flexac.com
FlexAcousticsFlexible, variable acoustics - bass absorption system designed for use in concerts and other amplified music environments invented by Niels W. Adelman-Larsen
http://www.flexac.com/
Flexible, variable acoustics - bass absorption system designed for use in concerts and other amplified music environments invented by Niels W. Adelman-Larsen
http://www.flexac.com/
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FlexAcoustics | flexac.com Reviews
https://flexac.com
Flexible, variable acoustics - bass absorption system designed for use in concerts and other amplified music environments invented by Niels W. Adelman-Larsen
flexac.com
Architectural | Flex Acoustics
http://flexac.com/architectural
On tracks flush to the ceiling. Above a sound transparent ceiling. To cut-off unused, reverberant space. On tracks flush to the ceiling. Above a sound transparent ceiling. To cut-off unused, reverberant space. The aQflex and aQtube products are new tools in the palette of the acoustician and architect. Their designs are purely driven by function, turned on/off at the push of a button. The permanently installed aQflex system comprises of four components:. The mobile aQtubes include three components:.
The challange | Flex Acoustics
http://flexac.com/acoustical/the-challenge
Absorb low frequency sound. Short bass reverb is crucial for rock. Absorb evenly from 63 Hz to 1kHz. The fundamental frequencies of music. Audiences absorb higher frequencies. High Q directs HF at audience. Absorb low frequency sound. Short bass reverb is crucial for rock. Absorb evenly from 63 Hz to 1kHz. The fundamental frequencies of music. Audiences absorb higher frequencies. High Q directs HF at audience. Absorb low frequency sound. Short bass reverb is crucial for rock. High Q directs HF at audience.
Background | Flex Acoustics
http://flexac.com/acoustical/background
Absorb low frequency sound. Short bass reverb is crucial for rock. Absorb evenly from 63 Hz to 1kHz. The fundamental frequencies of music. Audiences absorb higher frequencies. High Q directs HF at audience. Absorb low frequency sound. Short bass reverb is crucial for rock. Absorb evenly from 63 Hz to 1kHz. The fundamental frequencies of music. Audiences absorb higher frequencies. High Q directs HF at audience. Absorb low frequency sound. Short bass reverb is crucial for rock. High Q directs HF at audience.
Video | Flex Acoustics
http://flexac.com/musical/video
Phone: 45 4088 3723.
Certifications | Flex Acoustics
http://flexac.com/architectural/certifications
On tracks flush to the ceiling. Above a sound transparent ceiling. To cut-off unused, reverberant space. On tracks flush to the ceiling. Above a sound transparent ceiling. To cut-off unused, reverberant space. The entire aQflex system is CE certified for use to the high safety and quality standards of Euopean Countries. Among other things this means that it complies with the b,s1-d0 fire standard. It also complies with US standards ASTM E 84, NFPA 701. So do the aQtubes. Download Declaration of conformity.
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Dansk Akustisk Selskab
http://www.d-a-s.dk/firmaer
Links til EAA mm. Bruel and Kjær Sound and Vibration. Brüel and Kjær. GADE and MORTENSEN AKUSTIK A/S. GADE and MORTENSEN AKUSTIK A/S. GRAS Sound and Vibration A/S. GRAS Sound and Vibration A/S. In-sign: Gustafs - Dalhem-Bencore- Bolander and Schön. Lloyd's Register Consulting. Lloyd's Register Consulting. ODEON A/S, Scion DTU. Rambøll Danmark A/S. Rambøll Danmark A/S. Aring;F Lyd and Vibrationer. Aring;F Lyd and Vibrationer. C/o Akustisk Teknologi, Bygning 352 - DTU DK-2800 Lyngby, Danmark.
Resources in Norwegian | Acoustics for music
https://ac4music.wordpress.com/2013/08/29/resources-in-norwegian
For all involved with acoustic spaces and sound systems. August 29, 2013. Litteratur om akustikk og lyd på norsk, fritt tilgjengelig. I min tid på NISS. Lydproduksjon (2009 2013) underviste jeg emner som tok for seg lydbølger, akustikk og elektroakustikk relevant for lydteknikere; disse emnene het. På sikt er det mulig dette blir revidert og forbedret. Kompendiene, i tillegg til noen regneark, er fritt tilgjengelig:. Design og evaluering av lydsystemer. Akustisk gain, G. Disse to ebøkene går mer i dybden...
A bridge between tech and art | Acoustics for music
https://ac4music.wordpress.com/2013/08/29/a-bridge-between-tech-and-art/comment-page-1
For all involved with acoustic spaces and sound systems. August 29, 2013. A bridge between tech and art. One background for this point of view is my PhD project. Where I was eager to listen to the musicians’ point of view regarding acoustics for orchestras. This input contributed largely to the approach and the results for this project! This literature is unfortunately so far only in Norwegian, but is freely available (see my post below). How technical should such a book/resources be? Would it be better ...
About | Acoustics for music
https://ac4music.wordpress.com/about
For all involved with acoustic spaces and sound systems. This web site managed by Jens Jørgen Dammerud on a noncommercial basis. If you’d like to contact me, you’re most welcome to do so on jjdamm at gmail dot com, on Twitter. Also see the web site for my PhD project, Stage Acoustics for Symphony Orchestras in Concert Halls. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email.
A bridge between tech and art | Acoustics for music
https://ac4music.wordpress.com/2013/08/29/a-bridge-between-tech-and-art
For all involved with acoustic spaces and sound systems. August 29, 2013. A bridge between tech and art. One background for this point of view is my PhD project. Where I was eager to listen to the musicians’ point of view regarding acoustics for orchestras. This input contributed largely to the approach and the results for this project! This literature is unfortunately so far only in Norwegian, but is freely available (see my post below). How technical should such a book/resources be? Would it be better ...
Dansk Akustisk Selskab
http://www.d-a-s.dk/firmaer/index.php
Links til EAA mm. Bruel and Kjær Sound and Vibration. Brüel and Kjær. GADE and MORTENSEN AKUSTIK A/S. GADE and MORTENSEN AKUSTIK A/S. GRAS Sound and Vibration A/S. GRAS Sound and Vibration A/S. In-sign: Gustafs - Dalhem-Bencore- Bolander and Schön. Lloyd's Register Consulting. Lloyd's Register Consulting. ODEON A/S, Scion DTU. Rambøll Danmark A/S. Rambøll Danmark A/S. Aring;F Lyd and Vibrationer. Aring;F Lyd and Vibrationer. C/o Akustisk Teknologi, Bygning 352 - DTU DK-2800 Lyngby, Danmark.
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FlexAcoustics
Absorbs linearly 63 Hz - 1 kHz. Pop, rock, jazz, spoken word. Chamber, symphonic, opera. All in the same hall. Absorbs linearly 63 Hz - 1 kHz. Pop, rock, jazz, spoken word. Chamber, symphonic, opera. Phone: 45 4088 3723.
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