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April | 2013 | Colloquium: Contemporary Brazilian Music and Thought
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Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Monthly Archives: April 2013. Music Analysis and its Ontologies (2005). Who can refrain from thinking about the music, once it has finished? Continue reading →. Posted in Composition and Theory. The teaching of Composition in Bahia, according to Eric Barreto (2012). Defense: 06.28.2012. Thesis Committee: Paulo Costa Lima (UFBA, advisor), Jusamara Vieira Souza (Music Education, UFRGS), Wellington Gomes (Composition, UFBA).
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October | 2013 | Colloquium: Contemporary Brazilian Music and Thought
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Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Monthly Archives: October 2013. Time in Music as a Psychoanalytic Concern – Sybille Yeats (1935). Some Aspects of Time Difficulties and their Relation to Music. Sybille Yeats (London). International Journal of Psyco-Analysis 16, pp. 341-354, 1935. What kind of time is musical time? How does it relate to this first bodily experience? And now something very interesting:. 6 “The child who has adopted this means of dra...
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Composition Defined: Composition is… | Colloquium: Contemporary Brazilian Music and Thought
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Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Composition Defined: Composition is…. We are manly against all and every asserted principle – Group of Composers of Bahia. 1To compose is to invent a music in accordance with the rules of the art. Rousseau. Komponieren ist: denken in Tönen und Rhythmen (Composition is: thinking in tones and rhythms). The Musical Idea, 1934). 3 [What is composition? Not it at all]: When is “composition”? 7 I have been saying all the time ...
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May | 2013 | Colloquium: Contemporary Brazilian Music and Thought
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Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Monthly Archives: May 2013. GRADUATE COMPOSITION SEMINAR: Top-Down and Bottom-Up Strategies (2010). Let us discuss how small-scale specifics relate to global topography in music, from the perspective of the composer. What is the nature of this articulation? What are the concepts, theories, strategies and metaphors usually invoked to deal with such a broad question? A List of Significant Issues:. Hybridism and the cultura...
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August | 2013 | Colloquium: Contemporary Brazilian Music and Thought
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Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Monthly Archives: August 2013. The Challenge of Conceptualization in Music Composition: Roger Reynolds (2007). The challenge of giving names to compositional processes, situations, attitudes – taking his own creative experiments as references:. Always a function of the presence of constraints. Comment: this is such an important formulation – aesthetic consistency and constraints]. 7) sense of belonging. Surprising turns ...
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Anthropophagy as Cultural Perspective: Silviano Santiago and Eneida Leal Cunha (2006) | Colloquium: Contemporary Brazilian Music and Thought
https://pclufba.wordpress.com/2013/07/22/anthropophagy-as-cultural-perspective-eneida-cunha-2006
Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Anthropophagy as Cultural Perspective: Silviano Santiago and Eneida Leal Cunha (2006). A bundle of important formulations:. CUNHA, Eneida Leal. Estampas do Imaginário: literatura, história e identidade cultural. Editora UFMG, 2006. (a ‘free’ translation of some important ideas). Posted by Colloquium: Contemporary Brazilian Music and Thought. In Brazilian Culture and Society. Leave a Reply Cancel reply. Paulo Costa Lima (...
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Videos | Colloquium: Contemporary Brazilian Music and Thought
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Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Apanhe o Jegue op. 42 for flute and guitar. Lucas Robatto and Mario Ulloa). Aboio I op. 65 (2003), Clara Rodrigues Montreal University. Paisagem Baiana Op. 90 (2012), Pedro Robato and Graduate Students of UFBA. Video-Score: Ponteio op. 35 for piano,. Apanhe o Jegue op. 42 for flute and guitar (1995), Lucas Robatto and Mario Ulloa. Video-Score: Aboio II op. 94 for flute (2012) Lucas Robatto. Ibejis n. 2 (performance 2).
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Time in Music as a Psychoanalytic Concern – Sybille Yeats (1935) | Colloquium: Contemporary Brazilian Music and Thought
https://pclufba.wordpress.com/2013/10/12/time-in-music-as-a-psychoanalytic-concern-sybille-yeats-1935
Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Time in Music as a Psychoanalytic Concern – Sybille Yeats (1935). Some Aspects of Time Difficulties and their Relation to Music. Sybille Yeats (London). International Journal of Psyco-Analysis 16, pp. 341-354, 1935. What kind of time is musical time? How does it relate to this first bodily experience? And now something very interesting:. 6 “The child who has adopted this means of drawing attention to itself as a me...
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July | 2013 | Colloquium: Contemporary Brazilian Music and Thought
https://pclufba.wordpress.com/2013/07
Colloquium: Contemporary Brazilian Music and Thought. Brazilian Culture and Society. Monthly Archives: July 2013. Composition Defined: Composition is…. We are manly against all and every asserted principle – Group of Composers of Bahia. 1To compose is to invent a music in accordance with the rules of the art. Rousseau. Komponieren ist: denken in Tönen und Rhythmen (Composition is: thinking in tones and rhythms). The Musical Idea, 1934). 3 [What is composition? In: The Muse that Sings, p. 5, 1999). 7 I ha...
