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Form Is Function

Friday, March 27, 2015. Post-Ironic Cinema: "Still Alice". I saw "Still Alice" last night. Starring Julianne Moore as a woman living with early-onset Alzheimer's disease,. Co-directed by Richard Glatzer (who made "Grief," featuring Craig Chester and Jackie Beat), this film stands as an example of a New Queer Cinema that could be called "post-ironic.". One could argue that the zenith of this movement was Todd Haynes's 1995 "Safe," featuring Julianne Moore as a woman transformed by her allergy to? 8221; As...

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Friday, March 27, 2015. Post-Ironic Cinema: Still Alice. I saw Still Alice last night. Starring Julianne Moore as a woman living with early-onset Alzheimer's disease,. Co-directed by Richard Glatzer (who made Grief, featuring Craig Chester and Jackie Beat), this film stands as an example of a New Queer Cinema that could be called post-ironic.. One could argue that the zenith of this movement was Todd Haynes's 1995 Safe, featuring Julianne Moore as a woman transformed by her allergy to? 8221; As...

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Form Is Function | formis.blogspot.com Reviews

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Friday, March 27, 2015. Post-Ironic Cinema: "Still Alice". I saw "Still Alice" last night. Starring Julianne Moore as a woman living with early-onset Alzheimer's disease,. Co-directed by Richard Glatzer (who made "Grief," featuring Craig Chester and Jackie Beat), this film stands as an example of a New Queer Cinema that could be called "post-ironic.". One could argue that the zenith of this movement was Todd Haynes's 1995 "Safe," featuring Julianne Moore as a woman transformed by her allergy to? 8221; As...

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formis.blogspot.com

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Form Is Function: June 2013

http://www.formis.blogspot.com/2013_06_01_archive.html

Friday, June 28, 2013. Race to the Top: Kander and Ebb's The Scottsboro Boys. When I started this blog, I wanted readers to consider the following question: "Why is this a movie, and not a play, or a book? Just returned from The Scottsboro Boys. It was an excellent production of a musical that might rank with the better Kander and Ebb shows. It's no Chicago. But it is certainly miles above The Act. Kander and Ebb have addressed themes of race and nation in other works, notably Kiss of the Spider Woman.

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Form Is Function: World War Z: Stop Before It Kills Again!

http://www.formis.blogspot.com/2013/06/world-war-z-stop-before-it-kills-again.html

Friday, June 28, 2013. World War Z: Stop Before It Kills Again! Thanks to everyone who encouraged me to continue with my blog. I had not expected to be so busy, as I enjoyed writing reviews. Unfortunately, I haven't posted (except for the occasional Facebook entry) for five months. I will resume by re-posting some Facebook comments on films and plays. I saw World War Z. And I Am Legend. The movie and the original 1950s novel, in which Richard Matheson invented the modern-day undead genre: they sprint, le...

3

Form Is Function: July 2013

http://www.formis.blogspot.com/2013_07_01_archive.html

Monday, July 8, 2013. Re)Forming Reality: The Dilemma of TV’s “Big Brother 15”. I have asked readers to consider questions such as the following: “Why is this a book, or a play, or a film? How is it using the form in which it is presented? 8221; As I discuss the political, social and formal implications of ongoing events within “Big Brother,” CBS-TV’s long-running reality television game show, it’s important that I mention the historical context of television itself. Subscribe to: Posts (Atom). I am a co...

4

Form Is Function: (Re)Forming Reality: The Dilemma of TV’s “Big Brother 15”

http://www.formis.blogspot.com/2013/07/reforming-reality-dilemma-of-tvs-big.html

Monday, July 8, 2013. Re)Forming Reality: The Dilemma of TV’s “Big Brother 15”. I have asked readers to consider questions such as the following: “Why is this a book, or a play, or a film? How is it using the form in which it is presented? 8221; As I discuss the political, social and formal implications of ongoing events within “Big Brother,” CBS-TV’s long-running reality television game show, it’s important that I mention the historical context of television itself. July 26, 2013 at 11:52 AM. I am a col...

