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Hands On History | Exploring New Methodologies for Media History Research

8-10 February 2016 Geological Society, Burlington House, Piccadilly, London W1J 0BD

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Hands On History | Exploring New Methodologies for Media History Research | handson2016.wordpress.com Reviews

https://handson2016.wordpress.com

8-10 February 2016 Geological Society, Burlington House, Piccadilly, London W1J 0BD

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Keynote Speakers | Hands On History

https://handson2016.wordpress.com/keynote-speakers

Exploring New Methodologies for Media History Research. Prof Susan J. Douglas (Professor of Communication Studies, University of Michigan). Prof John Ellis (Professor of Media Arts, Royal Holloway, University of London). Dr Gerard Alberts (Associate Professor of the History of Mathematics and Computing, University of Amsterdam). Prof Annie van den Oever (Faculty of Arts, University of Groningen). Burlington House, Piccadilly, London W1J 0BD Contact:. Blog at WordPress.com.

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Schedule | Hands On History

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Exploring New Methodologies for Media History Research. Royal Holloway University London). Why Hands-on matters in the age of Big Data. Panel 1: User Memories. Mapping Archaeologies Of Mobile Media: Portable Media Devices Between Analogue And Digital. The highs and lows of reuniting old men with their machines. Re-Circulating Softalk: Cross-Sector Collaboration for the Visualization and Re-enactment of American Apple II Culture. Science Museum, London). Drinks reception: Geological Society Library. The C...

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Booking | Hands On History

https://handson2016.wordpress.com/booking

Exploring New Methodologies for Media History Research. Or on the image below to open an EventBrite registration and booking form. EventBrite accepts American Express, Mastercard, Visa Debit, and Visa. If you have any questions please email nick.hall@rhul.ac.uk. Burlington House, Piccadilly, London W1J 0BD Contact:. Funded by the European Research Council and supported by Royal Holloway, University of London. Blog at WordPress.com.

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Abstracts | Hands On History

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Exploring New Methodologies for Media History Research. Materializing the immaterial: experimental design as a historical method. Susan Aasman (University of Groningen, Netherlands). What expectations do we have when we store something on a hard disk or in the cloud? What socio-historical constructs are embedded in design in digital technology? Works as a senior lecturer and researcher for the History Department and the Department Arts, Culture and Media at the University of Groningen, Netherlands. S...

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Venue | Hands On History

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Exploring New Methodologies for Media History Research. The conference venue is the headquarters of the Geological Society in Burlington House. On London’s Piccadilly. The postcode is W1J 0BD. Click here to see the location on Google Maps. Getting to the venue. Burlington House is equidistant from Green Park. Tube station (Jubilee, Piccadilly, and Victoria lines) and Piccadilly Circus. To plan your journey to the venue. Facilities inside the venue. Burlington House, Piccadilly, London W1J 0BD Contact:.

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Medientheater macht Medien zum Gegenstand des Theaters. • medientheater

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Medientheater macht Medien zum Gegenstand des Theaters. Medientheater im social web. Medientheater macht Medien zum Gegenstand des Theaters. Die medialen Apparate und Techniken schreiben sich auf. In Kommunikation ein. Dabei ist es sinnfrei, Termini wie Manipulation heranzuziehen, denn Medien sind die Grundlage jeder Kommunikation. Das Medium ist nicht einfach ein bestimmter Faktor; wenn schon, dann ist es der bestimmende Faktor: the medium is the message. Medientheater ist nicht Theater in einer Medienw...

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Hands On History | Exploring New Methodologies for Media History Research

Exploring New Methodologies for Media History Research. Geological Society, Burlington House, Piccadilly, London W1J 0BD. Media Scholars and Amateurs of All Countries and Disciplines, Hands-on! The turn to experimental research raises profound methodological questions. The unreliability of narrative memory is well proven, but what do we know about the limits of haptic and tactile memory? How do the owners of old equipment shape the historical narratives which are stimulated by their collections? You are ...

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