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FLUID TERRAIN

Thursday, 18 June 2015. Rise (Bukit Brown Cemetery IV) - Work in Progress. Two years ago I spent several months listening and recording in Bukit Brown cemetery, then a peaceful resting place for early Chinese settlers in Singapore, and a rich environment for a multitude of resident and migratory birds. Field recording can be a very intimate and immersive means of connecting with a place. The four months I spent at Bukit Brown was perhaps the first time I'd recorded extensively in a single location. I wen...

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FLUID TERRAIN | fluidterrain.blogspot.com Reviews

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Thursday, 18 June 2015. Rise (Bukit Brown Cemetery IV) - Work in Progress. Two years ago I spent several months listening and recording in Bukit Brown cemetery, then a peaceful resting place for early Chinese settlers in Singapore, and a rich environment for a multitude of resident and migratory birds. Field recording can be a very intimate and immersive means of connecting with a place. The four months I spent at Bukit Brown was perhaps the first time I'd recorded extensively in a single location. I wen...

<META> KEYWORDS

1 exploit

2 through a

3 soundscape ecology

4 bernie krause

5 in particular

6 of lincoln meadow

7 beyond

8 references

9 mcclure

10 heidi e

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FLUID TERRAIN | fluidterrain.blogspot.com Reviews

https://fluidterrain.blogspot.com

Thursday, 18 June 2015. Rise (Bukit Brown Cemetery IV) - Work in Progress. Two years ago I spent several months listening and recording in Bukit Brown cemetery, then a peaceful resting place for early Chinese settlers in Singapore, and a rich environment for a multitude of resident and migratory birds. Field recording can be a very intimate and immersive means of connecting with a place. The four months I spent at Bukit Brown was perhaps the first time I'd recorded extensively in a single location. I wen...

INTERNAL PAGES

fluidterrain.blogspot.com

1

FLUID TERRAIN: August 2014

http://www.fluidterrain.blogspot.com/2014_08_01_archive.html

Friday, 29 August 2014. FUGUE 1,3,5,7 Collaboration with HCF and Associates. I have been invited by HCF and Associates. To create a multichannel soundscape installation for FUGUE 1,3,5,7 – their half of this years Archifest. Pavilion, Singapore. The festival takes place 26 September 2014 to 11 October 2014 and is organised by the Singapore Institute of Architects (SIA). The whole is greater than the sum of its parts. Found objects are used in a celebration of alternatives; golf ball clasps tubing conduit...

2

FLUID TERRAIN: FUGUE 1,3,5,7 | Collaboration with HCF and Associates

http://www.fluidterrain.blogspot.com/2014/08/fugue-1357-collaboration-with-hcf-and.html

Friday, 29 August 2014. FUGUE 1,3,5,7 Collaboration with HCF and Associates. I have been invited by HCF and Associates. To create a multichannel soundscape installation for FUGUE 1,3,5,7 – their half of this years Archifest. Pavilion, Singapore. The festival takes place 26 September 2014 to 11 October 2014 and is organised by the Singapore Institute of Architects (SIA). The whole is greater than the sum of its parts. Found objects are used in a celebration of alternatives; golf ball clasps tubing conduit...

3

FLUID TERRAIN: Rise (Bukit Brown Cemetery IV) - Work in Progress

http://www.fluidterrain.blogspot.com/2015/06/arise-bukit-brown-cemetery-iii-work-in.html

Thursday, 18 June 2015. Rise (Bukit Brown Cemetery IV) - Work in Progress. Two years ago I spent several months listening and recording in Bukit Brown cemetery, then a peaceful resting place for early Chinese settlers in Singapore, and a rich environment for a multitude of resident and migratory birds. Field recording can be a very intimate and immersive means of connecting with a place. The four months I spent at Bukit Brown was perhaps the first time I'd recorded extensively in a single location. I wen...

4

FLUID TERRAIN: June 2015

http://www.fluidterrain.blogspot.com/2015_06_01_archive.html

Thursday, 18 June 2015. Rise (Bukit Brown Cemetery IV) - Work in Progress. Two years ago I spent several months listening and recording in Bukit Brown cemetery, then a peaceful resting place for early Chinese settlers in Singapore, and a rich environment for a multitude of resident and migratory birds. Field recording can be a very intimate and immersive means of connecting with a place. The four months I spent at Bukit Brown was perhaps the first time I'd recorded extensively in a single location. I wen...

5

FLUID TERRAIN: March 2014

http://www.fluidterrain.blogspot.com/2014_03_01_archive.html

Saturday, 22 March 2014. LiveLight Collaboration with Oz Collective (Part Two). Demonstrating the final version of LiveLight. In order to progress from Prototype Two to the final version (above), I had to find solutions to a few things. To accomodate more users, I set out to increase the amount of notes that could be played at the same time. I tried 24 and 32 instances of my synth patch - synthjuan. But it seemed that only 16 would work smoothly! 2000), so that it would 'flush' every 2 seconds:. One desi...

