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fashioncontexts | support for wfc fashion hnd/hnc students

support for wfc fashion hnd/hnc students

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fashioncontexts | support for wfc fashion hnd/hnc students | fashioncontexts.wordpress.com Reviews

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support for wfc fashion hnd/hnc students

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V&A | fashioncontexts

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Http:/ www.vam.ac.uk/photography. The Victoria and Albert Museum will be very useful for your study, and to help you choose your 2 photographers to study. The important thing is to make a link between your chosen photographers, and interests of your own, as a fashion designer. Non fashion, but potentially of interest:. To get a sense of the breadth of the collection,. I’d recommend you take a look at the works currently on display. In the 2 photography galleries (Gallery 38A on the ground floor.

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About | fashioncontexts

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Pages in this blog provide resource information, ideas and links. Post some information, ideas and links of your own, to help make this a better blog. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email.

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session 4 | fashioncontexts

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Analyse the work of 2 chosen photographers. Analyse at least three photographs by each photographer. When choosing photographs to analyse, look for similarities, in subject, theme, style. This makes it easier and more productive, especially when comparing. Identify each photographer’s style what is similar in their work. Is it the way they take photographs, their choice of subject, how they photograph their subjects? Use words and terms learnt on this unit, and from unit 3 last year, to help you. Use ima...

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session 2 | fashioncontexts

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Guy Debord, The Society Of The Spectacle, 1967 (reprinted 1994, Zone Books). The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation. The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images. In session 2 we look at how fashion and fashion photography fit into Debord’s idea of the spectacle.

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documents | fashioncontexts

https://fashioncontexts.wordpress.com/37-2

Unit 6: Critical Study in Art and Design. Unit code: L/601/5419, QCF level: 5, Credit value: 15. Links to National Occupational Standards. This unit provides development opportunities for some of the underpinning skills, knowledge and understanding of the following National Occupational Standards: CCSkills. The aim of this unit is to extend knowledge and understanding of the research, analysis and application of historical and contextual skills to a selected field of study. 3 Be able to apply the influen...

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ps | art and design contexts

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Art and design contexts. The Society of the Spectacle. March 13, 2014 · 9:52 am. Planned blog for next year’s unit 6 course at. Http:/ www.fashioncontexts.wordpress.com. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.

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fashioncontexts | support for wfc fashion hnd/hnc students

October 1, 2014 · 8:38 am. All students due to start on October 2nd 2014. Please go to photographycontexts.wordpress.com for the up to date blogsite for your course – see you tomorrow! October 2, 2013 · 9:02 pm. Quotes from Martin Harrison, Appearances: Fashion Photography Since 1945, Jonathan Cape 1991. P1 – The greatest fashion photography is more than the photography of fashion (Susan Sontag, Vogue, Dec. 1978). Richard Avedon declared, ‘Fashion Photography must be about something’. Jonathan Green, ‘th...

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