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Hannah R Critical Studies

Hannah R Critical Studies. Wednesday, 30 March 2011. Lecture Five Notes- Jean Baudrillard and Hyperreality. Lecture Four Notes- Communication Theory. Lecture Two Notes- Critical Positions On The Media: Popular Culture. Lecture One Notes- Panopticism. Sunday, 27 March 2011. Allan Sekula - Globalisation. Format Festival: Nate Larson and Marni Shindelman. Larson and Shindelman have been commissioned by FORMAT festival to continue their project- 'Geolocation'- in the UK. Geolocation is a project that inv...

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Hannah R Critical Studies. Wednesday, 30 March 2011. Lecture Five Notes- Jean Baudrillard and Hyperreality. Lecture Four Notes- Communication Theory. Lecture Two Notes- Critical Positions On The Media: Popular Culture. Lecture One Notes- Panopticism. Sunday, 27 March 2011. Allan Sekula - Globalisation. Format Festival: Nate Larson and Marni Shindelman. Larson and Shindelman have been commissioned by FORMAT festival to continue their project- 'Geolocation'- in the UK. Geolocation is a project that inv...
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Hannah R Critical Studies | hannahrcriticalstudies.blogspot.com Reviews

https://hannahrcriticalstudies.blogspot.com

Hannah R Critical Studies. Wednesday, 30 March 2011. Lecture Five Notes- Jean Baudrillard and Hyperreality. Lecture Four Notes- Communication Theory. Lecture Two Notes- Critical Positions On The Media: Popular Culture. Lecture One Notes- Panopticism. Sunday, 27 March 2011. Allan Sekula - Globalisation. Format Festival: Nate Larson and Marni Shindelman. Larson and Shindelman have been commissioned by FORMAT festival to continue their project- 'Geolocation'- in the UK. Geolocation is a project that inv...

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Hannah R Critical Studies: Lecture One Notes- Panopticism

http://www.hannahrcriticalstudies.blogspot.com/2011/03/lecture-one-notes-panopticism.html

Hannah R Critical Studies. Wednesday, 30 March 2011. Lecture One Notes- Panopticism. Subscribe to: Post Comments (Atom). Lecture Five Notes- Jean Baudrillard and Hyperreal. Lecture Four Notes- Communication Theory. Lecture Two Notes- Critical Positions On The Media. Lecture One Notes- Panopticism. Allan Sekula - Globalisation. Format Festival: Nate Larson and Marni Shindelman. How does Demand show the historical event as simul. View my complete profile. Simple template. Powered by Blogger.

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Hannah R Critical Studies: November 2010

http://www.hannahrcriticalstudies.blogspot.com/2010_11_01_archive.html

Hannah R Critical Studies. Thursday, 25 November 2010. Jeff Wall and The Gaze. Jeff Wall, Mimic, 1982. Although as an audience we know this is a staged photograph, it is still uncomfortable in a way to look at this exchange, as it is based on an actual event. Wall is therefore trying to draw our attention to a taboo subject; that racism is found in the most everyday of situations, and without these small moments, much larger acts of racism would not have any foundations. Wednesday, 17 November 2010.

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Hannah R Critical Studies: February 2011

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Hannah R Critical Studies. Friday, 18 February 2011. The Rhetoric of Images- Richard Prince. Richard Prince takes images from adverts- books, magazines etc.- and re-photographs them without any of the text of the original advert, just the photograph. Prince suggests that they are taken from the editorial world, because 'most editorial photographs sit beside a whole page of text. They work together. But what happens when you just hang a photograph alone? Subscribe to: Posts (Atom). View my complete profile.

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Hannah R Critical Studies: Format Festival: Nate Larson and Marni Shindelman

http://www.hannahrcriticalstudies.blogspot.com/2011/03/format-festival-nate-larson-and-marni.html

Hannah R Critical Studies. Sunday, 27 March 2011. Format Festival: Nate Larson and Marni Shindelman. Larson and Shindelman have been commissioned by FORMAT festival to continue their project- 'Geolocation'- in the UK. Geolocation is a project that involves looking at peoples twitters and using the embedded geotag information in each tweet to visit the exact site that they made it and photograph there. They describe this process as 'taking virtual moments and pulling them back into the physical world.'.

5

Hannah R Critical Studies: Lecture Two Notes- Critical Positions On The Media: Popular Culture

http://www.hannahrcriticalstudies.blogspot.com/2011/03/lecture-two-notes-critical-positions-on.html

Hannah R Critical Studies. Wednesday, 30 March 2011. Lecture Two Notes- Critical Positions On The Media: Popular Culture. Subscribe to: Post Comments (Atom). Lecture Five Notes- Jean Baudrillard and Hyperreal. Lecture Four Notes- Communication Theory. Lecture Two Notes- Critical Positions On The Media. Lecture One Notes- Panopticism. Allan Sekula - Globalisation. Format Festival: Nate Larson and Marni Shindelman. How does Demand show the historical event as simul. View my complete profile.

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FD Photography Contextual Studies Year 2: November 2010

http://fdphotoyear2.blogspot.com/2010_11_01_archive.html

FD Photography Contextual Studies Year 2. Research historical and contemporary documentary photography, and prepare a 300 word blog entry comparing and contrasting them. 1) How do the photographers you examine exploit the technical possibilities offered by photography, and to what political ends? What are the aims of the artist? How does mechanical reproduction facilitate their artistic project? How does their work contrast with realist artist's such as Millet, and Courbet? How are they composed? Benjami...

