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Form and Analysis

Monday, November 19, 2007. Debussy La Cathedrale Engloutie (a little late). Ok, this took me a little time to do this along with the other assignments but here it goes. I believe this piece to be binary with intro and coda sections. The intro spans mm. 1-6;. A mm 7-27;. B mm 28-46;. A’ mm 47-71;. B’ mm 72-83;. And finally coda mm 84-89. Intro/A - mm 1- 27 = section 1, the morning. B - mm 28-46 = section 2, the cathedral. A'/B'/coda - mm 47-89 = section 3, the downfall. Sunday, November 18, 2007. Is mm 16...

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Form and Analysis | formandanalysis.blogspot.com Reviews
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Monday, November 19, 2007. Debussy La Cathedrale Engloutie (a little late). Ok, this took me a little time to do this along with the other assignments but here it goes. I believe this piece to be binary with intro and coda sections. The intro spans mm. 1-6;. A mm 7-27;. B mm 28-46;. A’ mm 47-71;. B’ mm 72-83;. And finally coda mm 84-89. Intro/A - mm 1- 27 = section 1, the morning. B - mm 28-46 = section 2, the cathedral. A'/B'/coda - mm 47-89 = section 3, the downfall. Sunday, November 18, 2007. Is mm 16...
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8 7 comments
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10 misterpianoman
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Form and Analysis | formandanalysis.blogspot.com Reviews

https://formandanalysis.blogspot.com

Monday, November 19, 2007. Debussy La Cathedrale Engloutie (a little late). Ok, this took me a little time to do this along with the other assignments but here it goes. I believe this piece to be binary with intro and coda sections. The intro spans mm. 1-6;. A mm 7-27;. B mm 28-46;. A’ mm 47-71;. B’ mm 72-83;. And finally coda mm 84-89. Intro/A - mm 1- 27 = section 1, the morning. B - mm 28-46 = section 2, the cathedral. A'/B'/coda - mm 47-89 = section 3, the downfall. Sunday, November 18, 2007. Is mm 16...

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formandanalysis.blogspot.com formandanalysis.blogspot.com
1

Form and Analysis: Debussy La Cathedrale Engloutie

http://formandanalysis.blogspot.com/2007/11/debussy-la-cathedrale-engloutie.html

Sunday, November 18, 2007. Debussy La Cathedrale Engloutie. Sorry that I am posting so late.but this is what I got out of the piece. I just read Mister's analysis and I think I agree with it, but I'm going to write what I thought it was before I read the other one. I wasn't able to see the picture the piece was based on and I'm sure that it would also explain a lot more. I got that the overall form was A B A' C D C' A' , which kind of reminded me of a poem structure. Is mm 1-5 in G ; a'. Is mm 13-16 in C.

2

Form and Analysis: Tristan und Isolde Analysis

http://formandanalysis.blogspot.com/2007/11/tristan-und-isolde-analysis.html

Sunday, November 4, 2007. Tristan und Isolde Analysis. M 37 - m. 41. is a transion into the key change from Am to c#m. Also through out the song there is a motive that keep reoccuring. they are found in measures 35, 61, 62, 94, and a few more. Im not exactly sure of the form, but i know where the sections are.Section 1: m.1 - m. 16. Section 2: m. 17-m. 43. Section 3: m. 45-m. 62. Section 4: m.63-m.85. Last section: m.86-END. Ending begins halfway through mm.85 (dim). November 4, 2007 at 9:32 PM. I take b...

3

Form and Analysis: November 2007

http://formandanalysis.blogspot.com/2007_11_01_archive.html

Monday, November 19, 2007. Debussy La Cathedrale Engloutie (a little late). Ok, this took me a little time to do this along with the other assignments but here it goes. I believe this piece to be binary with intro and coda sections. The intro spans mm. 1-6;. A mm 7-27;. B mm 28-46;. A’ mm 47-71;. B’ mm 72-83;. And finally coda mm 84-89. Intro/A - mm 1- 27 = section 1, the morning. B - mm 28-46 = section 2, the cathedral. A'/B'/coda - mm 47-89 = section 3, the downfall. Sunday, November 18, 2007. Is mm 16...

4

Form and Analysis: September 2007

http://formandanalysis.blogspot.com/2007_09_01_archive.html

Saturday, September 29, 2007. Since no one in my group has posted yet, I thought I give what I have so far. 1 Motive Texture 198-205 Connects to What? I did a harmonic analysis on all of the motive textures found within the piece. It seems as if they are an extended cadential passage that seems to be the transition between one theme texture to another. 2 Exposition Transitions-Harmonic Analysis. 3 mm 155-161: Deviates from Exposition; Like mm. 107? 4 Harmony from 183-199. Friday, September 28, 2007.

5

Form and Analysis: October 2007

http://formandanalysis.blogspot.com/2007_10_01_archive.html

Tuesday, October 30, 2007. Need the Grosse Fugue Score? I've had a couple of people come up to me and ask about where to find the score in the library.it seems like it has be checked out. So I uploaded it into my computer and I can send it to you through email if you still need it. You can email me at flyingfishstiks@yahoo.com. I'll check my mail for the last time at about 11 tonight. Sunday, October 28, 2007. Beethoven Grosse Fuge Analysis. So this is a basic overview of what I found. There is a stateme...

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formandanalysis.blogspot.com formandanalysis.blogspot.com

Form and Analysis

Monday, November 19, 2007. Debussy La Cathedrale Engloutie (a little late). Ok, this took me a little time to do this along with the other assignments but here it goes. I believe this piece to be binary with intro and coda sections. The intro spans mm. 1-6;. A mm 7-27;. B mm 28-46;. A’ mm 47-71;. B’ mm 72-83;. And finally coda mm 84-89. Intro/A - mm 1- 27 = section 1, the morning. B - mm 28-46 = section 2, the cathedral. A'/B'/coda - mm 47-89 = section 3, the downfall. Sunday, November 18, 2007. Is mm 16...

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