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CodingJack's Tiny Music Player. A JAZZ OPERA, premiere. By Amiri Baraka and George Gruntz, La MaMa. THE TOOTH OF CRIME. By Sam Shepard, La MaMa. By Yukio Mishima, Meta Theatre, Munich, Germany. By Mac Wellman and Bob Jewett, La MaMa. By Franz Kroetz, Cleveland Playhouse. LINCOLN ON HESTER STREET. By Lu Hauser, Theater for the New City. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Stan Kaplan, La MaMa. CONJUR WOMAN, A BLUES OPERA.

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CodingJack's Tiny Music Player. A JAZZ OPERA, premiere. By Amiri Baraka and George Gruntz, La MaMa. THE TOOTH OF CRIME. By Sam Shepard, La MaMa. By Yukio Mishima, Meta Theatre, Munich, Germany. By Mac Wellman and Bob Jewett, La MaMa. By Franz Kroetz, Cleveland Playhouse. LINCOLN ON HESTER STREET. By Lu Hauser, Theater for the New City. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Stan Kaplan, La MaMa. CONJUR WOMAN, A BLUES OPERA.
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CodingJack's Tiny Music Player. A JAZZ OPERA, premiere. By Amiri Baraka and George Gruntz, La MaMa. THE TOOTH OF CRIME. By Sam Shepard, La MaMa. By Yukio Mishima, Meta Theatre, Munich, Germany. By Mac Wellman and Bob Jewett, La MaMa. By Franz Kroetz, Cleveland Playhouse. LINCOLN ON HESTER STREET. By Lu Hauser, Theater for the New City. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Stan Kaplan, La MaMa. CONJUR WOMAN, A BLUES OPERA.

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Co-Op Theme by Genji Ito -. Mr Ferencz first came to our attention as a director at the Impossible Ragtime Theater with highly charged productions of early O'Neill ( THE HAIRY APE. Sunday New York Times. Imaginative and rewarding theatre. This one you can invite out-of-towners to come see! Lasting Impressions, Exceptional Work! Ferencz attacks the work as a new play. If lesser plays by great playwrights are to be seen, Ferencz’s productions could serve as models. Munich Theater, Herbert Temmes. As a whol...

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His integration of music in the Shepard plays was profiled in American Theater magazine and he has taught and lectured and directed Shepard works at several universities including Columbia, Yale and New York University. George Ferencz's quote Modern Theatre is Music-Theatre became the title of the TCG published account of a roundtable discussion on the role of music in today's theater. It also serves as a description of Ferencz's approach to the work of Sam Shepard. Co-Op Theme by Genji Ito -.

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CodingJack's Tiny Music Player. A JAZZ OPERA, premiere. By Amiri Baraka and George Gruntz, La MaMa. THE TOOTH OF CRIME. By Sam Shepard, La MaMa. By Yukio Mishima, Meta Theatre, Munich, Germany. By Mac Wellman and Bob Jewett, La MaMa. By Franz Kroetz, Cleveland Playhouse. LINCOLN ON HESTER STREET. By Lu Hauser, Theater for the New City. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Stan Kaplan, La MaMa. CONJUR WOMAN, A BLUES OPERA.

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Latest News | Matthew Wrather

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Don’t Dress for Dinner at International City Theatre. October 8, 2013. In my first full-equity job since returning to Los Angeles and getting my MFA, I’ll be playing a lead role in. Don’t Dress for Dinner. At Long Beach’s International City Theatre. It’s a French-style three door farce with mistresses, misunderstandings, and mighty-tiny negligees, and I get to trip over the furniture, do spit-takes, and smooch pretty ladies for two hours straight. It’s a tough life. Here’s the schedule:. February 3, 2012.

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Cataloging La MaMa's Pushcart Years – Page 2 – La MaMa's Archives Blog

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Cataloging La MaMa's Pushcart Years. La MaMa's Archives Blog. Queer Theatre at La MaMa (1962-1980). Who Cares for Community-Based Video? A Report from the 2015 CLIR Hidden Collections unConference. July 15, 2015. July 15, 2015. In reviewing and evaluating this work, we decided that it would be worth publishing, here, some of the writing that emerged from this work. Today we’d like to share the first of these writings: a short piece by Jack Brighton. Senior archivist at WITNESS) and Rebecca Fraimow. Direc...

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CodingJack's Tiny Music Player. A JAZZ OPERA, premiere. By Amiri Baraka and George Gruntz, La MaMa. THE TOOTH OF CRIME. By Sam Shepard, La MaMa. By Yukio Mishima, Meta Theatre, Munich, Germany. By Mac Wellman and Bob Jewett, La MaMa. By Franz Kroetz, Cleveland Playhouse. LINCOLN ON HESTER STREET. By Lu Hauser, Theater for the New City. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Sam Shepard and Max Roach, Syracuse Stage and La MaMa. By Stan Kaplan, La MaMa. CONJUR WOMAN, A BLUES OPERA.

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