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FD Photography Contextual Studies Year 2: Documentary Student Task

http://fdphotoyear2.blogspot.com/2010/11/documentary-student-task.html

FD Photography Contextual Studies Year 2. Research historical and contemporary documentary photography, and prepare a 300 word blog entry comparing and contrasting them. 1) How do the photographers you examine exploit the technical possibilities offered by photography, and to what political ends? What are the aims of the artist? How does mechanical reproduction facilitate their artistic project? How does their work contrast with realist artist's such as Millet, and Courbet? How are they composed? Subscri...

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FD Photography Contextual Studies Year 2: The Rhetoric of Images - Student Task

http://fdphotoyear2.blogspot.com/2010/12/rhetoric-of-images-student-task.html

FD Photography Contextual Studies Year 2. The Rhetoric of Images - Student Task. The Rhetoric of Images Student Task. I’m going to give you a choice this week, between analysing photographs in relation to the semiotic theories we explored this week, and using these theories to generate photographic images. Produce a 300 word visual analysis of a work by one of these artists. Consider – (1) What images are these pictures created from? 3) What has the artist done with / to them? Walker Evans, Getty Museum ...

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FD Photography Contextual Studies Year 2: The Rhetoric of Images

http://fdphotoyear2.blogspot.com/2010/12/rhetoric-of-images.html

FD Photography Contextual Studies Year 2. The Rhetoric of Images. Roland Barthes Denotation / Connotation. Denotation – What an object or image is understood to. Represent. What is that? What is it a picture of? Connotation – the thoughts feelings and associations. That accompany one’s perception of an example of. Consider this advert for spaghetti. What does it mean? What does it make us think about? Subscribe to: Post Comments (Atom). Work of Art in the Age of Mechanical Reproduction Text.

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FD Photography Contextual Studies Year 2: The Gaze - Student Task

http://fdphotoyear2.blogspot.com/2010/12/gaze-student-task.html

FD Photography Contextual Studies Year 2. The Gaze - Student Task. The Gaze – Student Task. Create a 200 – 300 word visual analysis of a particular photograph or series of photographs that feature people. Examine how the people in the photograph engage with one another and how you as the viewer are involved, or implicated in the image. Who is looking at whom? What access are you given to their bodies? How are they articulated in relation to each other and you, the viewer? Walker Evans, Getty Museum entry.

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FD Photography Contextual Studies Year 2: Positioning Statement Task

http://fdphotoyear2.blogspot.com/2011/03/positioning-statement-task.html

FD Photography Contextual Studies Year 2. FD Photography Year 2 – Positioning Statement Task. Create a 200 – 300 word statement contextualising an example of your own practice. Most of you have work in the current FD Photography 2. Year exhibition. If you do, then use the work in the exhibition, and if you do not, then choose an example of your work and print it in a suitable format so that it can be seen by a group of people. Subscribe to: Post Comments (Atom). Robert Frank, Tate, Story Lines exhibition.

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FD Photography Contextual Studies Year 2: March 2011

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FD Photography Contextual Studies Year 2. FD Photography Year 2 – Format Festival Photographer Case Study. In advance of our trip to the Format photography festival on 24. March you are going to develop a 200 – 300 word case study of a photographer exhibiting in the festival. The festival website lists over 80 photographers. Http:/ www.formatfestival.com/exhibitions. Http:/ www.formatfestival.com/exhibitions. By undertaking this task you are – (1) focusing your awareness of a particular theoretical...

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FD Photography Contextual Studies Year 2: Repetitions - Student Task

http://fdphotoyear2.blogspot.com/2010/12/repetitions-student-task.html

FD Photography Contextual Studies Year 2. Repetitions - Student Task. Research task: (1) Choose one these photographers, and examine how they use repetitions in their practice. Bernd and Hilla Becher, Dan Graham, Joseph Kosuth, Ed Ruscha, Roni Horn, Thomas Demand. A) What is their Subject matter; (b) How do they take their photographs? C) What photographic equipment. D) How do they exhibit and combine their photographs? E) What access are we given to the. Objects / events they photograph? Walker Evans, G...

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FD Photography Contextual Studies Year 2: Format Festival Task

http://fdphotoyear2.blogspot.com/2011/03/format-festival-task.html

FD Photography Contextual Studies Year 2. FD Photography Year 2 – Format Festival Photographer Case Study. In advance of our trip to the Format photography festival on 24. March you are going to develop a 200 – 300 word case study of a photographer exhibiting in the festival. The festival website lists over 80 photographers. Http:/ www.formatfestival.com/exhibitions. Http:/ www.formatfestival.com/exhibitions. By undertaking this task you are – (1) focusing your awareness of a particular theoretical...

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Hannah R Critical Studies

Hannah R Critical Studies. Wednesday, 30 March 2011. Lecture Five Notes- Jean Baudrillard and Hyperreality. Lecture Four Notes- Communication Theory. Lecture Two Notes- Critical Positions On The Media: Popular Culture. Lecture One Notes- Panopticism. Sunday, 27 March 2011. Allan Sekula - Globalisation. Format Festival: Nate Larson and Marni Shindelman. Larson and Shindelman have been commissioned by FORMAT festival to continue their project- 'Geolocation'- in the UK. Geolocation is a project that inv...

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