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Saturday, 10 January 2009. This talent, this flair for sculpture, made Louisa the only person truly worthy of inheriting her father's sculpting dynasty. But this was not to be, as in 1671, she married Luis Antonio Navarro De Los Arcos against the wishes of her parents. A sculptor and artist himself, Luis was responsible for painting Louisa's sculptures in their rich, vibrant hues. Louisa Ignacia Roldán, Saint Ginés de la Jara (polychromed wood with glass eyes), (c.1692). Louisa Ignacia Roldán, Death of M...

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Feminartium | feminartium.blogspot.com Reviews

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Saturday, 10 January 2009. This talent, this flair for sculpture, made Louisa the only person truly worthy of inheriting her father's sculpting dynasty. But this was not to be, as in 1671, she married Luis Antonio Navarro De Los Arcos against the wishes of her parents. A sculptor and artist himself, Luis was responsible for painting Louisa's sculptures in their rich, vibrant hues. Louisa Ignacia Roldán, Saint Ginés de la Jara (polychromed wood with glass eyes), (c.1692). Louisa Ignacia Roldán, Death of M...

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2 properzia de' rossi

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Feminartium | feminartium.blogspot.com Reviews

https://feminartium.blogspot.com

Saturday, 10 January 2009. This talent, this flair for sculpture, made Louisa the only person truly worthy of inheriting her father's sculpting dynasty. But this was not to be, as in 1671, she married Luis Antonio Navarro De Los Arcos against the wishes of her parents. A sculptor and artist himself, Luis was responsible for painting Louisa's sculptures in their rich, vibrant hues. Louisa Ignacia Roldán, Saint Ginés de la Jara (polychromed wood with glass eyes), (c.1692). Louisa Ignacia Roldán, Death of M...

INTERNAL PAGES

feminartium.blogspot.com

1

Feminartium: Gabriele Münter

http://feminartium.blogspot.com/2009/01/gabriele-mnter.html

Friday, 9 January 2009. Wassily Kandinsky, Gabriele Münter, 1905. There were many romantic relationships between artists in art history, and they are mostly described in a manner where men are the famous ones, the initiators, the inventors, while female artists are simply their f. Ollowers, their pale shadows. The true influence of females in such relationships are hard to determine sometimes, and there is always controversy involved, as in the case of Gabriele M. And her tutor and lover Wassily Kandinsky.

2

Feminartium: Rachel Ruysch

http://feminartium.blogspot.com/2009/01/rachel-ruysch.html

Saturday, 10 January 2009. The Netherlands in the 17. Century was the home of many gifted realist artists, but one of them intrigued me with the chosen subject of her paintings – flowers. Rachel Ruysch. Born in Amsterdam, 3. June 1664 – died in Amsterdam, 12. August 1750) was a Dutch baroque painter specialised in still-life paintings of flowers, the love for which she received from her father, Frederik Ruysch. A Professor of anatomy and botany. Rachel Ruysch, Still-Life with Bouquet of Flowers and Plums.

3

Feminartium: Louisa Ignacia Roldán

http://feminartium.blogspot.com/2009/01/louisa-ignacia-roldn.html

Saturday, 10 January 2009. This talent, this flair for sculpture, made Louisa the only person truly worthy of inheriting her father's sculpting dynasty. But this was not to be, as in 1671, she married Luis Antonio Navarro De Los Arcos against the wishes of her parents. A sculptor and artist himself, Luis was responsible for painting Louisa's sculptures in their rich, vibrant hues. Louisa Ignacia Roldán, Saint Ginés de la Jara (polychromed wood with glass eyes), (c.1692). Louisa Ignacia Roldán, Death of M...

4

Feminartium: Maria Martinez

http://feminartium.blogspot.com/2009/01/maria-martinez.html

Saturday, 10 January 2009. Maria Martinez with her pottery. I've always admired the various Native American tribes and been intrigued with their tremendous spirituality and unique philosophy regarding life; and although generally aware of the so-called Pre-Columbian art, I wasn't really acquainted with any individual artist until now. This led to the refinement and development of this traditional technique by Maria and her family, and also their famed black on black decoration style. Sadly, Maria's husba...

5

Feminartium: Mary Beale

http://feminartium.blogspot.com/2009/01/mary-beale.html

Friday, 9 January 2009. The first professional female English portraitist of the Baroque era was Mary Beale. Born in Barrow, Suffolk, 26. March 1633 – died in London 1699) who produced numerous portraits of her family, important clergymen, as well as self-portraits, using a variety of media - oils, pastels and watercolours. Now, I must say that being introduced to her biography, I became more impressed with her husband, even though she was a true pioneer of her time in many ways. Her second child, Bar.

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feminartium.blogspot.com

Feminartium

Saturday, 10 January 2009. This talent, this flair for sculpture, made Louisa the only person truly worthy of inheriting her father's sculpting dynasty. But this was not to be, as in 1671, she married Luis Antonio Navarro De Los Arcos against the wishes of her parents. A sculptor and artist himself, Luis was responsible for painting Louisa's sculptures in their rich, vibrant hues. Louisa Ignacia Roldán, Saint Ginés de la Jara (polychromed wood with glass eyes), (c.1692). Louisa Ignacia Roldán, Death of M...

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