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Thursday, February 21, 2013. Feed Sprocket #3: Dada vs. Surrealism. Surrealist films largely rely on narratives and characters as a means to draw the viewer into the reality produced by the film, which then is ruptured. The incoherent, non-narrative, illogical nature of Dada films keeps the viewers’ minds and logical thinking at a distance, but these films have the potential to reach the viewer on a quite different level through their rhythms, patterns, and play. (pp 102-103). L’Etoile de Mer. I really e...

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Feed Sprockets | feedsprockets.blogspot.com Reviews

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Thursday, February 21, 2013. Feed Sprocket #3: Dada vs. Surrealism. Surrealist films largely rely on narratives and characters as a means to draw the viewer into the reality produced by the film, which then is ruptured. The incoherent, non-narrative, illogical nature of Dada films keeps the viewers’ minds and logical thinking at a distance, but these films have the potential to reach the viewer on a quite different level through their rhythms, patterns, and play. (pp 102-103). L’Etoile de Mer. I really e...

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Feed Sprockets | feedsprockets.blogspot.com Reviews

https://feedsprockets.blogspot.com

Thursday, February 21, 2013. Feed Sprocket #3: Dada vs. Surrealism. Surrealist films largely rely on narratives and characters as a means to draw the viewer into the reality produced by the film, which then is ruptured. The incoherent, non-narrative, illogical nature of Dada films keeps the viewers’ minds and logical thinking at a distance, but these films have the potential to reach the viewer on a quite different level through their rhythms, patterns, and play. (pp 102-103). L’Etoile de Mer. I really e...

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Feed Sprockets: Feed Sprocket #3: Dada vs. Surrealism

http://feedsprockets.blogspot.com/2013/02/dada-vs-surrealism.html

Thursday, February 21, 2013. Feed Sprocket #3: Dada vs. Surrealism. Surrealist films largely rely on narratives and characters as a means to draw the viewer into the reality produced by the film, which then is ruptured. The incoherent, non-narrative, illogical nature of Dada films keeps the viewers’ minds and logical thinking at a distance, but these films have the potential to reach the viewer on a quite different level through their rhythms, patterns, and play. (pp 102-103). L’Etoile de Mer.

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Feed Sprockets: Feed Sprocket #1: Intro 1-30-13

http://feedsprockets.blogspot.com/2013/01/feed-sprocket-1-intro-1-30-13.html

Wednesday, January 30, 2013. Feed Sprocket #1: Intro 1-30-13. Yeah So hi. A blog for the avant-garde.which is what, precisely? I was presented with an interesting narrative metaphor the other day on how technology creates strange, illogical behaviors in us as a result of the our dependence on it and its limitations. The metaphor, which I have heard several times now, goes something like this:. I am searching for my keys," his friend replied. Oh Well, you lost them somewhere around here then?

3

Feed Sprockets: Feed Sprocket #2: Sweet Grass and Adda

http://feedsprockets.blogspot.com/2013/01/feed-sprocket-2-sweet-grass-and-adda.html

Wednesday, January 30, 2013. Feed Sprocket #2: Sweet Grass and Adda. Feels like what Sobchack refers to as a film-souvenir. Artvoice Review Adda Calcutta/Kolkata. My favorite part of the film involved the scene in which a male character draws an eye (or was it a smile? Chanan, M. "Filming 'the invisible.'". Pink, S. (2009) Doing sensory ethnography. London: Sage Publications, Ltd. Sobchack, V. "Toward a phenomenology of nonfictional film experience.". February 6, 2013 at 8:23 PM. View my complete profile.

4

Feed Sprockets: January 2013

http://feedsprockets.blogspot.com/2013_01_01_archive.html

Wednesday, January 30, 2013. Feed Sprocket #2: Sweet Grass and Adda. Feels like what Sobchack refers to as a film-souvenir. Artvoice Review Adda Calcutta/Kolkata. My favorite part of the film involved the scene in which a male character draws an eye (or was it a smile? Chanan, M. "Filming 'the invisible.'". Pink, S. (2009) Doing sensory ethnography. London: Sage Publications, Ltd. Sobchack, V. "Toward a phenomenology of nonfictional film experience.". Feed Sprocket #1: Intro 1-30-13. I was presented with...

5

Feed Sprockets: February 2013

http://feedsprockets.blogspot.com/2013_02_01_archive.html

Thursday, February 21, 2013. Feed Sprocket #3: Dada vs. Surrealism. Surrealist films largely rely on narratives and characters as a means to draw the viewer into the reality produced by the film, which then is ruptured. The incoherent, non-narrative, illogical nature of Dada films keeps the viewers’ minds and logical thinking at a distance, but these films have the potential to reach the viewer on a quite different level through their rhythms, patterns, and play. (pp 102-103). L’Etoile de Mer.

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DMS 411 Blog Roll « The Truth Within...

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The Truth Within…. Aspects of life from the curious mind. DMS 411 Blog Roll. DMS 411 Blog Roll. Check out these blogs for a wealth of information on Avant-Garde film! Http:/ jungminnam.tumblr.com/. Http:/ annellvidal.blogspot.com/. Http:/ jakeknottatthemovies.wordpress.com/. Http:/ zman099.wordpress.com/. Http:/ dlkarl.tumblr.com/. Http:/ daominhn.tumblr.com/. Http:/ crrbrckngflmthry.tumblr.com/. Http:/ crisantaub.blogspot.com/. Http:/ bevsfilmreviews.tumblr.com/. Http:/ feedsprockets.blogspot.com.

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Thursday, February 21, 2013. Feed Sprocket #3: Dada vs. Surrealism. Surrealist films largely rely on narratives and characters as a means to draw the viewer into the reality produced by the film, which then is ruptured. The incoherent, non-narrative, illogical nature of Dada films keeps the viewers’ minds and logical thinking at a distance, but these films have the potential to reach the viewer on a quite different level through their rhythms, patterns, and play. (pp 102-103). L’Etoile de Mer. I really e...

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