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Saturday, March 28, 2009. ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard). Ici et Ailleurs (Here and Elsewhere). 160;(1967), the movie stars pretend to be revolutionaries. With the beginning of the Dziga Vertov Group, Godard began filming real revolutionaries instead, and the implications of this dynamic between the director and his subjects started coming into focus. 160;were among the dead. The cinema [is] the place of a crime and a kind of magic. The crime: that images and sounds a...

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FILMS POLITICALLY | filmspolitically.blogspot.com Reviews
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Saturday, March 28, 2009. ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard). Ici et Ailleurs (Here and Elsewhere). 160;(1967), the movie stars pretend to be revolutionaries. With the beginning of the Dziga Vertov Group, Godard began filming real revolutionaries instead, and the implications of this dynamic between the director and his subjects started coming into focus. 160;were among the dead. The cinema [is] the place of a crime and a kind of magic. The crime: that images and sounds a...
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FILMS POLITICALLY | filmspolitically.blogspot.com Reviews

https://filmspolitically.blogspot.com

Saturday, March 28, 2009. ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard). Ici et Ailleurs (Here and Elsewhere). 160;(1967), the movie stars pretend to be revolutionaries. With the beginning of the Dziga Vertov Group, Godard began filming real revolutionaries instead, and the implications of this dynamic between the director and his subjects started coming into focus. 160;were among the dead. The cinema [is] the place of a crime and a kind of magic. The crime: that images and sounds a...

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FILMS POLITICALLY: LA CHINOISE (1967, Jean-Luc Godard)

http://filmspolitically.blogspot.com/2009/02/la-chinoise-1967-jean-luc-godard.html

Saturday, February 28, 2009. LA CHINOISE (1967, Jean-Luc Godard). If  The Fall. 160;is a study of a time and a place that simultaneously maps an inner landscape,  La Chinoise. In making sense of  La Chinoise. 160;it helps to recognise its position as one of the key transitional works in Godard's career—emerging at the end of his prolific string of French New Wave classics (from  Breathless . 1960] to  Made in USA . 160;(1967), the film made immediately after  La Chinoise. An awareness of and attempts to ...

2

FILMS POLITICALLY: ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard)

http://filmspolitically.blogspot.com/2009/03/ici-et-ailleurs-1976-anne-marie.html

Saturday, March 28, 2009. ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard). Ici et Ailleurs (Here and Elsewhere). 160;(1967), the movie stars pretend to be revolutionaries. With the beginning of the Dziga Vertov Group, Godard began filming real revolutionaries instead, and the implications of this dynamic between the director and his subjects started coming into focus. 160;were among the dead. The cinema [is] the place of a crime and a kind of magic. The crime: that images and sounds a...

3

FILMS POLITICALLY: ICE (1969, Robert Kramer)

http://filmspolitically.blogspot.com/2009/03/ice-1969-robert-kramer_18.html

Wednesday, March 18, 2009. ICE (1969, Robert Kramer). 160;is an exploration and critique of radical activism that strives to be both involved and sceptical. In Kramer's case, it's a dual commitment that leads to an endless series of contradictions: . Spend a lot of time inspecting the social, cultural and intellectual structures that motivate and underpin '60s radicalism, and deliberating alongside its protagonists over what action should be taken. In . 160;was completed in 1969, these divisions led to t...

4

FILMS POLITICALLY: March 2009

http://filmspolitically.blogspot.com/2009_03_01_archive.html

Saturday, March 28, 2009. ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard). Ici et Ailleurs (Here and Elsewhere). 160;(1967), the movie stars pretend to be revolutionaries. With the beginning of the Dziga Vertov Group, Godard began filming real revolutionaries instead, and the implications of this dynamic between the director and his subjects started coming into focus. 160;were among the dead. The cinema [is] the place of a crime and a kind of magic. The crime: that images and sounds a...

5

FILMS POLITICALLY: THE FALL (1969, Peter Whitehead)

http://filmspolitically.blogspot.com/2009/02/fall-1969-peter-whitehead.html

Saturday, February 14, 2009. THE FALL (1969, Peter Whitehead). In “I Destroy, Therefore I Am”. A revealing essay written shortly after completing The Fall. A study of an individual seeking a praxis. As Whitehead would later say, “I put myself together by putting the film together.”. Starting his career as a TV cameraman, Whitehead directed a series of documentaries on British subjects throughout the ‘60s, including Charlie Is My Darling. 8221;, introduces Whitehead in the editing room, trying to structur...

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Seomra Spraoi | Dublin's Autonomous Social Centre | Page 14

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Dublin's Autonomous Social Centre. Putting on an Event. Irish Climate Camp Awareness Raiser. Skip to post content. April 6, 2009. Seomra Spraoi / Saturday 11th April / 6pmâ 11pm. Doors open 6pm, event starts 6.30pm sharp! Introduction of event and slideshows. Food served @ 6:30pm. Film: (to be confirmed) The Power of Community, starts 7.30pm. Ever wondered what exactly Climate Camp is? What it hopes to achieve? How is it organised and who is organising the Irish one? The Power of Community. Any questions...

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experimental film club: February 2009

http://experimentalfilmclub.blogspot.com/2009_02_01_archive.html

Venom, Eternity, and Other Discrepancies. 4pm / 22 Feb 2009. Upstairs at the Ha'penny Bridge Inn (Dublin). Calm down, you assholes, shut up! First of all, I think the cinema is too rich. It’s obese. It’s reached its limits, its maximum capacity. A mere blockage will shatter this fat-filled pig into a thousand pieces. I hereby announce the destruction of cinema, the first apocalyptic sign of disjunction, the rupture of this ballooning, and pot-bellied organism known as film. 8221; Isou proclaimed. 1) Adri...

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Tuesday, July 24, 2012. The Dark Knight Rises. In the comics, Bane is known as “The Man Who Broke The Bat” – the man who defeated Batman, broke his spine, then let him live just so he could suffer. The Dark Knight Rises follows closely to that story, with one fairly major tweak:. The man who broke the bat was Heath Ledger’s Joker. With an opening like that, and a title like this one, there is surely only one way this character can go. Don’t believe me? Batman meets Catwoman again – he takes back th...

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Ruining the ending for your own good. Tuesday, August 11, 2009. Then are you in for a treat! This movies doesn't let you go five minutes without rewinding to something that gives you real insight on what and why is really going on. It's just a shame you won't care. The Ballad of G.I. Joe. Monday, July 20, 2009. Monday, June 29, 2009. Tim Burton's Alice in Wonderland spoilers. Tim Burton doesn’t exactly have the best track record with remakes. Planet of the Apes. Charlie and the Chocolate Factory. Alice g...

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FILMS POLITICALLY

Saturday, March 28, 2009. ICI ET AILLEURS (1976, Anne-Marie Miéville and Jean-Luc Godard). Ici et Ailleurs (Here and Elsewhere). 160;(1967), the movie stars pretend to be revolutionaries. With the beginning of the Dziga Vertov Group, Godard began filming real revolutionaries instead, and the implications of this dynamic between the director and his subjects started coming into focus. 160;were among the dead. The cinema [is] the place of a crime and a kind of magic. The crime: that images and sounds a...

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