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Get Video Crew - UK camera crew directory for cameraman, sound man, editors and producers Get Video Crew

Find UK camera crew, videographers, lighting cameramen, producers, directors for corporate, documentary and TV

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Get Video Crew - UK camera crew directory for cameraman, sound man, editors and producers Get Video Crew | getvideocrew.co.uk Reviews
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Get Video Crew - UK camera crew directory for cameraman, sound man, editors and producers Get Video Crew | getvideocrew.co.uk Reviews

https://getvideocrew.co.uk

Find UK camera crew, videographers, lighting cameramen, producers, directors for corporate, documentary and TV

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getvideocrew.co.uk getvideocrew.co.uk
1

2. Sound Crew Archives - Get Video Crew Get Video Crew

http://getvideocrew.co.uk/listing-category/sound-crew

We have found 3. Items matching your search. Sort By: Title (A-z). Mark Schofield - Sound Recordist. A Sound recordist with 15 years experience. Steve Day - On Location Sound. I'm a Freelance Location Sound Recordist and Live Sound Engineer with more than 25 years of sound recording experience. Javi Lopez - Sound Recordist. Page 1 of 1. EBay on my website by Auction Nudge.

2

Lighting Cameraman/DoP Archives - Get Video Crew Get Video Crew

http://getvideocrew.co.uk/listing-category/lighting-cameraman

We have found 4. Items matching your search. Sort By: Title (A-z). Lighting Cameraman / Cameracrew - XDCAM HD422/XAVC. XDCAM HD422/XAVC - Canon HD-UWA 4.3 - Sound - Light (HMI and LED) - Mini Jib ArmKabel1 / mdr / NDR / N24 / Pro7. Multi Skilled Lighting Camera Operator and Editor. I'm a freelance Camera Operator and Editor with nearly 20 years broadcast experience working for organisations such as ITV, BBC, ITN, Good Morning Britain, Lorraine etc covering news, current a. Freelance Lighting Cameraman and.

3

Production Assistant Archives - Get Video Crew Get Video Crew

http://getvideocrew.co.uk/listing-category/production-assistant

There were no results found for your search query. We did not find any results for your search query. Please try again with a different search query. EBay on my website by Auction Nudge. TV and Video Crew jobs database featuring, Corporates, Documentaries, Broadcast, Commercial, Producers, Directors, Camera Crew, Sound Crew, Editors, Presenters and Make-up Artists.

4

Producer Archives - Get Video Crew Get Video Crew

http://getvideocrew.co.uk/listing-category/producer

There were no results found for your search query. We did not find any results for your search query. Please try again with a different search query. EBay on my website by Auction Nudge. TV and Video Crew jobs database featuring, Corporates, Documentaries, Broadcast, Commercial, Producers, Directors, Camera Crew, Sound Crew, Editors, Presenters and Make-up Artists.

5

4. Post-Production Crew Archives - Get Video Crew Get Video Crew

http://getvideocrew.co.uk/listing-category/post-production-crew

We have found 4. Items matching your search. Sort By: Title (A-z). Julian Langham - Cameraman / DIT / Editor. I am a friendly and diligent cameraman and editor with over 15 years experience of working with broadcast quality content. I have a natural talent and flair for managing and delivering complex technic. Colin Snoad - Freelance Videographer, Editor and Creative Advisor. Freelance Videographer, Editor. Paul Volniansky - Video editor. English and Russian. Video Editor / Camera Operator. Page 1 of 1.

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digital-cinematography.net digital-cinematography.net

Resources - Digital Cinematography

http://digital-cinematography.net/resources

News and Articles Blog about new technology and the advances in digital filmmaking. Digital Cinematography Lighting tips and techniques. PDF Whitepaper explaining all you wanted to know about sony S-LOG. Http:/ www.sony.co.uk/res/attachment/file/66/1237476953066.pdf. Latest manuals and firmware updates. Http:/ www.arridigital.com/downloads. Forums for all aspects of Cinematography. Field of View and Sensor Size charts. Able Cine Tech have created these great comparison aids. Field of View Comparison.

digital-cinematography.net digital-cinematography.net

Behind-The-Scenes Look: Making of the New Glock G41 Commercial - Digital Cinematography

http://digital-cinematography.net/2014/10/10/behind-scenes-look-making-new-glock-g41-commercial

News and Articles Blog about new technology and the advances in digital filmmaking. Behind-The-Scenes Look: Making of the New Glock G41 Commercial. Middot; October 10, 2014. When Glock and its creative agency CraterDust approached commercial production company Modest in Atlanta about producing a spot for their G41 pistol, they knew they wanted the spot to be eye-catching and to highlight the tactical nature of the gun. Photo Credits: Richard King Photography. Freefly Systems Movi M10. You may also like.

