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Sunday, May 15, 2011. Auto-cannibalistic surrealist feast with familial tension and arachnids. Seven Deadly Sins and the Four Last Things. 1485, Museo del Prado, Madrid. Ana brushed away the silk scarf that had drifted down from the canopy above the dining table to stroke at her cheek. A carriage clanked past, jangling her nerves even though the red velvet drapes served to muffle the outside world. She picked at a scab on her arm. 8216;Don’t pick, Ana,’ berated Nataliya. 8216;Stop playing with your food!

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grotesque gleams | grotesquegleams.blogspot.com Reviews
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Sunday, May 15, 2011. Auto-cannibalistic surrealist feast with familial tension and arachnids. Seven Deadly Sins and the Four Last Things. 1485, Museo del Prado, Madrid. Ana brushed away the silk scarf that had drifted down from the canopy above the dining table to stroke at her cheek. A carriage clanked past, jangling her nerves even though the red velvet drapes served to muffle the outside world. She picked at a scab on her arm. 8216;Don’t pick, Ana,’ berated Nataliya. 8216;Stop playing with your food!
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grotesque gleams,words and stuff,hieronymus bosch,detail from,itches,mama,delicious,posted by,s van,3 comments,email this,blogthis,share to twitter,share to facebook,share to pinterest,verity la,flick,no comments,labels flash fiction,the temptress,mazing
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grotesque gleams | grotesquegleams.blogspot.com Reviews

https://grotesquegleams.blogspot.com

Sunday, May 15, 2011. Auto-cannibalistic surrealist feast with familial tension and arachnids. Seven Deadly Sins and the Four Last Things. 1485, Museo del Prado, Madrid. Ana brushed away the silk scarf that had drifted down from the canopy above the dining table to stroke at her cheek. A carriage clanked past, jangling her nerves even though the red velvet drapes served to muffle the outside world. She picked at a scab on her arm. 8216;Don’t pick, Ana,’ berated Nataliya. 8216;Stop playing with your food!

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grotesque gleams: fuckingshitfuckcunt

http://grotesquegleams.blogspot.com/2011/04/fuckingshitfuckcunt.html

Tuesday, April 19, 2011. If I could put in a bag all the hours I've spent waiting for you. I'd have time in my pocket to write a letter. And tell you why I don't want to wait any more. If I could keep all the minutes spent. Waiting for coffee and words to percolate. I'd tell you why I can't tell you why I can't sleep any more. If I had a second for every song that made me cry. I'd put them on your tape and leave it by your bed. So that you'd know why I won't listen to you any more. But time is like soap.

2

grotesque gleams: the temptress

http://grotesquegleams.blogspot.com/2011/05/temptress.html

Tuesday, May 3, 2011. She rattles at my window. With the damndest of [c]old [k]nights. Not just now my love –. The pale wolf, he bites. She patters me with misery,. She wracks my bones with cold;. She knows not how she wearies me –. A rest, my sweet, I’m old. May 5, 2011 at 9:17 AM. I hear a lullaby in this, or maybe that good old ABAB rhyme scheme awakens some dormant childhood terror; like fairy tales, nursery rhymes are often horrific. You dont read this poem, it creeps into you. May 7, 2011 at 9:15 AM.

3

grotesque gleams: writing = fucking

http://grotesquegleams.blogspot.com/2011/05/writing-fucking.html

Monday, May 2, 2011. Some call it writer's block. I call it a momentary lack of lust for life. I'm all stone-cold with dust in my mouth; the guy who goes limp with a nipple on his tongue, or the wife with a perpetual headache. Mr Hemingway tells me,. All you have to do is sit at a typewriter and bleed. Problem is, I need a transfusion and I don’t have any viable candidates. I pick up The Angel's Game. And flick through it. In that gilded oyster shell of a novel I found a little pearl of wisdom. As we rol...

4

grotesque gleams

http://grotesquegleams.blogspot.com/2011/04/intersections-are-difficult-if-youre.html

Wednesday, April 27, 2011. April 28, 2011 at 8:58 AM. Doesnt it feel like we spend years at some intersections? April 28, 2011 at 9:19 AM. It really does. Then theres the woozy feeling of being stuck on a perpetual roundabout. Subscribe to: Post Comments (Atom). View my complete profile. Intersections are difficultif youre indecisive. Landscapes (a response to Dalí). 169; 2011 grotesque gleams. Awesome Inc. theme. Theme images by andynwt.

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grotesque gleams: May 2011

http://grotesquegleams.blogspot.com/2011_05_01_archive.html

Sunday, May 15, 2011. Auto-cannibalistic surrealist feast with familial tension and arachnids. Seven Deadly Sins and the Four Last Things. 1485, Museo del Prado, Madrid. Ana brushed away the silk scarf that had drifted down from the canopy above the dining table to stroke at her cheek. A carriage clanked past, jangling her nerves even though the red velvet drapes served to muffle the outside world. She picked at a scab on her arm. 8216;Don’t pick, Ana,’ berated Nataliya. 8216;Stop playing with your food!

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Verity La | CONTRIBUTORS

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Black Wallaby (Ngana Banggarai): Emerging Indigenous Writers’ Project. LIES TO LIVE BY. Will be returning to Australia shortly after living for five years in Pittsburgh. He is a Pushcart Prize nominated poet and short story writer and the author of. Wakefield Press / Friendly Street Poets, 2008) and the chapbook. Only the Questions Are Eterna. Garron Publishing, 2015). David won the Wirra Wirra Vineyards Short Story Prize (2005). Was commended for the Fellowship of Australian Writers Anne Elder Award 2008.

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grotesque gleams

Sunday, May 15, 2011. Auto-cannibalistic surrealist feast with familial tension and arachnids. Seven Deadly Sins and the Four Last Things. 1485, Museo del Prado, Madrid. Ana brushed away the silk scarf that had drifted down from the canopy above the dining table to stroke at her cheek. A carriage clanked past, jangling her nerves even though the red velvet drapes served to muffle the outside world. She picked at a scab on her arm. 8216;Don’t pick, Ana,’ berated Nataliya. 8216;Stop playing with your food!

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