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Rules of Engagement

Monday, 15 September 2008. Here are now some of my thoughts about the residency and my personal experience during the three weeks. First of all what was nice to notice, was the welcoming atmosphere of the whole group, considering that some of the people have been in the company before and worked together previously. From the very beginning, there was no hierarchy in the group and after couple of days of getting together we started forming a very democratic way of working. I was a bit shy on the mic in th...

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Rules of Engagement | followingrulesofengagement.blogspot.com Reviews

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Monday, 15 September 2008. Here are now some of my thoughts about the residency and my personal experience during the three weeks. First of all what was nice to notice, was the welcoming atmosphere of the whole group, considering that some of the people have been in the company before and worked together previously. From the very beginning, there was no hierarchy in the group and after couple of days of getting together we started forming a very democratic way of working. I was a bit shy on the mic in th...

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Rules of Engagement | followingrulesofengagement.blogspot.com Reviews

https://followingrulesofengagement.blogspot.com

Monday, 15 September 2008. Here are now some of my thoughts about the residency and my personal experience during the three weeks. First of all what was nice to notice, was the welcoming atmosphere of the whole group, considering that some of the people have been in the company before and worked together previously. From the very beginning, there was no hierarchy in the group and after couple of days of getting together we started forming a very democratic way of working. I was a bit shy on the mic in th...

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followingrulesofengagement.blogspot.com

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Rules of Engagement: Reflection / Feedback

http://www.followingrulesofengagement.blogspot.com/2008/09/reflection-feedback-from-dance4.html

Monday, 15 September 2008. Here are now some of my thoughts about the residency and my personal experience during the three weeks. First of all what was nice to notice, was the welcoming atmosphere of the whole group, considering that some of the people have been in the company before and worked together previously. From the very beginning, there was no hierarchy in the group and after couple of days of getting together we started forming a very democratic way of working. I was a bit shy on the mic in th...

2

Rules of Engagement: Questions for Efrosini - PART I

http://www.followingrulesofengagement.blogspot.com/2008/07/questions-for-efrosini.html

Sunday, 27 July 2008. Questions for Efrosini - PART I. 1 You say you are working with the idea of invitations – do they necessarily have to be accepted? 8211; what is the potential for performers ‘to pass’? Somebody asks Hester which Hollywood male actor she finds most attractive…. They keep looking at her, waiting for a name…. HE: Pass. Pass. Next question please. 2 You requested at the beginning for the performers to ‘allow things to sit’ – where is the sitting now? Giorgos and Panos are working on sce...

3

Rules of Engagement: The Wild Track

http://www.followingrulesofengagement.blogspot.com/2008/08/wild-track.html

Friday, 15 August 2008. PS This is taken from Wikipedia - there is something nice about the lo-fi (cheapie) state of the recording which ties in with the aesthetic:. Wild track, also known as wild sound and wild lines, is an audio recording intended to be synchronized with film or video but recorded separately. Generally, the term "wild track" refers to sound recorded on location, such as sound effects gathered when the cameras were not rolling or extra takes of lines performed for audio only. Creative r...

4

Rules of Engagement: The ‘hmhowamigonnasurpriseyouthistime’ rule

http://www.followingrulesofengagement.blogspot.com/2008/09/hmhowamigonnasurpriseyouthistime-rule.html

Saturday, 6 September 2008. The ‘hmhowamigonnasurpriseyouthistime’ rule. First thing that comes to my mind is the fact of working in isolation. One of the most challenging things for me has been to work in a moving piece. The decision to fix the structural framework of the piece and. Some questions I have been asking myself:. The first question for me is that of transposition. How can we give that quality without its most powerful tools of camera focus, music, and of course editing? What is there to see?

5

Rules of Engagement: July 2008

http://www.followingrulesofengagement.blogspot.com/2008_07_01_archive.html

Sunday, 27 July 2008. Questions for Efrosini - PART I. 1 You say you are working with the idea of invitations – do they necessarily have to be accepted? 8211; what is the potential for performers ‘to pass’? Somebody asks Hester which Hollywood male actor she finds most attractive…. They keep looking at her, waiting for a name…. HE: Pass. Pass. Next question please. 2 You requested at the beginning for the performers to ‘allow things to sit’ – where is the sitting now? Giorgos and Panos are working on sce...

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Dramaturgy in Practice: Chloé Déchery | Outside Eye

https://outsideeyeproject.wordpress.com/2013/05/23/dramaturgy-in-practice-chloe-dechery

Dramaturgy in Dialogue: Tim Mrosek. Dramaturgy in Dialogue: Chloé Déchery →. May 23, 2013 · 7:49 am. Dramaturgy in Practice: Chloé Déchery. A Duet Without You. A Duet Without You. By Chloé Déchery started as an attempt to reenact a pas de deux. Without a partner. In ballet, a pas de deux. Cuntu nun mette tempu’ time takes no time in a story. Karen Christopher, working with Chloé as a mentor on A Duet Without You. Chloé Déchery will dance a pas de deux. Dramaturgy in Dialogue: Tim Mrosek. Dramaturgy in Di...

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Dramaturgy in Practice: Wealth’s Last Caprice | Outside Eye

https://outsideeyeproject.wordpress.com/2012/05/06/dramaturgy-in-practice-wealths-last-caprice

Dramaturgy in Dialogue: Gemma Paintin. Dramaturgy in Dialogue: Chris. Dugrenier →. May 6, 2012 · 8:21 pm. Dramaturgy in Practice: Wealth’s Last Caprice. Chris shows us everything she owns piled up in her house, everything itemised and catalogued on a spreadsheet that she adds to as part of the performance. Maybe a dress she bought today. Maybe some stationery she purchased on the way to the venue. We see her open up Microsoft Excel and watch her complete the latest entry in this 21. But what is left?

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Outside Eye | The dramaturgical turn in contemporary performance | Page 2

https://outsideeyeproject.wordpress.com/page/2

Newer posts →. May 29, 2012 · 7:45 pm. Dramaturgy in Dialogue: Bill Aitchison. Is a performance artist and artistic director of Bill Aitchison Company. He works in and between performance, writing, video and audio, and collaborates with theatre, sound and visual artists. What does the idea of an ‘outside eye’ mean to you? How does a process evolve with an artist? Do you find the role of the dramaturg sits inside or outside of the process? How do you document the dialogue you have with the artist? 8217; I...

outsideeyeproject.wordpress.com

About | Outside Eye

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I am a writer, live artist and performance maker based in Nottingham. This blog will host my research for a PhD at Loughborough University exploring the role of the dramaturg. The central research questions will be ‘What is the role of a dramaturg today? And ‘How does it function in a landscape that is becoming increasingly defined by a lack of text or conventional structures or theatrical tradition? 3 responses to “. April 12, 2012 at 4:46 pm. October 30, 2013 at 5:26 pm. Http:/ hannahsilva.wordpres...

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followingrulesofengagement.blogspot.com

Rules of Engagement

Monday, 15 September 2008. Here are now some of my thoughts about the residency and my personal experience during the three weeks. First of all what was nice to notice, was the welcoming atmosphere of the whole group, considering that some of the people have been in the company before and worked together previously. From the very beginning, there was no hierarchy in the group and after couple of days of getting together we started forming a very democratic way of working. I was a bit shy on the mic in th...

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