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Strictly Film School - [Archives from 10/97-3/11]

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Strictly Film School | filmref.com Reviews

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Directors

http://filmref.com/directors/directors.html

An alphabetical listing of films may be found here. Mark Achbar and Jennifer Abbott:. Je tu il elle. Jeanne Dielman, 23 du Commerce, 1080 Bruxelles. From the Other Side. Happy Here and Now. Los Angeles Plays Itself. Joaquim Pedro de Andrade. The Poet of the Castle. Garrincha, Joy of the People. Brasilia, Contradictions of a New City. The Priest and the Girl. The Master of Apipucos. Landscape in the Mist. The Suspended Step of the Stork. Eternity and a Day. Eros: The Dangerous Thread of Things. Life on th...

2

Aki Kaurismaki

http://filmref.com/directors/dirpages/kaurismaki.html

The Match Factory Girl. The Man Without a Past. Varjoja paratiisissa, 1986. The first film in what would evolve into the Proletariat Trilogy (along with Ariel. And The Match Factory Girl. Hamlet liikemaailmassa, 1987. A sardonic and irreverent contemporary adaptation of William Shakespeare's Hamlet. Aki Kaurismäki creates a snide and irreverent chronicle of a man's search for love and happiness in Ariel. Tulitikkutehtaan tytto, 1989. The Match Factory Girl]. Kauas pilvet karkaavat, 1996. Aki Kaurism&auml...

3

Idrissa Ouedraogo

http://filmref.com/directors/dirpages/ouedraogo.html

Tilaï, 1990. Idrissa Ouedraogo creates a distilled, lucid, and incisive cautionary tale of obdurate pride, self-righteous rationalization, and archaic traditions in Tilaï. And Shohei Imamura's subsequent re-adaptation, The Ballad of Narayama. Samba Traoré, 1992.

4

Ousmane Sembene

http://filmref.com/directors/dirpages/sembene.html

Borom Sarret, 1966. Marking the cinematic debut of Senegalese novelist and Moscow-trained filmmaker Ousmane Sembene - and also representing the earliest film directed by an indigenous filmmaker in sub-Sahara Africa - Borom Sarret. Curse of sexual impotence), Beye abandons everything in an obsessive search for a cure. Ousmane Sembene presents a subversive, scathingly funny, and incisive satire on the decadence and hypocrisy of the post-colonial upper class in Xala. And The Discreet Charm of the Bourgeoisie.

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Converge – Thousand Miles Between Us | Cause {Can't Resist}

https://iamcause.wordpress.com/2007/07/09/converge-thousand-miles-between-us

Cause {Can’t Resist}. Drummer Spotlight: 혜성 from Pia. Converge – Thousand Miles Between Us. Oh No Minwoo, Where Are U? DESPERADO – 44 MINUTES LEFT BEFORE SMELLING LIKE A DISGUSTING PERSON. 雅-miyavi- Kabuki Danshi [歌舞伎男子] / -Neo Visualizm- [咲き誇る華のように] (PV). If Punk’s Not Dead, Then Why Does It Smell Like Shit. DRINK BEER SAVE WATER! 피아 Pia – Black Fish Swim / 시대 유강 Live. 피아 Pia – Waterfalls Track Previews Lyrics *Updated*. Xenosapien by Cephalic Carnage Review. 피아 Pia – New Album IN STORES NOW! Fill in yo...

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DESPERADO – 44 MINUTES LEFT BEFORE SMELLING LIKE A DISGUSTING PERSON | Cause {Can't Resist}

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Cause {Can’t Resist}. Drummer Spotlight: 혜성 from Pia. Converge – Thousand Miles Between Us. Oh No Minwoo, Where Are U? DESPERADO – 44 MINUTES LEFT BEFORE SMELLING LIKE A DISGUSTING PERSON. 雅-miyavi- Kabuki Danshi [歌舞伎男子] / -Neo Visualizm- [咲き誇る華のように] (PV). If Punk’s Not Dead, Then Why Does It Smell Like Shit. DRINK BEER SAVE WATER! 피아 Pia – Black Fish Swim / 시대 유강 Live. 피아 Pia – Waterfalls Track Previews Lyrics *Updated*. Xenosapien by Cephalic Carnage Review. 피아 Pia – New Album IN STORES NOW! Desperado ...

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Glassjaw @ The Brixton Academy in London | Cause {Can't Resist}

https://iamcause.wordpress.com/2007/06/09/glassjaw-the-brixton-academy-in-london

Cause {Can’t Resist}. Drummer Spotlight: 혜성 from Pia. Converge – Thousand Miles Between Us. Oh No Minwoo, Where Are U? DESPERADO – 44 MINUTES LEFT BEFORE SMELLING LIKE A DISGUSTING PERSON. 雅-miyavi- Kabuki Danshi [歌舞伎男子] / -Neo Visualizm- [咲き誇る華のように] (PV). If Punk’s Not Dead, Then Why Does It Smell Like Shit. DRINK BEER SAVE WATER! 피아 Pia – Black Fish Swim / 시대 유강 Live. 피아 Pia – Waterfalls Track Previews Lyrics *Updated*. Xenosapien by Cephalic Carnage Review. 피아 Pia – New Album IN STORES NOW! Anyway, ev...

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Toward an LDS Cinema: A Priori assumptions

http://ldscinema.blogspot.com/2008/01/priori-assumptions.html

Toward an LDS Cinema. To challenge, develop, define, and encourage a cinema influenced and created by Latter-Day Saint doctrines. Thursday, January 3, 2008. I guess I should clarify a few things that I may have taken for granted. There are assumptions that I've made, which I assumed would not be debatable, but I realize I should also bring the following to the discussion:. However, as a general guideline, escapism does not lead to godliness. 7 That the LDS culture is in need of personal. Films from LDS f...

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Toward an LDS Cinema: Why Latter-day Saints should be interested in Fight Club

http://ldscinema.blogspot.com/2008/06/why-latter-day-saints-should-be.html

Toward an LDS Cinema. To challenge, develop, define, and encourage a cinema influenced and created by Latter-Day Saint doctrines. Wednesday, June 11, 2008. Why Latter-day Saints should be interested in Fight Club. From the get-go, I'll admit that I haven't read the book from which Fight Club. I'll be referring to the film and not the novel. As Latter-day Saints, we might be hesitant to consider such a film as Fight Club. Becomes so fascinating to me. Violence. This is a hot topic; the film gives litt...

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Cinema Ramble: January 2013

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Tuesday, 15 January 2013. Top 10 Films of 2012. It took forever to get this post finished. I was worried 2013 would finish before I got this 2012 wrap-up done. Hastily written at any spare moment, I’m just happy that this little list actually exists, regardless of whether it makes sense or not. Also, yay to me for breaking a 5-month freeze on this blog by actually posting something. Is the blog officially unfrozen? That I managed to sink my eyes into. 10 FAREWELL, MY QUEEN (Benoit Jacquot; France/ Spain).

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