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Global Arts Corps | Can we forgive the past to survive the future?

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. From Rwanda to Kosovo, Cambodia to the North of Ireland, Global Arts Corps has used the transformative power of theatre to bring together people from opposite sides of violent conflict, unrest and war in 17 countries on 4 continents, reaching over 100,000 audience members, and facilitating reconciliation workshops for over 15,000 participants. Follow GLOBAL ARTS CORPS.

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Global Arts Corps | Can we forgive the past to survive the future? | globalartscorps.org Reviews
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Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. From Rwanda to Kosovo, Cambodia to the North of Ireland, Global Arts Corps has used the transformative power of theatre to bring together people from opposite sides of violent conflict, unrest and war in 17 countries on 4 continents, reaching over 100,000 audience members, and facilitating reconciliation workshops for over 15,000 participants. Follow GLOBAL ARTS CORPS.
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1 main menu
2 what we do
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6 truth in translation
7 the play
8 the tour
9 see you yesterday
10 year zero36
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Global Arts Corps | Can we forgive the past to survive the future? | globalartscorps.org Reviews

https://globalartscorps.org

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. From Rwanda to Kosovo, Cambodia to the North of Ireland, Global Arts Corps has used the transformative power of theatre to bring together people from opposite sides of violent conflict, unrest and war in 17 countries on 4 continents, reaching over 100,000 audience members, and facilitating reconciliation workshops for over 15,000 participants. Follow GLOBAL ARTS CORPS.

INTERNAL PAGES

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1

FILM | Global Arts Corps

http://globalartscorps.org/home/film

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. We are thrilled to announce that Global Arts Corps’ film on the Truth in Translation project,. A Snake Gives Birth to a Snake. Recently won the Social Justice Award at the Santa Barbara International Film Festival. We began 2015 with the European premiere. Of the documentary in Biarritz at the 28th edition of FIPA. The Festival International de Programmes Audivisuals. USA (Paramount Theat...

2

CANADA | Global Arts Corps

http://globalartscorps.org/home/canada

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. Canada is currently in midst of a Truth and Reconciliation Commission aimed at examining the country’s devastating residential school system, which led to a near cultural genocide among First Nations, Inuit and Métis peoples. Aboriginal students in Canada’s Residential School System. DOWNLOAD THE PRESS KIT FOR OUR CAMBODIAN PRODUCTION — SEE YOU YESTERDAY. Follow GLOBAL ARTS CORPS.

3

DONATE | Global Arts Corps

http://globalartscorps.org/home/donate

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. We invite you to support us as we build the Global Arts Corps. Global Arts Corps is funded entirely by donations. It is with the help of generous, inspired. Individuals, organizations, foundations and corporations that we continue to do the work that we do. If you would like to become our partner, it’s easy! Please click below to make a donation:. We are grateful for your support!

4

BLOG | Global Arts Corps | Can we forgive the past to survive the future?

http://globalartscorps.org/home/blog

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. From the World Premiere of See You Yesterday in Rwanda. July 22, 2016. Performance of See You Yesterday from the Kigeme refugee camp. This past week the World Premiere of our Cambodian production See You Yesterday. 8211;produced in partnership with Phare Performing Social Enterprise. Phare Ponleu Selpak Association. And Amita Performing Arts. 8212; took place at the Ubumuntu Arts Festival.

5

RWANDA | Global Arts Corps

http://globalartscorps.org/home/rwanda

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. Global Arts Corps participates in Rwanda’s FESPAD, a Pan-African arts festival, which carries the byline: ‘We cannot change the past, but TOGETHER we can build a brighter future’ (2006). DOWNLOAD THE PRESS KIT FOR OUR CAMBODIAN PRODUCTION — SEE YOU YESTERDAY. Follow GLOBAL ARTS CORPS. SUBSCRIBE TO OUR NEWSLETTER. 790 Riverside Dr. New York, NY 10032.

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Bio | The Artful Administrator

https://artfuladministrator.wordpress.com/bio

Todd Lester has worked in leadership, advocacy and strategic communications roles at Reporters sans frontiers, the Astraea Lesbian Justice Foundation, Queer/Art and most recently as the Executive Director of the Global Arts Corps. And the Creative Resistance Fund. His new project, Lanchonete. Is a 5-year experiment in artistic witnessing focused on a neighborhood in the center of São Paulo. For my arts and culture work. Leave a Reply Cancel reply. Enter your comment here. Address never made public).

culturalmemoryurbanspace.wordpress.com culturalmemoryurbanspace.wordpress.com

Sites of Memory | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/sites-of-memory

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

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Todd Lester Interview @ Lanchonete | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/course-resources/todd-lester-interview-lanchonete

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Todd Lester Interview @ Lanchonete. Leave a Reply Cancel reply. Enter your comment here. Arts in public space.

culturalmemoryurbanspace.wordpress.com culturalmemoryurbanspace.wordpress.com

Discussion Forum | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/discussion-forum-2

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

culturalmemoryurbanspace.wordpress.com culturalmemoryurbanspace.wordpress.com

Immigrant Memory | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/discussion-forum-2/immigrant-memory

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.

culturalmemoryurbanspace.wordpress.com culturalmemoryurbanspace.wordpress.com

Course Bibliography | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/course-bibliography

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Anderson, Benedict R. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Princeton U...

culturalmemoryurbanspace.wordpress.com culturalmemoryurbanspace.wordpress.com

Erica Doss Interview on “Memorial Mania” in America | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/course-resources/erica-doss-interview-on-memorial-mania-in-america

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Erica Doss Interview on “Memorial Mania” in America. Leave a Reply Cancel reply. Enter your comment here.

culturalmemoryurbanspace.wordpress.com culturalmemoryurbanspace.wordpress.com

Teju Cole’s Open City | Cultural Memory in Urban Space

https://culturalmemoryurbanspace.wordpress.com/discussion-forum-2/discussion-forum

Cultural Memory in Urban Space. Pacific School of Religion at the Graduate Theological Union, Berkeley. Ai Wei Wei–“So Sorry”. Anna D. Smith–“Fires in the Mirror”. Erica Doss Interview on “Memorial Mania” in America. Todd Lester Interview @ Lanchonete. Walt Whitman in Brooklyn. Walt Whitman in NYC Documentary. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Memory Sites of Cultural Trauma. Teju Cole’s Open City. Teju Cole’s novel open and closes in Morning Side Heights. Cole even somehow infused ...

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Global Arts Corps | Can we forgive the past to survive the future?

Skip to primary content. Skip to secondary content. HOLD YOUR TONGUE, HOLD YOUR DEAD. A SNAKE GIVES BIRTH TO A SNAKE. From Rwanda to Kosovo, Cambodia to the North of Ireland, Global Arts Corps has used the transformative power of theatre to bring together people from opposite sides of violent conflict, unrest and war in 17 countries on 4 continents, reaching over 100,000 audience members, and facilitating reconciliation workshops for over 15,000 participants. Follow GLOBAL ARTS CORPS.

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