fieldworking.co.uk
Fieldwork - HomeA partnership between Ceri Jones and Chris Ricketts. Based in Cardiff. Working in the arts and cultural sectors.
http://fieldworking.co.uk/
A partnership between Ceri Jones and Chris Ricketts. Based in Cardiff. Working in the arts and cultural sectors.
http://fieldworking.co.uk/
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Fieldwork - Home | fieldworking.co.uk Reviews
https://fieldworking.co.uk
A partnership between Ceri Jones and Chris Ricketts. Based in Cardiff. Working in the arts and cultural sectors.
fieldworking.co.uk
The Language of Clay: part one
http://www.fieldworking.co.uk/the-language-of-clay-part-one
The Language of Clay: part one. Curated and project managed by Ceri, The Language of Clay: part one is a project led by Mission Gallery in partnership with Ruthin Craft Centre and Llantarnam Grange Arts Centre. The Language of Clay covers the work of three leading, and very distinctive, ceramic practitioners based in Wales Anna Noël, Micki Schloessingk and Anne Gibbs. Each has been commissioned to create a solo exhibition and over the course of the project these will tour extensively through Wales. Ceram...
Fieldwork - Things we're working on
http://www.fieldworking.co.uk/things-we-are-working-on
Things we're working on. Family Arts Campaign in Wales. Working in partnership with the UK Family Arts Campaign we've been running the Family Arts Campaign in Wales for the Arts Council of Wales for 2015/16 and 2016/17. The programme has included training events, a national symposium, advocacy for the Family Arts Festival and support for family arts networks. Ceri has been working for the past two years on The Language of Clay: part one. Supporting Creative Professionals in Wales. We've partnered with th...
Fieldwork - Cartref
http://www.fieldworking.co.uk/cartref
Ein cartref yw Cymru. Felly y mae wedi bod i mi erioed ac i Chris ers amser maith. Siaradwyr Saesneg iaith gynta ydyn ni. Dw i wedi dysgu Cymraeg. Rydyn ni’n dau wedi gweithio mewn amgylchedd naturiol ddwyieithog erioed. Er nad ydyn ni’n ddigon rhugl i reoli prosiectau drwy gyfrwng y Gymraeg, rydyn ni’n datblygu ac yn rhedeg mentrau sy’n gweithredu’n ddwyieithog neu’n amlieithog fel bo’n briodol.
Fieldwork - Field notes
http://www.fieldworking.co.uk/field-notes
Angharad Pearce Jones, The Pram in the Hall. Culture Colony Quarterly Magazine, May 2015. Print only version at present. Southern Lines and Northern Lights. Culture Colony Quarterly Magazine, January 2015. Print only version, click here. Pop Up, Show Up, Open Up. Cardiff Contemporary supplement pro. Duced by Culture Colony Quarterly Magazine, October 2014. Print only version, click here. Claire Curneen, To This I Put My Name. Culture Colony Quarterly Magazine, January 2014. An opportunity for adventure.
Fieldwork - Who we are
http://www.fieldworking.co.uk/who-we-are
We have some good ideas and these we research and develop, independently or with friends and colleagues, to varying ends. Some remain suspended until the right moment or collaborator comes along. We have differing specialisms as well as overlapping fields of interest, so some of our work we undertake solely and some we build a team to deliver. Fieldwork is very much motivated by a passion for high calibre artistic endeavour and by a shared value in creative solutions. A bit more about us. Should testimon...
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Evaluation - Family Arts
http://www.familyarts.co.uk/evaluation
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Family Matters: the final chapter - Family Arts
http://www.familyarts.co.uk/2015/07/family-matters-part-4
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Resources - Family Arts
http://www.familyarts.co.uk/resources
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Local Family Arts Networks - Family Arts
http://www.familyarts.co.uk/networks
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
News - Family Arts
http://www.familyarts.co.uk/news
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Training & Events - Family Arts
http://www.familyarts.co.uk/training-events
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Family Arts Standards - Family Arts
http://www.familyarts.co.uk/family-arts-standards
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Family Arts Festival - Family Arts
http://www.familyarts.co.uk/family-arts-festival
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Family Arts Campaign in Wales - Family Arts
http://www.familyarts.co.uk/fieldwork
What is the Campaign about? The Family Arts Campaign is a large scale, national collaborative programme led by the visual and performing arts sectors to increase levels of arts engagement by families. The Campaign focuses on three main areas of work:. Increasing the amount and range of high-quality content available. Increasing the quality of experience. Who is the Campaign for? Who is running the Campaign? The Family Arts Campaign is an initiative of ten organisations and trade bodies:. Chief Executive,...
