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Friday, October 8, 2010. 12298;时代的噪音——从迪伦到U2的抵抗之声》序. 张铁志这部《时代的噪音——从迪伦到U2的抵抗之声》会令人设想另一部也许也值得一写的书,比如《时代的噪音——从崔健到左小祖咒的抵抗之声》。问题是:中 国的特殊语境何在? 假如以二元对立思维将枪和音乐变成你死我活的对峙关系,失败的必定是音乐——我说的是音乐美学,以及对于世界和人性复杂性的认识。 这就是为什么一看到有人自命为“民谣的切•格瓦拉”,我会捏着鼻子闪开。 抗 议歌曲的悖论和危险在于,在“音乐杀死枪”的激情裹挟下有时反而容易沦为音乐的自杀,“抗议”不幸杀死了歌曲。我们不得不承认,“抗议之 声”也好,“抗议歌手”也罢,其定义是有先天缺陷的。而“时代的噪音”并不仅仅只是“抗议之声”的同义重复,假如将“噪音”理解为对于参差多元世...在我们这个国度、这个时代,“抵抗之声”的两难悖论在 于:一方面,中国摇滚和民谣的抗议之声星星之火远未燎原,亟待张铁志这部书写到的那些 伟大歌手前仆后继、薪火相传的感召...诸位,我们在地下,不是地下精英,是过道. 流 浪汉,流浪汉,. 是 谁扼杀了迪伦中国巡演?...

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Fiona's Blog | fionamj.blogspot.com Reviews
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Friday, October 8, 2010. 12298;时代的噪音——从迪伦到U2的抵抗之声》序. 张铁志这部《时代的噪音——从迪伦到U2的抵抗之声》会令人设想另一部也许也值得一写的书,比如《时代的噪音——从崔健到左小祖咒的抵抗之声》。问题是:中 国的特殊语境何在? 假如以二元对立思维将枪和音乐变成你死我活的对峙关系,失败的必定是音乐——我说的是音乐美学,以及对于世界和人性复杂性的认识。 这就是为什么一看到有人自命为“民谣的切•格瓦拉”,我会捏着鼻子闪开。 抗 议歌曲的悖论和危险在于,在“音乐杀死枪”的激情裹挟下有时反而容易沦为音乐的自杀,“抗议”不幸杀死了歌曲。我们不得不承认,“抗议之 声”也好,“抗议歌手”也罢,其定义是有先天缺陷的。而“时代的噪音”并不仅仅只是“抗议之声”的同义重复,假如将“噪音”理解为对于参差多元世...在我们这个国度、这个时代,“抵抗之声”的两难悖论在 于:一方面,中国摇滚和民谣的抗议之声星星之火远未燎原,亟待张铁志这部书写到的那些 伟大歌手前仆后继、薪火相传的感召...诸位,我们在地下,不是地下精英,是过道. 流 浪汉,流浪汉,. 是 谁扼杀了迪伦中国巡演&#65311...
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1 fiona's blog
2 不要穿着敌人的裤子去骂敌人不穿裤子 转自 gmail buzz
3 你不是诗人,你不爱政治,我也不是朋克
4 我们只是第十三节车厢里的流浪汉
5 同志,你糊里湖涂地走上了政治的舞台
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fiona's blog,不要穿着敌人的裤子去骂敌人不穿裤子 转自 gmail buzz,你不是诗人,你不爱政治,我也不是朋克,我们只是第十三节车厢里的流浪汉,同志,你糊里湖涂地走上了政治的舞台,posted by,fiona,no comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,mozilla seabird 2d,and american dad,in season 1 3
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Fiona's Blog | fionamj.blogspot.com Reviews

https://fionamj.blogspot.com

Friday, October 8, 2010. 12298;时代的噪音——从迪伦到U2的抵抗之声》序. 张铁志这部《时代的噪音——从迪伦到U2的抵抗之声》会令人设想另一部也许也值得一写的书,比如《时代的噪音——从崔健到左小祖咒的抵抗之声》。问题是:中 国的特殊语境何在? 假如以二元对立思维将枪和音乐变成你死我活的对峙关系,失败的必定是音乐——我说的是音乐美学,以及对于世界和人性复杂性的认识。 这就是为什么一看到有人自命为“民谣的切•格瓦拉”,我会捏着鼻子闪开。 抗 议歌曲的悖论和危险在于,在“音乐杀死枪”的激情裹挟下有时反而容易沦为音乐的自杀,“抗议”不幸杀死了歌曲。我们不得不承认,“抗议之 声”也好,“抗议歌手”也罢,其定义是有先天缺陷的。而“时代的噪音”并不仅仅只是“抗议之声”的同义重复,假如将“噪音”理解为对于参差多元世...在我们这个国度、这个时代,“抵抗之声”的两难悖论在 于:一方面,中国摇滚和民谣的抗议之声星星之火远未燎原,亟待张铁志这部书写到的那些 伟大歌手前仆后继、薪火相传的感召...诸位,我们在地下,不是地下精英,是过道. 流 浪汉,流浪汉,. 是 谁扼杀了迪伦中国巡演&#65311...

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Friday, October 8, 2010. 12298;时代的噪音——从迪伦到U2的抵抗之声》序. 张铁志这部《时代的噪音——从迪伦到U2的抵抗之声》会令人设想另一部也许也值得一写的书,比如《时代的噪音——从崔健到左小祖咒的抵抗之声》。问题是:中 国的特殊语境何在? 假如以二元对立思维将枪和音乐变成你死我活的对峙关系,失败的必定是音乐——我说的是音乐美学,以及对于世界和人性复杂性的认识。 这就是为什么一看到有人自命为“民谣的切•格瓦拉”,我会捏着鼻子闪开。 抗 议歌曲的悖论和危险在于,在“音乐杀死枪”的激情裹挟下有时反而容易沦为音乐的自杀,“抗议”不幸杀死了歌曲。我们不得不承认,“抗议之 声”也好,“抗议歌手”也罢,其定义是有先天缺陷的。而“时代的噪音”并不仅仅只是“抗议之声”的同义重复,假如将“噪音”理解为对于参差多元世...在我们这个国度、这个时代,“抵抗之声”的两难悖论在 于:一方面,中国摇滚和民谣的抗议之声星星之火远未燎原,亟待张铁志这部书写到的那些 伟大歌手前仆后继、薪火相传的感召...诸位,我们在地下,不是地下精英,是过道. 流 浪汉,流浪汉,. 是 谁扼杀了迪伦中国巡演&#65311...

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