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Fundamentals of Computer Music 1a

Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. August 26, 2016. September 29, 2016. 2016-17 semester 1 CMT delivery. Richard Hoadley – richard.hoadley@anglia.ac.uk. Thursday 1500-1700 Hel 040. Https:/ focm1a.wordpress.com. Https:/ www.facebook.com/groups/focm1a. Https:/ vle.anglia.ac.uk/modules/2016/MOD000565/SEM1-F01CAM/Pages/Home3.aspx. Proudly powered by WordPress. Create a free website or blog at WordPress.com.

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Fundamentals of Computer Music 1a | focm1a.wordpress.com Reviews

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. August 26, 2016. September 29, 2016. 2016-17 semester 1 CMT delivery. Richard Hoadley – richard.hoadley@anglia.ac.uk. Thursday 1500-1700 Hel 040. Https:/ focm1a.wordpress.com. Https:/ www.facebook.com/groups/focm1a. Https:/ vle.anglia.ac.uk/modules/2016/MOD000565/SEM1-F01CAM/Pages/Home3.aspx. Proudly powered by WordPress. Create a free website or blog at WordPress.com.

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Fundamentals of Computer Music 1a | focm1a.wordpress.com Reviews

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. August 26, 2016. September 29, 2016. 2016-17 semester 1 CMT delivery. Richard Hoadley – richard.hoadley@anglia.ac.uk. Thursday 1500-1700 Hel 040. Https:/ focm1a.wordpress.com. Https:/ www.facebook.com/groups/focm1a. Https:/ vle.anglia.ac.uk/modules/2016/MOD000565/SEM1-F01CAM/Pages/Home3.aspx. Proudly powered by WordPress. Create a free website or blog at WordPress.com.

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Week 1 | Fundamentals of Computer Music 1a

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. Introduction to synthesis (Part One). Introduction to creating live musical performances using Max7 and Ableton; initial explorations in sound synthesis using Max 7 objects; basic methods for controlling the parameters of synthetic sound (pitch, envelope etc.) in Max. Possible alternate teaching slot for week 2 class. What are we going to do and why. What is Max and why are we going to use it? What is software and how do you use it?

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Composing Standards | Fundamentals of Computer Music 1a

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. Below are a selection of motivating ideas behind composing and arranging for a variety of purposes and in a variety of styles. These are the nearest thing to ‘criteria’ that we have so far developed and are the result of our experience of dealing with a wide variety of people coming to composition from a wide variety of directions. We place particular emphasis on independence, discipline, imagination and openness of mind. On a practical leve...

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Week 6 | Fundamentals of Computer Music 1a

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. Recording live audio in Max. Strategies for Live Electronic Music Performance. Introduction to Ableton live performance environment and the possibilities of Max for Live. Exploration of some of the ways current practitioners are using Max/Ableton today in the context of live electronic music performance. Strategies for the creation of well-designed musical performances and compositional structures. Creating a Live Performance (Part One).

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Week 9 | Fundamentals of Computer Music 1a

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. Bring your work-in-progress to class and be prepared to give a short, 5-minute presentation on your final project for feedback from the module leader and peers. In addition, it might be interesting to bring some musical ideas based on the theme of ‘the opening scene of a nature documentary’. Also bring along a Max or Max for Live patch, performance or idea that you think is good. Show us what it is, how it works and why you like it.

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Week 12 | Fundamentals of Computer Music 1a

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Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. In this session, you will present a live performance of your computer music composition lasting between 3-4 minutes using devices created in Max7 and deployed in Ableton (or using Max alone) in co-ordination with your chosen control mechanism(s). Proudly powered by WordPress. Blog at WordPress.com.

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NB Specific course information included here is indicative only and refers specifically to courses to which I am contributing during 2015-2016. Richard Hoadley's office and feedback hours. Courses Semester 1 2016-17. Critical Skills Workshops MOD003295. Creative Music Computing MOD003022. Courses Semester 2 2015-16. Circuit Bending, Hardware Hacking MOD003618. Music in Context 2b. Courses Semester 1 2015-16. Critical Skills Workshops MOD003295. Creative Music Computing MOD003022. Music in Context 2b.

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Fundamentals of Computer Music 1a

Fundamentals of Computer Music 1a. Ableton Live 9 Introduction. August 26, 2016. September 29, 2016. 2016-17 semester 1 CMT delivery. Richard Hoadley – richard.hoadley@anglia.ac.uk. Thursday 1500-1700 Hel 040. Https:/ focm1a.wordpress.com. Https:/ www.facebook.com/groups/focm1a. Https:/ vle.anglia.ac.uk/modules/2016/MOD000565/SEM1-F01CAM/Pages/Home3.aspx. Proudly powered by WordPress. Create a free website or blog at WordPress.com.

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