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Form Is Function: Deforming History for the Purpose of Reform: Quentin Tarantino's Django Unchained

http://www.formis.blogspot.com/2013/01/deforming-history-for-purpose-of-reform.html

Thursday, January 3, 2013. Deforming History for the Purpose of Reform: Quentin Tarantino's Django Unchained. With its emphasis on civil rights, as well as its plethora of cameos from has-beens and never-weres of TV and film.) With access to revival houses and art theaters, and later the VCR, he could learn about the international auteurs of cinema, the "Ten Best" films and, most of all, the elements of film form. He took on the Eastern tradition of martial arts, as well as the post- Alien. Not to mentio...

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The Mummy (1932) | JPK's Adventures in Cinema

https://jpkcinemaadventures.wordpress.com/2013/06/11/the-mummy-1932

JPK's Adventures in Cinema. June 11, 2013. Today’s cinema adventure: The Mummy. Karl Freund’s 1932 horror classic about an ancient Egyptian priest, returned to life by the power of a sacred spell after his tomb is discovered by archaeologists, and his efforts to reunite with the reincarnated soul of the woman he loved thousands of years before. One of the three iconic monster movies- with Dracula. 8220;) and still guarantee the film’s status as a box office hit. I’ve said it before in relation to o...

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The College Years: September 2011

http://siameseifyouplease.blogspot.com/2011_09_01_archive.html

Mostly Writing about Writing for Writers. Friday, September 23, 2011. New Bunk on Dick. Sometimes I wonder when Melville wrote the first chapter on Moby-Dick. Did he begin with it? Did he revise it many times? There are thirteen short consecutive chapters in which the majority of the text adheres to Ishmael's narrative, then chapter fourteen decides that the narrative has grown stale, and some historical backstory is due. Take out your map and look at it. Consuming animals is the stuff of Moby-Dick. ...

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The Mummy 1932 (17) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (17). Or leave a trackback: Trackback URL. Posted 3 years ago. At 735 × 533. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The professio...

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The Mummy 1932 (6) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (6). Or leave a trackback: Trackback URL. Posted 3 years ago. At 758 × 548. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The profession...

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The Mummy 1932 (9) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (9). Or leave a trackback: Trackback URL. Posted 3 years ago. At 734 × 533. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The profession...

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The Mummy 1932 (19) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (19). Or leave a trackback: Trackback URL. Posted 3 years ago. At 735 × 536. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The professio...

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The Mummy 1932 (16) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (16). Or leave a trackback: Trackback URL. Posted 3 years ago. At 735 × 535. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The professio...

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The Mummy 1932 (2) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (2). Or leave a trackback: Trackback URL. Posted 3 years ago. At 755 × 550. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The profession...

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The Mummy 1932 (10) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (10). Or leave a trackback: Trackback URL. Posted 3 years ago. At 735 × 534. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The professio...

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The Mummy 1932 (7) | JPK's Adventures in Cinema

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JPK's Adventures in Cinema. The Mummy 1932 (7). Or leave a trackback: Trackback URL. Posted 3 years ago. At 759 × 550. In The Mummy (1932). Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Notify me of new comments via email. The profession...

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Joan Miró: Obra Gràfica. Exposición itinerante de la CAM, en la Sala Municipal del 2 al 21 de agosto 2010. Haciendo clic sobre una imagen se obtiene una versión más grande; para volver al blog hacer clic sobre la flecha ( -) arriba y a la izquierda de la pantalla. Desde los años cuarenta Joan Miró. Escogió un lugar junto al Mediterráneo para afincarse e irradiar desde él su optimismo vital y sus fantasías plásticas, alcanzando proyección universal. La tercera colección, PASAJE DE LA EGIPCIA y MINUTAS CON...

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Form Is Function

Friday, March 27, 2015. Post-Ironic Cinema: "Still Alice". I saw "Still Alice" last night. Starring Julianne Moore as a woman living with early-onset Alzheimer's disease,. Co-directed by Richard Glatzer (who made "Grief," featuring Craig Chester and Jackie Beat), this film stands as an example of a New Queer Cinema that could be called "post-ironic.". One could argue that the zenith of this movement was Todd Haynes's 1995 "Safe," featuring Julianne Moore as a woman transformed by her allergy to? 8221; As...

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