digital-cinematography.net digital-cinematography.net

Litepanels ASTRA Bi-color 1x1 - Digital Cinematography

http://digital-cinematography.net/2014/06/09/litepanels-astra-bi-color-1x1

News and Articles Blog about new technology and the advances in digital filmmaking. Litepanels ASTRA Bi-color 1×1. Middot; June 9, 2014. Digital Cinematography –. Litepanels revolutionary 1×1 get even better. Active and Passive cooling modes with ultra quiet fan. 3-pin XLR locking power connector and optional Gold Mount or V-Mount battery plates. You may also like. ARRI XT Internal Filter Holder. 7 Apr, 2013. Roger Deakins, Bond 23, Arri Alexa, Confirmed! 10 May, 2011. Sony F5 and F55 Simulator.

digital-cinematography.net digital-cinematography.net

Behind the Scenes Archives - Digital Cinematography

http://digital-cinematography.net/category/behind-the-scenes

News and Articles Blog about new technology and the advances in digital filmmaking. Category: Behind the Scenes. 21 Dec, 2014. Lighting an Interior Sunset Scene by Josh White. Article written by Josh White joshwhitedop.co.uk I’m going to do a short write up of a recent lighting set up I did for a scene in the low budget horror film ‘Invasion of the.. 10 Oct, 2014. Behind-The-Scenes Look: Making of the New Glock G41 Commercial. Panasonic Varicam LT 60fps 4K Cinema Camera. 11 Feb, 2016. 23 Feb, 2015.

digital-cinematography.net digital-cinematography.net

ARRI ALEXA 65mm 6K - Digital Cinematography

http://digital-cinematography.net/2014/09/21/arri-alexa-65mm-6k

News and Articles Blog about new technology and the advances in digital filmmaking. ARRI ALEXA 65mm 6K. Middot; September 21, 2014. Arri have just announced that they are going big with a new digital cinema camera the Alexa 65 which features a 65mm sensor recording at 6K resolution. At 3x the size of a standard s35mm sensor the new Alexa65 will be available for rental only at this stage. 65mm Digital Cinema Camera. ARRI A3X CMOS sensor. 5-perf 65mm (full camera aperture). Weight: 10.5 kg / 23.2 lb. 11 Fe...

digital-cinematography.net digital-cinematography.net

KineMAX 6K First Footage - Digital Cinematography

http://digital-cinematography.net/2015/02/16/kinemax-6k-first-footage

News and Articles Blog about new technology and the advances in digital filmmaking. KineMAX 6K First Footage. Middot; February 16, 2015. Chinese manufacturer Kinefinity have finally released footage from their KineMAX 6K. You can watch the link below. Colours of Culture Bali by KineMAX. Colours of Culture Bali by KineMAX. Cameraman: Orlando Bassi (Movie Studio Bali); Location: Bali Island. Camera: KineMAX 6K Prototype, KineMOUNT PL mounting adapter; Lens: Zeiss Compact Prime Set;. No Sharpen or Denoise.

digital-cinematography.net digital-cinematography.net

A New Dawn For Cine Lenses - Tokina PL Mount - Digital Cinematography

http://digital-cinematography.net/2014/06/28/a-new-dawn-for-cine-lenses-tokina-pl-mount

News and Articles Blog about new technology and the advances in digital filmmaking. A New Dawn For Cine Lenses – Tokina PL Mount. Middot; June 28, 2014. The range of lenses now comprises of 3 rehouses cine lenses:. 11-16mm T3 – EF or MFT Mount = $1900. 16-28mm T3 – EF or PL Mount = $4500. 50-135mm T3 – EF or PL Mount = $TBC. Tokina 50-135mm T3 – Thanks to www.hdvideopro.com for the photo. Wide Angle Zoom Lens. Covers Full-Frame Sensors (11-16mm s35mm/aps-c only). Constant T3.0 Aperture. You may also like.

digital-cinematography.net digital-cinematography.net

Arri Alexa Mini 4K Announced - Digital Cinematography

http://digital-cinematography.net/2015/02/23/arri-alexa-mini-announced

News and Articles Blog about new technology and the advances in digital filmmaking. Arri Alexa Mini 4K Announced. Middot; February 23, 2015. Arri have just announced the brand new Arri Alexa Mini 4K. The little sister to the Alexa and Amira. A carbon fibre body and PL mount. Built in ND filters. EF and B4 lens mount option. Price is TBC but will be around $30,000 to $40,000 depending on options. The ALEXA Mini’s camera speeds of 0.75 200 fps allow it to be used not just for slow motion shots, but als...

digital-cinematography.net digital-cinematography.net

Beauty Lighting by JP Caldeano - Digital Cinematography

http://digital-cinematography.net/2014/07/01/beauty-lighting-jp-caldeano

News and Articles Blog about new technology and the advances in digital filmmaking. Beauty Lighting by JP Caldeano. Middot; July 1, 2014. With beauty lighting, I try to get my light sources as large as possible. One of the things I say over and over is, the larger your light source is in relationship to your subject, the softer the light. So for beauty lighting, I generally get the modifiers (soft boxes / reflectors) as close to my subject as possible. For the shot above, I used a 100mm lens at T2.8.

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