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zaitang.com

Zai Tang » Blog Archive » 040

http://www.zaitang.com/live-light-i-light-festival-2014

Sonorous Art and Design. Live Light @ i Light Festival 2014. I collaborated with Oz Collective (Alexandre Pachiaudi and Quck Zhong Yi) as sound designer for their interactive audio-visual installation. The work is one of many installations at i Light Festival 2014, Marina Bay (Singapore), showing from 7th – 30th March. For more info click: HERE. Mail (will not be published) (required). Social Media icons courtesy of medialoot.com.

zaitang.com

Zai Tang » Blog Archive » 046

http://www.zaitang.com/046

Sonorous Art and Design. SEASATE @ Venice Biennale 2015. Since the end of last year I’ve been working with Charles Lim on the sound for one of his SEASTATE pieces It’s been a rigorous process and a valuable learning experience! Charles is presenting his work at the Singapore Pavilion in Venice’s Arsenale. The pavilion is curated by Shabbir Hussain Mustafa of the National Gallery Singapore and commissioned by the National Arts Council, Singapore. Catch it from 9 May to 22 November 2015.

zaitang.com

Zai Tang » Scores

http://www.zaitang.com/scores

Sonorous Art and Design. Respect (Bukit Brown Cemetery I). I’ve been creating visual scores to my music for a number of years, as an aide to my compositional process. This experimentation with sound visualisation helps me to evolve the relationship between forms with greater ease and understand sonic structures with more clarity. Score for Unform (draft). In my recent works, I’ve decided to show my scores alongside my compositions. In. Respect (Bukit Brown I). Exploit (Bukit Brown II). On the sound design.

zaitang.com

Zai Tang » Blog Archive » 042

http://www.zaitang.com/superpositions-icas

Sonorous Art and Design. The artwork is at its most contemporary within the studio, always a moment too late after. Sat 22nd March – Sun 20th April 2014 @ Earl Lu Gallery, LASALLE. Mail (will not be published) (required). Social Media icons courtesy of medialoot.com.

zaitang.com

Zai Tang » Blog Archive » 039

http://www.zaitang.com/sound-latitudes-attitudes

Sonorous Art and Design. Sound: Latitudes and Attitudes. Looking forward to being part of this show! I’ll be performing on he opening night, 6th Feb 2014 @ 6.30 pm, along with Riduan. Mail (will not be published) (required). Social Media icons courtesy of medialoot.com.

zaitang.com

Zai Tang » Blog Archive » 038

http://www.zaitang.com/sagara-ep-emerging-species-a-taste-of-things-to-come

Sonorous Art and Design. Sãgara EP (Emerging Species). My first EP will finally be released early Feb ’14 on Emerging Species. We will be doing a limited press of 100 hand-detailed vinyl records, followed by a digital release. If you’d like to pre-order a copy, please visit:. Http:/ emergingspecies.bandcamp.com/releases. 2 comments en “038”. November 6th, 2013 at 3:56 am. Just finished listening to my copy, and it’s superb. December 10th, 2013 at 1:55 pm. Mail (will not be published) (required).

zaitang.com

Zai Tang » Blog Archive » 041

http://www.zaitang.com/flickering-shard-demolition-dream-destruction-ucl-urban-lab

Sonorous Art and Design. Flickering Shard @ ‘DEMOLITION dream and destruction’ (UCL Urban Lab). As part of the final event of Urban Lab Films DEMOLITION season, ‘Dream and Destruction’, Simon Ball. And I will be screening our latest collaboration,. 2014) The programme also includes. Demolishing and Building up the Star Theatre. 1901) by Frederick S. Armitage, the Lumiere Brothers’. Demolition d’un Mur. 1896), Nathan Eddy’s. 2013), Dan Edelstyn’s. Breaking It Big in Burnley.

zaitang.com

Zai Tang » Now!

http://www.zaitang.com/category/news/page/2

Sonorous Art and Design. March 17, 2014. Flickering Shard @ ‘DEMOLITION dream and destruction’ (UCL Urban Lab). As part of the final event of Urban Lab Films DEMOLITION season, ‘Dream and Destruction’, Simon Ball. And I will be screening our latest collaboration,. 2014) The programme also includes. Demolishing and Building up the Star Theatre. 1901) by Frederick S. Armitage, the Lumiere Brothers’. Demolition d’un Mur. 1896), Nathan Eddy’s. 2013), Dan Edelstyn’s. Breaking It Big in Burnley. March 05, 2014.

zaitang.com

Zai Tang » Blog Archive » 037

http://www.zaitang.com/emerging-species-boomtown-fair-uk

Sonorous Art and Design. Emerging Species @ Boomtown Fair, UK. Gentle Mystics on Main Stage duty on Friday – a selection of EMSP DJs and MCs taking over the Bad Apple Bar on Saturday – it’s going to be a sick one! Mail (will not be published) (required). Social Media icons courtesy of medialoot.com.

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fluidterrain.blogspot.com

FLUID TERRAIN

Thursday, 18 June 2015. Rise (Bukit Brown Cemetery IV) - Work in Progress. Two years ago I spent several months listening and recording in Bukit Brown cemetery, then a peaceful resting place for early Chinese settlers in Singapore, and a rich environment for a multitude of resident and migratory birds. Field recording can be a very intimate and immersive means of connecting with a place. The four months I spent at Bukit Brown was perhaps the first time I'd recorded extensively in a single location. I wen...

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