thelastvispo.com
The Last Vispo » Marilyn R. Rosenberg’s Woman’s Work: Some Hints At Violence And A Few Shadows
http://www.thelastvispo.com/2012/10/20/marilyn-rosenbergs-womans-work-some-hints-at-violence-and-a-few-shadows
Below is a list of blogs and websites of interest to readers of The Last Vispo Anthology. Blogs and websites by contributors to the anthology are denoted by red. If you know of other pertinent blogs and websites, please e-mail lastvispo@gmail.com. Help keep this post current.). Posted: August 30th, 2012 ˑ 1 Comment. Last Vispo Events/Launches, In Order of Appearance. March 14-15 2013 (Event #15 and 16), Two events with the Poetry Center, San Francisco:. The Last VisPo Anthology: Visual Poetry 1998 2008.
multigrafias.blogspot.com
M.U.L.T.I.G.R.A.F.I.A.S.: Fernando Aguiar
http://multigrafias.blogspot.com/2008/08/fernando-aguiar.html
Http:/ www.triplov.com/poesia/fernando aguiar/index.htm. Http:/ fernando-aguiar.blogspot.com/. Assinar: Postar comentários (Atom).
textoavoltadaperformance.blogspot.com
Texto à volta da performance: Janeiro 2010
http://textoavoltadaperformance.blogspot.com/2010_01_01_archive.html
Segunda-feira, 25 de janeiro de 2010. Fernando Aguiar - GLOBALIZAÇÃO and INTERACÇÃO. A globalização do planeta é um facto, e verifica-se a todos os níveis. Com a disseminação dos meios de comunicação e de informação, sobretudo da televisão e das antenas parabólicas e, mais recentemente, dos computadores e da internet. Mas a globalização não acontece apenas com os media,. Da comida chinesa, “jeans”,. E da língua inglesa. Com esta massificação, inevitável porque é também imposta pela publicidade ao serviço...
thelastvispo.com
The Last Vispo » Uncategorized
http://www.thelastvispo.com/category/uncategorized
Archive for the ‘Uncategorized’ Category. Marilyn R. Rosenberg’s Woman’s Work: Some Hints At Violence And A Few Shadows. Image: “Mon Amour” by Satu Kaikkonen. With correct page numbers:. If the work’s creator says it is, and if the editors accept it, then it is visual poetry, and I agree. This is my thought process while I am doing a close reading of the women’s pages; surely these are my own interpretations. The titles may give me insight into …. Posted: October 20th, 2012 ˑ No Comments.
thelastvispo.com
The Last Vispo » 2012 » August
http://www.thelastvispo.com/2012/08
Archive for August, 2012. Below is a list of blogs and websites of interest to readers of The Last Vispo Anthology. Blogs and websites by contributors to the anthology are denoted by red. If you know of other pertinent blogs and websites, please e-mail lastvispo@gmail.com. Help keep this post current.). Posted: August 30th, 2012 ˑ 1 Comment. Last Vispo Events/Launches, In Order of Appearance. March 14-15 2013 (Event #15 and 16), Two events with the Poetry Center, San Francisco:. HUM 512, SFSU.
thelastvispo.com
The Last Vispo » Karl Kempton: Visual Poetry: A Brief Overview Of Ancestors And Traditions To The Present (W/Bibliography)
http://www.thelastvispo.com/2012/04/07/karl-kempton-visual-poetry-a-brief-overview-of-ancestors-and-traditions-to-the-present-wbibliography
Below is a list of blogs and websites of interest to readers of The Last Vispo Anthology. Blogs and websites by contributors to the anthology are denoted by red. If you know of other pertinent blogs and websites, please e-mail lastvispo@gmail.com. Help keep this post current.). Posted: August 30th, 2012 ˑ 1 Comment. Last Vispo Events/Launches, In Order of Appearance. March 14-15 2013 (Event #15 and 16), Two events with the Poetry Center, San Francisco:. The Last VisPo Anthology: Visual Poetry 1998 2008.
textoavoltadaperformance.blogspot.com
Texto à volta da performance: Fernando Aguiar - POESIA: OU A INTERACÇÃO DOS SENTIDOS
http://textoavoltadaperformance.blogspot.com/2010/01/fernando-aguiar-poesia-ou-interaccao.html
Segunda-feira, 25 de janeiro de 2010. Fernando Aguiar - POESIA: OU A INTERACÇÃO DOS SENTIDOS. POESIA: OU A INTERACÇÃO DOS SENTIDOS. POESIA: OU A INTERPENETRAÇÃO DOS SIGNOS. Vivemos o tempo do signo. O tempo em que a poesia deixou definitivamente os discursos para entrar no domínio das formas, no terreno do audio-visual e na dimensão do táctil. Aliás, não poderia ser de outro modo, considerando que toda a nossa estrutura vivencial se baseia nos indícios, nos sinais, nos símbolos, nos códigos. O poeta tem ...
