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Gospel Writing – A Canonical Perspective

Gospel Writing – A Canonical Perspective. February 16, 2012. This is a companion website for. Of Francis Watson’s. Gospel Writing: A Canonical Perspective. Grand Rapids: Eerdmans, 2013). The links to the right correspond to particular footnotes of the chapter to enable the reader to view the artworks discussed. Ch 11, Note 8: S. Pudenziana, Rome. Ch 11, Note 13: S. Sabina, Rome. Ch 11, Note 19: S. Sabina Doors, Rome. Ch 11, Note 68: Galla Placidia Mausoleum, Ravenna. Ch 11, Note 82: S. Vitale, Ravenna.

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Gospel Writing – A Canonical Perspective | gospelwriting.wordpress.com Reviews
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Gospel Writing – A Canonical Perspective. February 16, 2012. This is a companion website for. Of Francis Watson’s. Gospel Writing: A Canonical Perspective. Grand Rapids: Eerdmans, 2013). The links to the right correspond to particular footnotes of the chapter to enable the reader to view the artworks discussed. Ch 11, Note 8: S. Pudenziana, Rome. Ch 11, Note 13: S. Sabina, Rome. Ch 11, Note 19: S. Sabina Doors, Rome. Ch 11, Note 68: Galla Placidia Mausoleum, Ravenna. Ch 11, Note 82: S. Vitale, Ravenna.
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Gospel Writing – A Canonical Perspective | gospelwriting.wordpress.com Reviews

https://gospelwriting.wordpress.com

Gospel Writing – A Canonical Perspective. February 16, 2012. This is a companion website for. Of Francis Watson’s. Gospel Writing: A Canonical Perspective. Grand Rapids: Eerdmans, 2013). The links to the right correspond to particular footnotes of the chapter to enable the reader to view the artworks discussed. Ch 11, Note 8: S. Pudenziana, Rome. Ch 11, Note 13: S. Sabina, Rome. Ch 11, Note 19: S. Sabina Doors, Rome. Ch 11, Note 68: Galla Placidia Mausoleum, Ravenna. Ch 11, Note 82: S. Vitale, Ravenna.

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Ch. 11, Note 94: S. Maria Maggiore, Rome | Gospel Writing – A Canonical Perspective

https://gospelwriting.wordpress.com/footnote94

Gospel Writing – A Canonical Perspective. Ch 11, Note 94: S. Maria Maggiore, Rome. The mosaic programme on the triumphal arch at Santa Maria Maggiore is dated to the pontificate of Sixtus III (430-40). The four registers (left side, from top) depict the annunciation, the visit of the magi, the massacre of the innocents, and Jerusalem. On the right of the arch, the four registers depict the presentation in the Temple, a scene from the flight to Egypt, Herod and the magi, and Bethlehem. The Lukan presentat...

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Ch. 11, Note 8: S. Pudenziana, Rome | Gospel Writing – A Canonical Perspective

https://gospelwriting.wordpress.com/footnote8

Gospel Writing – A Canonical Perspective. Ch 11, Note 8: S. Pudenziana, Rome. Click on the images to enlarge them, and then click the back button to return to the main site. Via http:/ kunsthistorie.com/. The church of Santa Pudenziana in Rome was rebuilt in the late fourth century. The apse mosaic probably dates from the early fifth century. Via http:/ kunsthistorie.com/. Via http:/ kunsthistorie.com/. Via http:/ kunsthistorie.com/. Via http:/ kunsthistorie.com/. Via http:/ kunsthistorie.com/. Ch 11, No...

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Ch. 11, Note 19: S. Sabina Doors, Rome | Gospel Writing – A Canonical Perspective

https://gospelwriting.wordpress.com/footnote19

Gospel Writing – A Canonical Perspective. Ch 11, Note 19: S. Sabina Doors, Rome. The church of S. Sabina, Rome, dates from the fifth century. The four living creatures are depicted in Row 2, image 4. (The identification of several of these images is disputed.). Click to enlarge images. Http:/ www.sacred-destinations.com. Eighteen panels survive of the carved doors of S. Sabina, though their original order is unknown. Via http:/ www.sacred-destinations.com. Row 1, image 1. Row 1, image 2. Row 1, image 3.

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Ch. 11, Note 81: Archiepiscopal Chapel, Ravenna | Gospel Writing – A Canonical Perspective

https://gospelwriting.wordpress.com/footnote81

Gospel Writing – A Canonical Perspective. Ch 11, Note 81: Archiepiscopal Chapel, Ravenna. Via http:/ catholic-resources.org. Four standing angels uphold the christogram, symbol of the enthroned Christ. In the spaces between them are located the cherubim or “four living creatures” of Revelation 4, now clearly associated with gospel books. Via http:/ catholic-resources.org. Via http:/ catholic-resources.org. The Markan lion follows the Johannine eagle; the Lucan calf (below) follows the Matthean human.

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Ch. 11, Note 68: Galla Placidia Mausoleum, Ravenna | Gospel Writing – A Canonical Perspective

https://gospelwriting.wordpress.com/footnote-68

Gospel Writing – A Canonical Perspective. Ch 11, Note 68: Galla Placidia Mausoleum, Ravenna. Via http:/ www.bluffton.edu/ sullivanm/. The Mausoleum of Galla Placidia (Ravenna) is a small cruciform building originally attached to the narthex of the church of S. Croce. It is named after Galla Placidia (. 392-450), daughter of Theodosius I, mother of Valentinian III, regent of the western empire, and a zealous builder and restorer of churches. Via Flickr – saromarina. Christ as good shepherd, above the entr...

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Do Online Resources Belong in Academic Footnotes? (Skinner) – Crux Sola

https://cruxsolablog.com/2015/07/29/do-online-resources-belong-in-academic-footnotes-skinner

A Biblioblog with Nijay K Gupta and Christopher W Skinner. Jesus in Contemporary Culture. Gospel of Thomas Interviews. Interested in a NT PhD? BZNW (Walter de Gruyter). LNTS (T and T Clark). SNTSMS (Cambridge University Press). WUNT II (Mohr Siebeck). Old Testament in the New (Bibliography). Do Online Resources Belong in Academic Footnotes? July 29, 2015. Today while finishing up a review for a monograph (one I really liked, by the way), I wrote the following:. July 29, 2015 at 10:43 am. Let’s thin...

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Gospel Writing – A Canonical Perspective

Gospel Writing – A Canonical Perspective. February 16, 2012. This is a companion website for. Of Francis Watson’s. Gospel Writing: A Canonical Perspective. Grand Rapids: Eerdmans, 2013). The links to the right correspond to particular footnotes of the chapter to enable the reader to view the artworks discussed. Ch 11, Note 8: S. Pudenziana, Rome. Ch 11, Note 13: S. Sabina, Rome. Ch 11, Note 19: S. Sabina Doors, Rome. Ch 11, Note 68: Galla Placidia Mausoleum, Ravenna. Ch 11, Note 82: S. Vitale, Ravenna.

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