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Schedule & Readings »

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Schedule & Readings. Schedule & Readings. These books are available at the Queens College bookstore. Additional course readings are available on the class blog. You must bring a printed copy of the readings to class. Dover, ISBN: 978-1420938296, $6. Dover, ISBN: 978-0486292564, $3.50. Yearling, ISBN: 978-0375801532, $6. Fantagraphics, ISBN: 978-1560974277, $12. Spike Jonze, 2002, 114 min. Tristram Shandy: A Cock and Bull Story. Michael Winterbottom, 2005, 94 min. Clyde Geronimi, 1959, 75 min. 452 (2003):...

chayes23.qwriting.qc.cuny.edu

This is Sparta!!!! » sparta

http://chayes23.qwriting.qc.cuny.edu/2013/05/22/104/sparta

May 22, 2013. Filed under: —— Christopher Hayes @ 3:51 pm. Mail (will not be published) ('(required)'). Review Essay, Kick Ass. The one about the boy annotated paragraph. Spam prevention powered by Akismet.

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The Draft Response »

http://adaptation391w.qwriting.qc.cuny.edu/2013/05/09/the-draft-response

Schedule & Readings. Ghost World online →. Kevin L. Ferguson. May 9, 2013. The draft response, which readers write in the form of a letter to the draft writer, gives students an opportunity to formulate their ideas before arriving at the workshop. As such, it all but ensures a high-level discussion. In your own words, what’s this paper about? Don’t assume that the writer knows what his or her own paper is about! Mistrust the stated thesis (if there is one). What do you see as the strength(s) of the draft?

jadler.qwriting.qc.cuny.edu

» Film Segmentation Where'd You Get That Pistol?

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Where'd You Get That Pistol? Or a study of No Country Old Men and it's adaptations in nine pages. ASheriff Ed Tom Bell gives a voice over narration about being a lawman over various shots of Texas as the sun rises. BAnton Chigurh is taken away in handcuffs by a deputy into a cop car. AThe deputy speaks to another officer on the phone about Chigurh’s arrest and he mentions he had an oxygen tank on him. BChigurh rises behind the deputy and strangles him with his handcuffs. VDesert Aire Trailer Park. CMoss ...

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» A Modest Proposal Where'd You Get That Pistol?

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Where'd You Get That Pistol? Or a study of No Country Old Men and it's adaptations in nine pages. Published on May 22, 2013 at 9:52 am Comments (0). To TrackBack this entry is:. Http:/ jadler.qwriting.qc.cuny.edu/proposal/trackback/. Feed for comments on this post. Mail (will not be published) (required). The Post-Western Archetypes of No Country for Old Men (The Meat and Potatoes). The Coin Toss/Annotated Paragraph. Reviews of the Film. WPMU Theme pack by WPMU-DEV. Spam prevention powered by Akismet.

chayes23.qwriting.qc.cuny.edu

This is Sparta!!!! » 2013 » May

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May 23, 2013. 8212;— Christopher Hayes @ 5:23 pm. I choose Kick-Ass because I felt like it was a successful and unique adaptation, in addition to myself wanting to work with the graphic novel. I wasn’t able to continue my project with. Because of it’s lack of scholarly sources due to it being a recent release. It was difficult to change my adapted text and film after wanting to pursue a project with Kick-Ass. After realizing I had to make the change, I choose Frank Miller’s. Sincerly, Christopher Hayes.

chayes23.qwriting.qc.cuny.edu

This is Sparta!!!! » Annotated Bib

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May 23, 2013. Filed under: —— Christopher Hayes @ 4:05 pm. Bucher T. Katherine, Manning Lee M. Bringing Graphic Novels into a school’s curriculum. The Clearing House, 78 (2004): 67-72. web. Craft, C. John. The pass at Thermopylae, Greece. Journal of Field Archaeology 14.2 (1987): 181-198. web. Grant R. John, Leonidas’ Last Stand. Phoenix 15.1 (1961): 14-27. Web. Holland, Tom. Mirage in the Movie House. Arion: A Journal of Humanities and the Classics 15.1 (2007): 173-182. web. Review Essay, Kick Ass.

writingadapted.qwriting.qc.cuny.edu

Other | Deviate Mechanics

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A seminar blog exploring Howl's Moving Castle, a written work adapted to animated film. Final: Lotus of Worlds. Mise en scène analysis. Stam techniques in Howl’s. The Author on the Adaptation. Only time will tell what falls in here. Strolling through a dream. Some peculiar frames in this film; these two resonated. Why change the zoom distance from one long shot to another, these two scenes playing back to back? All captures from Catherine Breillat’s 2010 “the Sleeping Beauty”. This entry was posted in All.