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Tuesday, 19 May 2009. Posted by Mae Rose. Subscribe to: Posts (Atom).
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Cast Glass Platter
Wednesday, 20 May 2009. I wanted to experiment with different techniques. And to try out new moulds. I decided that the best way to undertake this was to cast glass from my new moulds. The moulds i chose were platter shapes. I wanted the platters to be bold in colour, so chose pink and green. I also wanted them to be bold in size so I used three layers of gaffa glass billets to finish them which makes them heavy peices. Posted by Mae Rose. Subscribe to: Posts (Atom).
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Bold Colour
Wednesday, 20 May 2009. Colour is a very important aspect for me and I really wanted to make this clear throughout my range of work. Glass is a very expensive material so I did start using normal clear float glass. I found this hard to work with as the quality was not great and the colours that I was able to achieve did not come out as I had wanted. I moved on to use Bulls-eye. Glass which is expensive but the finished peices had the perfect colour effects that I wanted to achieve. Posted by Mae Rose.
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Fusing Glass Nuggets
Sunday, 24 May 2009. I chose to start the second term working with glass nuggets as I knew they are a cheap form of glass that would enable me to experiment a lot initially. I also really liked the. 1 Getting the nuggets. I bought my glass nuggets from a few places, such as. 2 Laying the nuggets in the kiln. Once I had obtained the nuggets that I wanted, I had to test that they were compatible. 3 Fusing larger areas. When I became satisfied which nuggets were compatible,. I layered nuggets with plain she...
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Slumping Glass Nuggets
Sunday, 24 May 2009. I took the fused, cleaned and polished sheets of glass and sat them on top of my mould, making sure that the edges were clear. I slumped these at about 600 degrees. In this part of the process but it was something I found myself doing a lot when I was waiting for the kiln to finish and cool down! Sadly and far too often my prayers were not answered and I ended up with ugly broken bits of work, as you can see below. 3 Clean and polish. Posted by Mae Rose. Subscribe to: Posts (Atom).
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Fusing Bullseye Glass
Sunday, 24 May 2009. I chose to work with Bulls-eye glass in my final term of my third year. I decided to change materials as I was not totaly happy with the results I had been getting with the fused nuggets. Although it may have been a risk to start with a new material at this stage, I was confident that I could acehive more outstanding results. Of, yellow, fuchsia. Dark blue, light blue, turquoise. 1 Cutting the glass. Sharp and perfected the circular form. 4 Take out of kiln. I was extremely happy wit...
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Slumping Bullseye Glass
Sunday, 24 May 2009. Fusing Bulls-eye went well, my shapes worked and the colours worked. I realised that this type of glass is much better to use and to create finished objects with than the nuggets. I made more plaster moulds from my silicone master and lay six medium sized ones in the kiln along with about five smaller moulds. 1 Putting moulds into the kiln. 2 Putting sheets of glass onto moulds. Posted by Mae Rose. Subscribe to: Posts (Atom).
