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Denying the Inflammability of the Twigs Found in the Copse This Morning. An installation and screening with video works by Luzie Meyer, Nikhil Vettukattil, Shaun Motsi and Cornelia Herfurtner. Untitled (Song), 2017. Chambers A User’s Manual Chapter II. Villa Metzlerstraße 21, Frankfurt am Main. Upset Sand Land, 2016. In Compensation of the Platonic Courtyard Whisper,. Readings by Jack Brennan, Matilda Tjäder, Vera Karlsson and Lian Rangkuty. Proposal for a Misunderstood Century, 2016. I Feel Extreme, Man.

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Denying the Inflammability of the Twigs Found in the Copse This Morning. An installation and screening with video works by Luzie Meyer, Nikhil Vettukattil, Shaun Motsi and Cornelia Herfurtner. Untitled (Song), 2017. Chambers A User’s Manual Chapter II. Villa Metzlerstraße 21, Frankfurt am Main. Upset Sand Land, 2016. In Compensation of the Platonic Courtyard Whisper,. Readings by Jack Brennan, Matilda Tjäder, Vera Karlsson and Lian Rangkuty. Proposal for a Misunderstood Century, 2016. I Feel Extreme, Man.

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10 untitled tendency

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Denying the Inflammability of the Twigs Found in the Copse This Morning. An installation and screening with video works by Luzie Meyer, Nikhil Vettukattil, Shaun Motsi and Cornelia Herfurtner. Untitled (Song), 2017. Chambers A User’s Manual Chapter II. Villa Metzlerstraße 21, Frankfurt am Main. Upset Sand Land, 2016. In Compensation of the Platonic Courtyard Whisper,. Readings by Jack Brennan, Matilda Tjäder, Vera Karlsson and Lian Rangkuty. Proposal for a Misunderstood Century, 2016. I Feel Extreme, Man.

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Felix Riemann and Matilda Tjäder. Untitled Audio, 4:28min, 2016. Unveiling (you embrace me, as I am). Felix Riemann, Marco Spörle, Tobias Willmann. Felix Riemann and Samuel Jeffery.

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Proposal for A Misunderstood Century. In Your 1: Some Berlin-Based International Writing. In General Fine Arts Issue 3, vol. 1. For Max Brands exhibition 'Mensch and Ding, Caro Diario, Pencils In The Fog'. Felix Riemann and Erika Landström. In Wandering Magazine #2. For Lena Henkes exhibition catalogue 'First Faces'. For Lena Henkes exhibition 'She Said Something Like: Don't Let Me Walk The Stairs Again I Said: But You Live There.

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So you did not go look for it. it came to you. Otherwise it would have scared me. But read the whole thing. Oh i need to stop. And ready to take a walk. Fresh air is important these days. Of course she is living w someone w a carreer. So many different crutches. So many different diseases. Full of those krank ideoms today. My neck is hurting. I would help you like a person that could. Ach you are never that alone. As when you have the body/mind fuck. I call it a night now. Everything at its best. I meant...

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Denying the Inflammability of the Twigs Found in the Copse This Morning. An installation and screening with video works by Luzie Meyer, Nikhil Vettukattil, Shaun Motsi and Cornelia Herfurtner. Untitled (Song), 2017. Chambers A User’s Manual Chapter II. Villa Metzlerstraße 21, Frankfurt am Main. Upset Sand Land, 2016. In Compensation of the Platonic Courtyard Whisper,. Readings by Jack Brennan, Matilda Tjäder, Vera Karlsson and Lian Rangkuty. Proposal for a Misunderstood Century, 2016. I Feel Extreme, Man.

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