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Guy Frisch – Percussions

Les programmes solo sont axés sur des oeuvres existantes ou commandées ‘contemporaines’. Guy évite la ‘spécialisation’ et se fait un plaisir de proposer des oeuvres solo allant de ‘simples’ Maracas à de grandes installations comme ‘Interieur 1’ de Helmut Lachenmann ou Ti.Re.Ti.Ke.Dha de James Dillon en passant par des oeuvres pour Marimba solo comme ‘Mari 1’ de Franco Donatoni ou le ‘livre des claviers’ de Philippe Manoury. Crédit photo: Alejandro Held, Pierre Grandidier. Crédit photo: Pierre Grandidier.

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Guy Frisch – Percussions | guyfrisch.com Reviews
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Les programmes solo sont axés sur des oeuvres existantes ou commandées ‘contemporaines’. Guy évite la ‘spécialisation’ et se fait un plaisir de proposer des oeuvres solo allant de ‘simples’ Maracas à de grandes installations comme ‘Interieur 1’ de Helmut Lachenmann ou Ti.Re.Ti.Ke.Dha de James Dillon en passant par des oeuvres pour Marimba solo comme ‘Mari 1’ de Franco Donatoni ou le ‘livre des claviers’ de Philippe Manoury. Crédit photo: Alejandro Held, Pierre Grandidier. Crédit photo: Pierre Grandidier.
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Guy Frisch – Percussions | guyfrisch.com Reviews

https://guyfrisch.com

Les programmes solo sont axés sur des oeuvres existantes ou commandées ‘contemporaines’. Guy évite la ‘spécialisation’ et se fait un plaisir de proposer des oeuvres solo allant de ‘simples’ Maracas à de grandes installations comme ‘Interieur 1’ de Helmut Lachenmann ou Ti.Re.Ti.Ke.Dha de James Dillon en passant par des oeuvres pour Marimba solo comme ‘Mari 1’ de Franco Donatoni ou le ‘livre des claviers’ de Philippe Manoury. Crédit photo: Alejandro Held, Pierre Grandidier. Crédit photo: Pierre Grandidier.

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Guy Frisch – Percussions

Les programmes solo sont axés sur des oeuvres existantes ou commandées ‘contemporaines’. Guy évite la ‘spécialisation’ et se fait un plaisir de proposer des oeuvres solo allant de ‘simples’ Maracas à de grandes installations comme ‘Interieur 1’ de Helmut Lachenmann ou Ti.Re.Ti.Ke.Dha de James Dillon en passant par des oeuvres pour Marimba solo comme ‘Mari 1’ de Franco Donatoni ou le ‘livre des claviers’ de Philippe Manoury. Crédit photo: Alejandro Held, Pierre Grandidier. Crédit photo: Pierre Grandidier.

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