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Form IV

THING 002 : CONVERSION. NOTES FROM AN ARSONIST ARTIST ON SETTING FIRES AND PUTTING THEM OUT. It’s very difficult to stay in the present if you have ambition. Either looking backwards or forwards, past or future, but less often really here, now. Fires force immediate action I guess. Perhaps the act of making swinging between the hand and the mind lies in Diderot’s intention when he curated the contents of the Encyclopedie (pub France, 1751-72. But art is different perhaps because it’s a thing the masses c...

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THING 002 : CONVERSION. NOTES FROM AN ARSONIST ARTIST ON SETTING FIRES AND PUTTING THEM OUT. It’s very difficult to stay in the present if you have ambition. Either looking backwards or forwards, past or future, but less often really here, now. Fires force immediate action I guess. Perhaps the act of making swinging between the hand and the mind lies in Diderot’s intention when he curated the contents of the Encyclopedie (pub France, 1751-72. But art is different perhaps because it’s a thing the masses c...

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Form IV | formiv.com Reviews

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THING 002 : CONVERSION. NOTES FROM AN ARSONIST ARTIST ON SETTING FIRES AND PUTTING THEM OUT. It’s very difficult to stay in the present if you have ambition. Either looking backwards or forwards, past or future, but less often really here, now. Fires force immediate action I guess. Perhaps the act of making swinging between the hand and the mind lies in Diderot’s intention when he curated the contents of the Encyclopedie (pub France, 1751-72. But art is different perhaps because it’s a thing the masses c...

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formiv.com

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BEFORE THE THING | FORM IV

http://formiv.com/before-the-thing

The new POETRY (under construction). Not the Oxford English Po-et-ry (noun) but an action that is not a luxury (i.e. Audre Lorde’s poetry); poetry that is the insistence of the possibility of freedom (from language, from culture, from art, from reality). I’m going to interject here that I wanted to write a paragraph about the future of this http:/, but went on a bit of a tangent and if you’d like to cut the crap, then please skip to the end [. The work was sold via subscription throughout the USA (I read...

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THING 001 : TERMINUS | FORM IV

http://formiv.com/thing001terminus

THING 001 : TERMINUS. THE LIONESS ONLY SWIMS WHEN SHE HAS TO [EXTRACT]. The weatherman turned around and yelled:. Can you not see I’m a woman? We gathered, eight or nine of us, that night. We built houses out of live fire and sat to watch them burn into shape. You said: I wish I was an email so I could travel anywhere immediately. I said: I wish the ground was all warm water, so we could sail through it together. Arthur complained about the veggie sausages. PLATEAU FINDING, ONE AND TWO. Cold the greeting...

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lostinidea.blogspot.com

S/Y: Form IV

http://lostinidea.blogspot.com/2015/03/form-iv.html

Thursday, 26 March 2015. Jen wrote a tour diary from when Monotony went up North the other week. It's up on Form IV. PS Thanks to everyone who helped us out doing it, we had a lot of fun. x. Subscribe to: Post Comments (Atom). 270516 - Paris w/ Sleaford Mods, White Fence. 280516 - NOISE ANNOYS FEST - Sheffield w/ Orden Mundial, Protex, Detergents. 310516 - BEL - Antwerp, Music City. 010616 GER - Köln, Sonic Ballroom. 020616 GER - Mannheim, Kurzbar. 030616 SUI - Düdingen, Bad Bonn Kilbi. 110616 NED - TBC.

francesdrayson.com

CV - Frances Drayson

http://francesdrayson.com/pages/cv

Artist in residence, GAP Glurns Art Point, Italy. Writing featured in Form IV. Solo Show at Coleman Projects, London, supported by The Elephant Trust. Your Mind Works Against You. Solo Show at Roz Barr Architects, London. Artist in residence, Troy Town Art Pottery, London. Spike Island, Bristol. Enclave Projects, London. Copenhagen Place, London. MA Fine Art, The Royal Academy. BA Hons Fine Art, The Slade. Foundation Diploma, Central St Martins.

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Form IV

THING 002 : CONVERSION. NOTES FROM AN ARSONIST ARTIST ON SETTING FIRES AND PUTTING THEM OUT. It’s very difficult to stay in the present if you have ambition. Either looking backwards or forwards, past or future, but less often really here, now. Fires force immediate action I guess. Perhaps the act of making swinging between the hand and the mind lies in Diderot’s intention when he curated the contents of the Encyclopedie (pub France, 1751-72. But art is different perhaps because it’s a thing the masses c...

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