Cardiff Dance Festival
http://www.dance.wales/events/studies-for-maynard
CDF15 Let's talk. CDF15 Workshops for schools, colleges and the HE sector. Skip to Main Content. CDF15 Let's talk. CDF15 Workshops for schools, colleges and the HE sector. 8 19 NOVEMBER 2017. A live dance installation with movement, image, objects and sound. A dancer lies on the ground, looks at the sky and inhales in the clouds. An Apollo 9 astronaut considers his views of Earth. What is there to learn about home from a Raven? With collaborators sound artist Barnaby Oliver and film maker Tanya Syed.
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Fieldwork Foundation – Waar we het meest nodig zijn
Frans en Ita Pronk. Richard Huys en Tom Pel, Kracht in Techniek. Waar we het meest. Geef ze het gevoel,. Dat ze er níet alleen voor staan! Fieldwork Foundation is aangemerkt als ‘Algemeen Nut Beogende Instelling’. Wij zorgen voor financiële steun, steken zelf ‘de handen uit de mouwen’ of denken mee aan oplossingen voor de langere termijn. Uiteraard doen wij dit geheel kosteloos en zullen alle donaties gebruikt worden om het leed te bestrijden! Daar waar we het meest nodig zijn'. Mensen in de hulpverlening.
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Pest control software designed to help you grow your business - Fieldwork
Cloud Based Pest Control Software. Start with 14 Days Free. Power to the pmp. Designed to help you. Get where you want to go with Fieldwork. Scanning and Trend Reporting. What our customers think about Fieldwork. Pest Control Solutions Now. We shopped around to other leading software programs and after doing several demos, Fieldwork had them beat by far. In addition the service is outstanding. We get answers and help immediately. I did not in any way expect this level of service. Since using Fieldwork fo...
FieldWorking Blog
This is a space for collective conversation for our FieldWorking Online community participants. Tuesday, June 07, 2005. Initiating the new FWOL blog. So here's an attempt from another angle: a blog. we've used blogs elsewhere for other purposes and found this technology to be surprisingly user-friendly and dynamic. therefore we're giving it a whirl for the purposes of fieldworking online. we've constructed this as a "team" blog- the team. Posted by sat @ 5:25 PM. Where this stems from. If you've got sugg...
Fieldwork - Home
We work in the arts and culture field, running and producing projects and supporting artists and new initiatives. We're based in Cardiff (Wales/UK), do lots of our work here, but have plenty of experience of working internationally and making connections across borders. Things we're working on. Things we're good at. Current: The Language of Clay. Current: Cardiff Dance Festival. Current: Jo Fong, An Invitation. Current: Family Arts Campaign in Wales. Recent: Rhian Hâf, Captured Moments.
fieldworkinmozambique.wordpress.com
Views from Within | a Minor Field Study on a Development Project in Mozambique
A Minor Field Study on a Development Project in Mozambique. Knowledge’ for what and for whom? March 25, 2010. The value of knowledge is that humans can use it to increase their capacities and improving their possibilities to live and survive (Liedman 2001, my translation). I am trying to understand what. How do we deal with knowledge? Can anthropological practice ( empirical research. Guide theory, policy making and affect behaviour? Without generating an epistemological. The discipline is traditionally ...
Fieldwork in Stilettos
Alton Sterling, Philando Castile, and the Language of Massacre. On December 28, 1890, the U.S. 7th Cavalry Regiment intercepted a group of Lakota Native Americans en route to South Dakota’s Pine Ridge Agency and escorted them to Wounded Knee…. The Time I caught Bernie Sanders’s Jacket. When I decided to make the trip up to New Hampshire to canvass for Bernie Sanders, it was mainly because I thought it would be cool to run around for a while pretending to be…. The Plague of Stuff: We Buy, Who Pays? Grandm...
fieldwork in Sudan
It's amazing to think that a week ago I was in Juba. The difference in just a short flight is astounding. The ruins of a building make from coral roc k:. When the Sultanate of Oman ousted the Portuguese at the end of the 17th century, Zanzibar became the hub of the Omani commercial empire and the principal staging point for the vast number of slaves the Omanis controlled. Ninety-seven per cent of the population are Muslims, although there are also Hindus, Christians and a small group of Parsees. After a ...
Fieldwork International
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