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POTENTIAL MUTANTS : GUY PALMER MERRILL

POTENTIAL MUTANTSAll of the artwork in this installation ties two aesthetic modes together: the mode of geology and climate (caves, clouds, landscapes), and the mode of human-made form (architectural models, design, isometric systems). My aesthetic goal is to meld, mutate, and juxtapose these disparate ideas into something that is perhaps...

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POTENTIAL MUTANTSAll of the artwork in this installation ties two aesthetic modes together: the mode of geology and climate (caves, clouds, landscapes), and the mode of human-made form (architectural models, design, isometric systems). My aesthetic goal is to meld, mutate, and juxtapose these disparate ideas into something that is perhaps...
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POTENTIAL MUTANTS : GUY PALMER MERRILL | gpmerrill.com Reviews

https://gpmerrill.com

POTENTIAL MUTANTSAll of the artwork in this installation ties two aesthetic modes together: the mode of geology and climate (caves, clouds, landscapes), and the mode of human-made form (architectural models, design, isometric systems). My aesthetic goal is to meld, mutate, and juxtapose these disparate ideas into something that is perhaps...

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WORK ON PAPER : GUY PALMER MERRILL

http://www.gpmerrill.com/index.php/work-on-paper

Colored pencil, ink and acrylic on rag board. 75 x 7.75 inches. CRYSTALLINE (with green and orange). CRYSTALLINE (with green and orange). CRYSTALLINE (with green and orange). Colored pencil, ink and acrylic on rag board. 825 x 9.5 inches. Acrylic, watercolor, and graphite on paper. 24 x 42 inches. Colored pencil, ink and acrylic on rag board. 925 x 12.5 inches. Colored pencil, ink and acrylic on rag board. 1325 x 10.25 inches. Colored pencil, ink and acrylic on rag board. 975 x 11.975 inches.

2

SCULPTURE : GUY PALMER MERRILL

http://www.gpmerrill.com/index.php/sculpture

Oil, spray paint, acrylic, upholstery fabric, thread, wood panel. 20 x 19 x 16. Acrylic, ink, thread, museum board,. 21 x 15 x 7. Oil, acrylic, thread, canvas, wood panel. 17 x 12 x 9. Ink, acrylic, spray paint, thread, museum board. Acrylic, clay dust, museum board, foam core. 825 x 10 x 1. Acrylic, ink, museum board, wood panel. 24 x 30 x 10. CRASHED, BURNT, 2014. Acrylic, clay dust, bar straws, canvas, museum board. Spray paint, acrylic, ink, adhesive vinyl, card board. 155 x 14 x 15. 24 x 18 x 5.

3

OBSCURRED OBJECTS : GUY PALMER MERRILL

http://www.gpmerrill.com/index.php/painting

OBCSURED OBJECT 1, 2014. OBCSURED OBJECT 2, 2014. OBCSURED OBJECT 3, 2014. OBCSURED OBJECT 4, 2014. OBCSURED OBJECT 5, 2014.

4

VIDEO : GUY PALMER MERRILL

http://www.gpmerrill.com/index.php/video

FALLING, FORMLESS (excerpt). ECSTATIC FLIGHT, 2015. BIRTH WALK, 2015. LIFE CYCLE, 2013. EX ENVIRONED, 2012. COOKING WITH GARBAGE. 2011. MODUS MUNDUS, 2011. GOING NOWHERE FAST, 2012.

5

MUSIC : GUY PALMER MERRILL

http://www.gpmerrill.com/index.php/audio

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cloud gallery seattle – Page 2 – Cloud Gallery at Frame Central on Capitol Hill, Seattle, WA

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Cloud Gallery at Frame Central on Capitol Hill, Seattle, WA. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. Join 251 other followers. Cloud Gallery presents John Bavaro: BrainTree. December 1, 2015. December 1, 2015. Light Box 12 x 12″ 2015. Opening Reception: Thursday, December 10. 5 – 9 PM. Is pleased to present John Bavaro:. December 10th through January 30th. The opening reception will be held on Thursday, December 10. From 5 9 pm.

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POTENTIAL MUTANTS : GUY PALMER MERRILL

DAY OF THE MACHINE. All of the artwork in this installation ties two aesthetic modes together: the mode of geology and climate (caves, clouds, landscapes), and the mode of human-made form (architectural models, design, isometric systems). My aesthetic goal is to meld, mutate, and juxtapose these disparate ideas into something that is perhaps uncanny, chimerical, or simply. Than what came before. Location: 505 5th Ave S, along the Weller Street Walk. STONE PAVILION, 2016-17. 16 x 28 x 11 inches.

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