FLOMAAK.NET
pictures : flomaak.netThis is the website of the artist Flo Maak. Maak works with photography, text, installations, videos and sculptures.
http://www.flomaak.net/
This is the website of the artist Flo Maak. Maak works with photography, text, installations, videos and sculptures.
http://www.flomaak.net/
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Flo Maak
Flo Maak
Taunu●●●●●se 31
Frankf●●●●●●m Main , 60329
DE
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Flo Maak
Flo Maak
Taunu●●●●●se 31
Frankf●●●●●●m Main , 60329
DE
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Phuc Huynh
Dittho●●●●●●sse 11
Reg●●●urg , 93055
DE
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pictures : flomaak.net | flomaak.net Reviews
https://flomaak.net
This is the website of the artist Flo Maak. Maak works with photography, text, installations, videos and sculptures.
flomaak.net
SHELTER : flomaak.net
http://www.flomaak.net/index.php/works/shelter
TECHNOLOGIES OF THE KITCHEN. Accompanying text for the exhibition doing nothing like a beast. The limitation of sensory perception to seeing makes the producer of images into a voyeur. 1. English translation: Anja Welle, Stan Jones. 1 Rolf Sachsse, Bild Medium Wirklichkeit. Funktionsbestimmungen der Fotografie, in: Fotovision. Projekt Fotografie nach 150 Jahren, Hannover 1988, p. 46, own translation. 2Cf: Die Tiere sind da! 3 John Berger, Why look at Animals?
WC : flomaak.net
http://www.flomaak.net/index.php/works/wc
TECHNOLOGIES OF THE KITCHEN. Gut ist, was gefällt. Group Exhibition. MMK, Frankfurt, 2006. Untitled. Solo Exhibition. Nomaden Oase, Hamburg, 2005. The door closes, the light stays on. Or is it the closing which turns on the light in the first place? The beginning of a sexual enlightenment. Or is it the picture itself, which sanctifies one of the most profane spaces imaginable? But if so, why is everybody so secretive, so proprietary about it? For sure, they have.
CAPTCHA : flomaak.net
http://www.flomaak.net/index.php/works/captcha
TECHNOLOGIES OF THE KITCHEN. Press release for the exhibition COMPLETELY AUTOMATED PUBLIC TURING TEST TO TELL COMPUTERS AND HUMANS APART at gallery Bernhard Knaus. Text and graphic elements have been engraved on the glass used to frame the photographs. These are taken from online questions used to verify user authentication. "What is the first name of the first person you kissed? Or "Who was your childhood hero?
-GRAPHIE : flomaak.net
http://www.flomaak.net/index.php/works/natural-rendering
TECHNOLOGIES OF THE KITCHEN. The Catalog for the exhibition -graphie at von Cirne (2013) with a text by Andreas Folkers can be downloaded here. TEMPERATURE IN SEVEN BIGGEST CITIES OF THE WORLD OVER THE PERIOD OF SEVEN DAYS. Mirror, mirror film, steal frame, approx. 71 x 101 cm, 2013. RANKING OF SIX ARTIST WORKING WITH MONOCHROMES OVER THE PERIOD OF SIX YEARS ON WWW.ARTFACTS.NET. Mirror, mirror folie, steal frame, approx. 71 x 101 cm, text, 2012. Graphs, because they always make something visible and ther...
IN THE GRID : flomaak.net
http://www.flomaak.net/index.php/works/living-in-the-lobby
TECHNOLOGIES OF THE KITCHEN. Exhibition view, Bernhard Knaus gallery, Frankfurt, 2011. In a Past Future, pigment print, matt, black wooden frame, 57 x 38 cm, 2011. In the Grid, pigment print, black wooden frame, 88 x 122 cm, 2011. Daily Patterns, pigment print, matt, black wooden frame, 38 x 57 cm, 2011. Fortune Teller, pigment print, black wooden frame, 98 x 68 cm, 2011. Bringing the War Home, pigment print, black wooden frame, 88 x 122 cm, 2011. White Light, pigment print, 2012.
