Eye Candy dirty crapp world (online exhibition). On analytical imaging history. Efren [AB] goodgore [DOT] com. This work is licensed under a Creative Commons Attribution 3.0 Unported License. Government, the picture.
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goodgore.com systems poetry | goodgore.com Reviews
https://goodgore.com
Eye Candy dirty crapp world (online exhibition). On analytical imaging history. Efren [AB] goodgore [DOT] com. This work is licensed under a Creative Commons Attribution 3.0 Unported License. Government, the picture.
goodgore.com
goodgore.com systems poetry
http://www.goodgore.com/index.shtml
Eye Candy dirty crapp world (online exhibition). On analytical imaging history. Efren [AB] goodgore [DOT] com. This work is licensed under a Creative Commons Attribution 3.0 Unported License. Government, the picture.
eyecandy dirty crap world
http://www.goodgore.com/dirty/bulk.shtml
I'm ofering you some random images about subjects of my interest having in mind the perspective that you can use them to illustrate any related article or post. Or you can just watch them for your entertainment. Here in the bulk version I want to give you some links I do like or dislike especially, just to share with you a litle bit more of my love. Is licensed under a Creative Commons Attribution 3.0 Unported License. Government, the picture. Notice an orbital shith very, very close to his mouth .).
Government, goodgore.com
http://www.goodgore.com/gov.shtml
Who were they, what social groups did they come from, what kind of students and people were they? How and why did they change so much in less than a year? Why did neither I nor a majority of my fellow students succumb to this phenomenon and process? Many such questions fluttered through our heads then. (.) They gave the impression of possessing some secret knowledge. Andrew M. Lobaczewski, ponerologist, 1984. Jimmy (Jimbo) Wales, the wikipedia creator, 2006. By Efrén Álvarez. Government, the picture.
Emblemas sobre reprodución
http://www.goodgore.com/copylove
Trata[n] de extraer de las experiencias vividas cuáles son los tipos de vínculos y relaciones que se establecen en una comunidad de agentes cuyas prácticas y modos de hacer generan bienes comunes para toda la comunidad. Ediciones oficiales del 15 Festival Zemos98:. Finalmente, y como se suele decir. El encargo que recibo y del que parte esta emblemática, es la traducción de este esquema a una gráfica más atractiva y comprensible. Al final , aunque en la emblemática anterior se encuentran traslaciones...
"Classroom collection"
http://www.goodgore.com/cc.shtml
In a sense of tectological interconnections: they 'pair up' with 'peer'-complexities, to assemble into even higher level complexities - and so on. There is no highest 'President-Complexity' (! TECTOLOGY J ohn A. Mikes. Art from the 80's and 90's". By Martí Peran. By Mon-3, and Ana Maria Guasch. South America (.)", "Political Conflicts (.)", and "Art History". Government, the picture.
TOTAL PAGES IN THIS WEBSITE
5
Category: education - Oriol Fontdevila
http://oriolfontdevila.net/category/education
Focusing on art practices and education. Aula Oberta #5: Art en transició i les seves resistències. Institut d'Humanitats de Barcelona. Con textos: Performative Mediation. Becoming Public. Cultural Innovation International Prize. Allan Kaprow: Sweet Wall. Zombies, Frankenstein and the Pink Panther. Creation’s all about mediators. Without them nothing happens. Being selected as a curatorial project through open call by the Consorci de Museus de la Comunitat Valenciana. S New World Summit.
Godzilla ciudadana: una multitud que arde en el combate de la vida - 15 Festival ZEMOS98 - Los Vulnerables - #COPYLOVE
http://15festival.zemos98.org/Godzilla-ciudadana-una-multitud
Godzilla ciudadana: una multitud que arde en el combate de la vida. El cartel y la imagen de la 15 edición del Festival ZEMOS98. Viene de un trabajo realizado colectivamente en la pasada edición de COPYLOVE: Procomún, amor y remezcla. En ella, llevamos a cabo la realización de una ontología. Pensamos que si el año pasado, la figura de la madre. El camino por la ciudad de este ser fantástico, a la vez destructivo y constructivo, es un Rampage. 15 Festival ZEMOS98: LOS VULNERABLES. La imagen ha sido desarr...
con D de Dorta: tarde, pero cierto
http://lorenadorta.blogspot.com/2011/01/tarde-pero-cierto.html
Tarde, pero cierto. Los 30. los llevo encima desde Noviembre y aún no se si pesan por si mismos o si pesan porque el carnet joven ya no me considera joven, porque he perdido la posibilidad de pedir la ayuda del alquiler, en las tiendas me llaman Señora! Y eso que llevo flequillo y ortodoncia, no lo entiendo) el seguro del coche es más barato, las arrugas invitadas, ah! Ya no se van, mi pareja, que es un jovenzuelo sale con una treintañera! Enviar por correo electrónico. Ver todo mi perfil.
con D de Dorta: Ateneu Popular
http://lorenadorta.blogspot.com/2011/06/ateneu-popular.html
Quiero dar las gracias a la gente de Ateneu Popular. Por su inagotable fuente de referencias. Felicidades por el blog! Enviar por correo electrónico. Publicar un comentario en la entrada. Suscribirse a: Enviar comentarios (Atom). Ver todo mi perfil. 183;···· TAGS ·····. 183;···· POSTS ·····. Cartel San Mateo Logroño 2011. Follow this blog with bloglovin. Se ha producido un error en este gadget. Plantilla Simple. Con la tecnología de Blogger.
