteur-of-wes-anderson.html

Wednesday, January 13, 2010. The Auteur of Wes Anderson. I saved American cinema. What did you ever do? In The Royal Tenenbaums, Margot's slow motion introduction to Nico's These Days, helps express how each Margot and Richie have lost their way, have a nostalgia for their youth, and shows their secret desires for each other. Or Richie's suicide attempt to I-stab-myself-in-the-chest Elliot Smith's Needle in the Hay. Anderson just knows how to support the story and characters through music.

thecinemascapes.blogspot.com

cinemascapes: Taxi Driver

http://thecinemascapes.blogspot.com/2010/03/taxi-driver.html

Sunday, March 28, 2010. Prescribes that the scenarist must write an idea that can become plastic. Conveying the moving visual experience of film is what makes cinema unique from other art forms. The taxi driver might not agree. April 10, 2010 at 10:10 PM. Someone once quipped at a musician: too many notes! I always found that statement infantile and the exact opposite of what I perceive as my nature. I prefer longer songs, stories, critiques and meditations. Subscribe to: Post Comments (Atom).

thecinemascapes.blogspot.com

cinemascapes: March 2010

http://thecinemascapes.blogspot.com/2010_03_01_archive.html

Sunday, March 28, 2010. Prescribes that the scenarist must write an idea that can become plastic. Conveying the moving visual experience of film is what makes cinema unique from other art forms. The taxi driver might not agree. Subscribe to: Posts (Atom). Late Night with Kowalski (reruns). View my complete profile.

thecinemascapes.blogspot.com

cinemascapes: April 2010

http://thecinemascapes.blogspot.com/2010_04_01_archive.html

Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.". The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.". But I didn't say nothing.". And we don't pay mooks.". I don't know.".

thecinemascapes.blogspot.com

cinemascapes: January 2010

http://thecinemascapes.blogspot.com/2010_01_01_archive.html

Wednesday, January 13, 2010. The Auteur of Wes Anderson. I saved American cinema. What did you ever do? In The Royal Tenenbaums, Margot's slow motion introduction to Nico's These Days, helps express how each Margot and Richie have lost their way, have a nostalgia for their youth, and shows their secret desires for each other. Or Richie's suicide attempt to I-stab-myself-in-the-chest Elliot Smith's Needle in the Hay. Anderson just knows how to support the story and characters through music. Open on: colou...

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FAILED ASCETIC

Foetal death forced my hand. Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. Typewriter in tow,. This is my story.

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