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DANGER : Flo Maak Solo Exhibition - Corner Art Space
http://www.cornerartspace.org/DANGER-Flo-Maak-Solo-Exhibition
DANGER : Flo Maak Solo Exhibition. 위험: 플로 마크 개인전. Schedule : 2015.03.06-04.04. Opening : 2015.03.06(Fri) 7pm. 물리적인 위험요소를 강조하고자 고안된 검정과 노란색의 대각선 줄무늬는 위험을 인식시키고 혹시 모를 충돌을 예방하는 데 쓰인다. 안전함과 위험함, 부드러운 것과 딱딱한 것, 이곳과 저곳을 분리하고 관계 짓는 위험 표지판은 서울이라는 도시에서 유독 자주 발견되어 심지어 장식처럼 보이기까지 한다.위헙 표지판은 상반되는 두 세계를 분할하는 동시에 한 세계에서 다른 세계로 넘어가는 이행의 구역을 만들어낸다. 2015)가 그것이다. 작가는 여느 사람들에게는 너무나 익숙해져 보이지 않는 서울의 풍경들을 포착한다. 의 클로즈업 이미지들과 대비를 이룬다. 저녁 러시아워의 다리를 달리는 몽롱한 불빛들은 도시인의 행동을 제어하는 엄격한 통제들이 이완되기 시작하는 ‘전이’의 순간을 상징한다. They highlight phys...
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Mot de passe :. J'ai oublié mon mot de passe. Ben voila un ptit skyblog a nous deux car on sadore! Ici vous allez voir des photos de nos amis et tout. Ne faites pas trop attention au derniere photo car elle ne sont pas importante. Et surtout Lachez vos com'sss. Mise à jour :. Abonne-toi à mon blog! Ou poster avec :. Retape dans le champ ci-dessous la suite de chiffres et de lettres qui apparaissent dans le cadre ci-contre. Posté le dimanche 21 janvier 2007 04:41. Ou poster avec :. Ou poster avec :. Retap...
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Brasserie FLO Maastricht - Frans restaurant
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Mot de passe :. J'ai oublié mon mot de passe. Moi rien que moi via Blc. Bienvenue dans mon monde où je vous fais une visite gratuite. attention les yeux et Ames Sensibles s'abstenir. ;) Bisous a tous et BON VOYAGE! Mise à jour :. Je vais remonter dans le temps. Jusque. Abonne-toi à mon blog! Je me présente. a votre tour via coms. 1 - PRENOM : Marie. 2 - PSEUDOS : Flo. 3 - VILLE : 's Granvenbrakel ou Cul-des-Sarts. 4 - TAILLE : 1m68. 5 - AGE : ché plus! Chui pas tres doue en math alors me casse po la tete!
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Voici tout l'univers de notre petite famille. Vous découvrirez notre couple, notre tendre bébé, notre famille, nos amis et nos passions. 24/04/2007 at 8:17 AM. 08/10/2007 at 12:18 PM. Subscribe to my blog! Voici un des hommes de ma vie, Flo. Don't forget that insults, racism, etc. are forbidden by Skyrock's 'General Terms of Use' and that you can be identified by your IP address (66.160.134.2) if someone makes a complaint. Please enter the sequence of characters in the field below. Là, c'est moi. Please ...
flomacaroon (thelionandthephoenix) | DeviantArt
Window.devicePixelRatio*screen.width 'x' window.devicePixelRatio*screen.height) :(screen.width 'x' screen.height) ; this.removeAttribute('onclick')". Deviant for 8 Years. This deviant's full pageview. December 2, 1988. Last Visit: 69 weeks ago. This is the place where you can personalize your profile! By moving, adding and personalizing widgets. You can drag and drop to rearrange. You can edit widgets to customize them. The bottom has widgets you can add! We've split the page into zones! Why," you ask?
