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Sunday, 23 February 2014. II V I Lick 2. Tuesday, 21 January 2014. Relative Major and Minor. For every major scale there is a related minor scale. These two scales are built from the same notes:. C – D – E – F – G – A – B – C. A – B – C – D – E – F – G – A. The only difference between the two scales is which note you start with. The minor scale starts from the sixth note of the major scale. The scales are called RELATIVE. Because they share the exact same notes. E – F. D – E – F. B – C. It is useful to c...

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Sunday, 23 February 2014. II V I Lick 2. Tuesday, 21 January 2014. Relative Major and Minor. For every major scale there is a related minor scale. These two scales are built from the same notes:. C – D – E – F – G – A – B – C. A – B – C – D – E – F – G – A. The only difference between the two scales is which note you start with. The minor scale starts from the sixth note of the major scale. The scales are called RELATIVE. Because they share the exact same notes. E – F. D – E – F. B – C. It is useful to c...

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Guitarlessonsmeath.com | guitarlessonsmeath.blogspot.com Reviews

https://guitarlessonsmeath.blogspot.com

Sunday, 23 February 2014. II V I Lick 2. Tuesday, 21 January 2014. Relative Major and Minor. For every major scale there is a related minor scale. These two scales are built from the same notes:. C – D – E – F – G – A – B – C. A – B – C – D – E – F – G – A. The only difference between the two scales is which note you start with. The minor scale starts from the sixth note of the major scale. The scales are called RELATIVE. Because they share the exact same notes. E – F. D – E – F. B – C. It is useful to c...

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Guitarlessonsmeath.com: E Major Classical Free Style

http://guitarlessonsmeath.blogspot.com/2014/01/e-major-classical-free-style.html

Thursday, 9 January 2014. E Major Classical Free Style. Subscribe to: Post Comments (Atom). E Major Classical Free Style. Getting the most out of a lick. View my complete profile. In jazz music, and particularly in “Be-Bop”, there is a harmonic cadence called the “II-V-I”. This . Wwwguitarlessonsmeath.com There is a special relationship between the first and sixth step of the major scale which is called RELATIVE. Getting the most out of a lick. E Major Classical Free Style. II V I Lick 2.

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Guitarlessonsmeath.com: Getting the most out of a lick

http://guitarlessonsmeath.blogspot.com/2014/01/getting-most-out-of-lick.html

Thursday, 9 January 2014. Getting the most out of a lick. Subscribe to: Post Comments (Atom). E Major Classical Free Style. Getting the most out of a lick. View my complete profile. In jazz music, and particularly in “Be-Bop”, there is a harmonic cadence called the “II-V-I”. This . Wwwguitarlessonsmeath.com There is a special relationship between the first and sixth step of the major scale which is called RELATIVE. Getting the most out of a lick. E Major Classical Free Style. II V I Lick 2.

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Guitarlessonsmeath.com: The CAGED System

http://guitarlessonsmeath.blogspot.com/2014/01/the-caged-system.html

Thursday, 9 January 2014. Subscribe to: Post Comments (Atom). E Major Classical Free Style. Getting the most out of a lick. View my complete profile. In jazz music, and particularly in “Be-Bop”, there is a harmonic cadence called the “II-V-I”. This . Wwwguitarlessonsmeath.com There is a special relationship between the first and sixth step of the major scale which is called RELATIVE. Getting the most out of a lick. E Major Classical Free Style. II V I Lick 2. Awesome Inc. theme. Powered by Blogger.

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Guitarlessonsmeath.com: II V I Lick 2

http://guitarlessonsmeath.blogspot.com/2014/02/ii-v-i-lick-2.html

Sunday, 23 February 2014. II V I Lick 2. Subscribe to: Post Comments (Atom). II V I Lick 2. View my complete profile. In jazz music, and particularly in “Be-Bop”, there is a harmonic cadence called the “II-V-I”. This . Wwwguitarlessonsmeath.com There is a special relationship between the first and sixth step of the major scale which is called RELATIVE. Getting the most out of a lick. E Major Classical Free Style. II V I Lick 2. Awesome Inc. theme. Powered by Blogger.

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Guitarlessonsmeath.com: Jazz Lessons

http://guitarlessonsmeath.blogspot.com/2014/01/jazz-lessons.html

Thursday, 9 January 2014. In jazz music, and particularly in “Be-Bop”, there is a harmonic cadence called the “II-V-I”. This is by far the most widely used cadence. It is found in virtually all standards. But what is an II-V-I? They are just degrees in Roman numerals of the major scale harmonisation (intervals of thirds). The II-V-I cadence in the case of C major is:. If we play the C major scale on this cadence, no note will be wrong. Conversely, the licks that we play will seem bland or boring. Or omit...

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guitarlessonsmeath.blogspot.com

Guitarlessonsmeath.com

Sunday, 23 February 2014. II V I Lick 2. Tuesday, 21 January 2014. Relative Major and Minor. For every major scale there is a related minor scale. These two scales are built from the same notes:. C – D – E – F – G – A – B – C. A – B – C – D – E – F – G – A. The only difference between the two scales is which note you start with. The minor scale starts from the sixth note of the major scale. The scales are called RELATIVE. Because they share the exact same notes. E – F. D – E – F. B – C. It is useful to c...

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