con D de Dorta: alegrías materiales de las navidades
http://lorenadorta.blogspot.com/2011/01/alegrias-materiales-de-las-navidades.html
Alegrías materiales de las navidades. Bote 'lata' de cerámica y vasos de 'plástico' de cristal de la casa Seletti. Kit de sellos alfabeto de goma de Muji. Pen 68 y 88. Mitones rosa de New Look. Amasadora de pan (la foto es de mi primer pan con ella.mmmm). En mi familia decidimos hace años que la mejor manera de no sufrir en la busca de regalos. Hace ya unos años que mi hermana y yo vivimos fuera, así que nos hemos pasado a la versión digital y hay un email que va siendo actualizado por todos o casi.
con D de Dorta: 1/06/11
http://lorenadorta.blogspot.com/2011_06_01_archive.html
Cartel San Mateo Logroño 2011. Este año, por primera vez, decidí presentarme al concurso del cartel de las fiestas de San Mateo de Logroño, y digo por primera vez como si debiese haberlo hecho antes porque como logroñesa, ex-estudiante de la escuela de arte y diseñadora que soy, es un trámite que mucha gente, en situación similar, pasa alguna vez en su vida, así que aquí podéis ver mi personal planteamiento para el evento en cuestión. Enviar por correo electrónico. Enviar por correo electrónico.
Category: writer - Oriol Fontdevila
http://oriolfontdevila.net/category/writer
Focusing on art practices and education. Lydia Debeer: The Posthuman Gaze. Performativity as a Modus Operandi. Museum of Contemporary Art Vojvodina Novi Sad. Traps, Clues, Trails, Nearsightedness. Oriol Vilanova: Medio y memoria. Arte emergente: del éxodo a la insurgencia. Las trampas del ornamento. Ella Littwitz & Klaas Vanhee: Dionysius’ Ear. Art and Conflict. A Survey at the Battelfield. Lola Lasurt: On the Battle of Media Prospecting. Tania Bruguera: The Origins of Totalitarism Twice. Polaritats 2015...
Oriol Fontdevila - comisario, investigador y escritor
http://oriolfontdevila.net/es
Especializado en prácticas artísticas y educación. La Síndrome de Sherwood: Acción diferida. Núria Güell. Aula Oberta #5: Art en transició i les seves resistències. Institut d'Humanitats de Barcelona. Lydia Debeer: The Posthuman Gaze. Performativity as a Modus Operandi. Museum of Contemporary Art Vojvodina Novi Sad. Regina de Miguel: Aura Nera. Paranys, indicis, rastres, miopia. Con textos: Mediación performativa. Oriol Vilanova: Medio y memoria. Arte emergente: del éxodo a la insurgencia. Can Xalant cie...
Oriol Fontdevila - comissari, investigador i escriptor
http://oriolfontdevila.net/ca
Especialitzat en pràctiques artístiques i educació. Aula Oberta #5: Art en transició i les seves resistències. Institut d'Humanitats de Barcelona. La Síndrome de Sherwood: Acción diferida. Núria Güell. Lydia Debeer: The Posthuman Gaze. Performativity as a Modus Operandi. Museum of Contemporary Art Vojvodina Novi Sad. Regina de Miguel: Aura Nera. Paranys, indicis, rastres, miopia. Con textos: Mediación performativa. Oriol Vilanova: Medio y memoria. Art emergent: de l’èxode a la insurgència. Can Xalant tan...
TOTAL LINKS TO THIS WEBSITE
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Just another WordPress.com site. Ready, Set, ACCESSORIZE! August 18, 2010 2 Comments. A couple of days ago I mentioned that I was going to do a post on accessorizing! WELL this is just going to be a quick post about the joys of accessorizing. I’m only going to cover the basics here, but just enough to prove to you that a few little extras can take an outfit from complete blah to unique and conversation starting! First we take the basic black camisk from Haven Designs. Then there’s the “Seekri...Event I j...
Over the falls
Tuesday, August 14, 2012. It seemed almost comical, to watch somebody furiously engaged in texting, in this peculiar form of social interaction, in the middle of a million people. I began to wonder, what is it that makes us so obsessed? Is consuming all this information actually harmless? I have spent my entire life, like lots of us, working with information. Trying to find ways to manage it appropriately, to connect people with meaningful information, to help people to get a handle on this informati...
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goodgore.com systems poetry
Eye Candy dirty crapp world (online exhibition). On analytical imaging history. Efren [AB] goodgore [DOT] com. This work is licensed under a Creative Commons Attribution 3.0 Unported License. Government, the picture.
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good gorilla
Music, politics and crafts - what more could a girl blog about? Monday, March 12, 2007. Time for a Face Lift! I've decided to pick this puppy back up again. I have a handful of posts in the works and few ideas brewing for some more. I've upgraded to the new blogger, and since I'm starting up again, figure I may as well give the good gorilla blog a new look. So sit tight, I hope to mess around with it in the next week or so and will begin posting again shortly! I know, you're waiting with baited breath).
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