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Fiona James

The Story of Thunder Road. Split 3: The Dredger God. Fiddling with the Faculty (w/ Edward Clive). Draft 1, 2, and 3 (w/ Jane Frances Dunlop).

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Fiona James | fionajames.org Reviews
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The Story of Thunder Road. Split 3: The Dredger God. Fiddling with the Faculty (w/ Edward Clive). Draft 1, 2, and 3 (w/ Jane Frances Dunlop).
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1 past work
2 kino international
3 over the rockies
4 research projects
5 pppproject
6 thinking big
7 random play
8 janeness
9 liberate labour
10 triggering diagram
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past work,kino international,over the rockies,research projects,pppproject,thinking big,random play,janeness,liberate labour,triggering diagram,the enormous space,links,88 hight street,flat 4,ramsgate,kent,fiona james
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Fiona James | fionajames.org Reviews

https://fionajames.org

The Story of Thunder Road. Split 3: The Dredger God. Fiddling with the Faculty (w/ Edward Clive). Draft 1, 2, and 3 (w/ Jane Frances Dunlop).

INTERNAL PAGES

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1

Fiona James

http://www.fionajames.org/janeness.html

An ongoing investigation into the quality of JANENESS and its potential uses. Developed so far with Jane Frances-Dunlop and Jane Fawcett. 2012-current. Current proposal for a project on Janeness, working with Jane Frances-Dunlop. In short can Jane be a ‘thing’ that makes thoughts objects? A handle in a space that navigates its own redundancy by its sheer insistence on being. The Story of Thunder Road. Split 3: The Dredger God. Fiddling with the Faculty (w/ Edward Clive). I wish, Jane was’, she went.

2

Fiona James

http://www.fionajames.org/randomplay.html

Random Play: Deliberately Weak in Language. Piet Zwart Institute May 2012. The starting charade: the prologue 'deliberately' stamps on flowers while miming the title. Inter Val, the glamour, provides for the Woodsman who keeps rhythm with his mighty chopper. The scribe says no. The Twisting my Melonman slices a smile. The lost Log Lady listen to a squash she's recently dug from her garden. The actors watch when done with their part. Banananan na brings on her hoop. The Story of Thunder Road.

3

Fiona James

http://www.fionajames.org/kino_int.html

The accumulation and delivery of selected statements via a predetermined sequence. A lecture on cliques and waiting by Jane Dunlop, sabotaged by a rotating screen and the other agents. A game of catching ‘conch’ between players who can only deliver anecdotes when they have the paper ball. Performers relate to each other in accordance to instruction on their t-shirts stripping as they go to change their relations. Falling apart to stay together. Exercise 1. Introducing,. Queen Mary University (10 Feb 2011).

4

Fiona James

http://www.fionajames.org/dredger.html

Installation housing three channels of synched video that centred around a credit sequence rendered moments before the private view. The text featured acted as a key to props in the space and other scenes in the films, such as gestures shot in the space the night before, a dredger relocating silt from a marina floor, borrowed and stolen clips from the internet and three stories that addressed differing forms of legacy. 1 An unfinished drawing of a ship. 2 The Left Screen (laptop on angled table. Transcri...

5

Fiona James

http://www.fionajames.org/liberatelab.html

Workshop Week, Skill Share Sessions. And other creative clichés that adopt alliteration). Abandon Artistic Autonomy by Uniting U’re Uniqueness, aka a contentious call towards ‘common’ creativity. Piet Zwart Institute, November 2011. So You're at Art School; A painting workshop. Chi and Chores; martial arts meets ergonomics. Occupying a Winters Eve; How to sew your pants. Cooking Up Something Spanish; Paella in real time via youtube. A demonstration on how to talk to dogs. (Real dogs and Hot dogs in t...

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