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5555555 55555 555 | five5five5five5.blogspot.com Reviews

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12/17/13 ~ 5555555 55555 555

http://www.five5five5five5.blogspot.com/2013_12_17_archive.html

The following posts have been extracted from Katherine Hayles's 2006 book chapter The Time of Digital Poetry: From Object to Event. APA: Hayles, N. K. (2006). The time of digital poetry: from object to event, in New Media Poetics: Contexts, Technotexts, and Theories, Morris, A and Swiss, T., (eds), MIT Press,143-164. I propose thinking about the digital poem as a machine to organize time. What does it mean to say that the poem is a machine that organizes time? Loss Pequeño Glazier sees print and electron...

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12/13/13 ~ 5555555 55555 555

http://www.five5five5five5.blogspot.com/2013_12_13_archive.html

The following posts are extractions from Manuel Portola's 2006 article Concrete and Digital Poetics. APA: Portela, M. (2006). Concrete and Digital Poetics, LEA, Vol 14 Issue 05 - 06, http:/ tinyurl.com/pwvqvu5 Accessed on 13 12 2013. Chicago: Manuel Portola, Concrete and Digital Poetics, LEA, Vol 14 Issue 05 - 06, (2006) http:/ tinyurl.com/pwvqvu5 Accessed on 13 12 2013. In retrospect, the poem appears as a script of meaning, even if this meaning is not entirely determinable. This is the kind of metaling...

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12/15/13 ~ 5555555 55555 555

http://www.five5five5five5.blogspot.com/2013_12_15_archive.html

The following posts are quotes that have been harvested from Anna Katharina Schaffner's 2010 book chapter From Concrete to Digital: The Reconceptualization of Poetic Space. APA: Schaffner, A. K. (2010). From Concrete to Digital: The Reconceptualization of Poetic Space, in Beyond the Screen: Transformations of Literary Structures, Interfaces and Genres, Schaefer, J., Gendolla, P. (eds), Transcript-Verlag, Bielefeld, Germany, p: 179 - 199. And what happens to the notion of ‘concrete’ in the web? Qualities ...

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http://www.five5five5five5.blogspot.com/2014/01/blog-post_2793.html

5555555 55555 555 came about when artist avatar Giovanna Cerise. Invited me to contribute to her collaborative SL project revolving around numbers. The idea was that I had to pick a number between 0 and 9 and everything that I built had to be made out of that single digit. However, the project took on a life of its own after I completed the building. I started to think about how avatars would behave if they could only talk in 5s. What sort of a world would that be? Another thing that came out of all this...

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http://www.five5five5five5.blogspot.com/2014/01/blog-post_1.html

Links for Aleatoric poetry, Concrete poetry, Asemic Writing, Constrained Writing, etc. Writing as Re-Writing: Concrete Poetry as Arrière-Garde by Marjorie Perloff. Augusto de Campos, Digital Poetry, and the Anthropophagic Imperative by Chris Funkhouser. Poetic Transformations in(to) the Digital, Friedrich W. Block and Rui Torres. Ut Pictura Hyperpoesis: Spatial Form, Visuality, and the Digital Word, John Tolva. Digital poetics or On the evolution of experimental media poetry, Friedrich W. Block. A rhetor...

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5555555 55555 555

5555555 55555 555 came about when artist avatar Giovanna Cerise. Invited me to contribute to her collaborative SL project revolving around numbers. The idea was that I had to pick a number between 0 and 9 and everything that I built had to be made out of that single digit. However, the project took on a life of its own after I completed the building. I started to think about how avatars would behave if they could only talk in 5s. What sort of a world would that be? Another thing that came out of all this...

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