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old mistress: Nanette Salomon 'The Art Historical Canon: Sins of Omission'
http://oldmistress.blogspot.com/2007/02/nanette-salomon-art-historical-canon.html
Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender.
oldmistress.blogspot.com
old mistress: February 2007
http://oldmistress.blogspot.com/2007_02_01_archive.html
Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Feminist Interventions in Arts Histories'. Labels: Reading for portfolio week one. John Stuart Mill,. She d...
oldmistress.blogspot.com
old mistress: Griselda Pollock; 'Cockfights and Other Parades'
http://oldmistress.blogspot.com/2007/02/griselda-pollock-cockfights-and-other.html
Wednesday, 7 February 2007. Cockfights and Other Parades'. Labels: week one lecture reading. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3. Hildegarde Von Bingen Week 4. Hildegarde Von Bingen Week 4. Week 5 The Monstrous and Marvelous.
oldmistress.blogspot.com
old mistress: What is a Feminist intervention???
http://oldmistress.blogspot.com/2007/02/what-is-feminist-intervention.html
Tuesday, 6 February 2007. What is a Feminist intervention? It seems that the challenge posed by the traditional approach to art history, as construted by Vasari in his book. Le Vite De' piu eccelenti Architetti, Pittori et Scultori Italiani'. Is that it is heavily biased towards the. The basic historical canon was formed purely on value judgements, where only men were accorded the title 'genius', a title which was not restricted to singular use, but was purposefully constructed as a. What becomes clear i...
oldmistress.blogspot.com
old mistress: Griselda Pollock, 'Feminist Interventions in Arts Histories'
http://oldmistress.blogspot.com/2007/02/griselda-pollock-feminist-interventions.html
Wednesday, 7 February 2007. Feminist Interventions in Arts Histories'. Taken from Vision and Difference, 1998, (Routledge Classics 2003) England. Labels: Reading for portfolio week one. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3.
oldmistress.blogspot.com
old mistress: Joan wallach Scott: 'Gender: A Useful Category in Historical Analysis'
http://oldmistress.blogspot.com/2007/02/joan-wallach-scott-gender-useful.html
Wednesday, 7 February 2007. Gender: A Useful Category in Historical Analysis'. This was too complicated for me to read, i gave up half way through! Labels: week one lecture reading. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3.
oldmistress.blogspot.com
old mistress: Linda Nochlin: 'Why Have There Been No Great Women Artists?'
http://oldmistress.blogspot.com/2007/02/linda-nochlin-why-have-there-been-no.html
Wednesday, 7 February 2007. Why Have There Been No Great Women Artists? In her case study of two artists, Linda Nochlin suggests that it is not prsonal circumstances that are directly responsible for the exclusion of women from the art scene, but rather it is the social and institutional errors which have made it impossible for female paricipation. John Stuart Mill,. The Subjection of Women'. Had attended that major stepping stone to artistic success, the Ecole des Beaux-Arts." pp 25-26 Nochlin. This is ...