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Hans Bellmer!!!!!!!

Friday, 17 August 2007. Polish French artist Hans Bellmer (1902-75) is best known for his series of photographs of his Doll,. The crucial element to Bellemers work is that he used his own face as the mould for the mask of the doll. Either for practical reasons, he could have got a model though, or most likely it is further exploration of the ambiguity and transcendence of the masculine feminine body towards a mutual hemaphrodite. Thursday, 16 August 2007. Therese Lichtenstein, Sue Taylor. His later work ...

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Hans Bellmer!!!!!!! | hansbellmer.blogspot.com Reviews
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Friday, 17 August 2007. Polish French artist Hans Bellmer (1902-75) is best known for his series of photographs of his Doll,. The crucial element to Bellemers work is that he used his own face as the mould for the mask of the doll. Either for practical reasons, he could have got a model though, or most likely it is further exploration of the ambiguity and transcendence of the masculine feminine body towards a mutual hemaphrodite. Thursday, 16 August 2007. Therese Lichtenstein, Sue Taylor. His later work ...
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Hans Bellmer!!!!!!! | hansbellmer.blogspot.com Reviews

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Friday, 17 August 2007. Polish French artist Hans Bellmer (1902-75) is best known for his series of photographs of his Doll,. The crucial element to Bellemers work is that he used his own face as the mould for the mask of the doll. Either for practical reasons, he could have got a model though, or most likely it is further exploration of the ambiguity and transcendence of the masculine feminine body towards a mutual hemaphrodite. Thursday, 16 August 2007. Therese Lichtenstein, Sue Taylor. His later work ...

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Hans Bellmer!!!!!!!: August 2007

http://www.hansbellmer.blogspot.com/2007_08_01_archive.html

Friday, 17 August 2007. Polish French artist Hans Bellmer (1902-75) is best known for his series of photographs of his Doll,. The crucial element to Bellemers work is that he used his own face as the mould for the mask of the doll. Either for practical reasons, he could have got a model though, or most likely it is further exploration of the ambiguity and transcendence of the masculine feminine body towards a mutual hemaphrodite. Thursday, 16 August 2007. Therese Lichtenstein, Sue Taylor. His later work ...

2

Hans Bellmer!!!!!!!: Hans Bellmer!!!!!

http://www.hansbellmer.blogspot.com/2007/08/hans-bellmer.html

Friday, 17 August 2007. Polish French artist Hans Bellmer (1902-75) is best known for his series of photographs of his Doll,. The crucial element to Bellemers work is that he used his own face as the mould for the mask of the doll. Either for practical reasons, he could have got a model though, or most likely it is further exploration of the ambiguity and transcendence of the masculine feminine body towards a mutual hemaphrodite. Subscribe to: Post Comments (Atom). Therese Lichtenstein, Sue Taylor.

3

Hans Bellmer!!!!!!!: Therese Lichtenstein, Sue Taylor

http://www.hansbellmer.blogspot.com/2007/08/therese-lichtenstein.html

Thursday, 16 August 2007. Therese Lichtenstein, Sue Taylor. In her text, 'Behind Closed Doors: the art of Hans Bellmer' Therese Lichtenstein focusses on the prolific images of La Poupee, photographs of his dolls that he made. She focusses on psychoanalytical approaches copuled with biological, gender and cultural/political studies. She focusses on the Nazi culture which was dominant at the time, and within Bellmers pesonal life. Subscribe to: Post Comments (Atom). Therese Lichtenstein, Sue Taylor.

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old mistress: Nanette Salomon 'The Art Historical Canon: Sins of Omission'

http://oldmistress.blogspot.com/2007/02/nanette-salomon-art-historical-canon.html

Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender.

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old mistress: February 2007

http://oldmistress.blogspot.com/2007_02_01_archive.html

Wednesday, 7 February 2007. The Art Historical Canon: Sins of Omission'. Vasari and Janson maintain there canon through the consistency of a standard or norm. The function of this norm, she points out, is to create and maintain a hierarchy of insiders and outsiders. Their standard is judge by how close the artist comes to accepting classicism as the paradigm. Labels: Reading for portfolio week one. Feminist Interventions in Arts Histories'. Labels: Reading for portfolio week one. John Stuart Mill,. She d...

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old mistress: Griselda Pollock; 'Cockfights and Other Parades'

http://oldmistress.blogspot.com/2007/02/griselda-pollock-cockfights-and-other.html

Wednesday, 7 February 2007. Cockfights and Other Parades'. Labels: week one lecture reading. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3. Hildegarde Von Bingen Week 4. Hildegarde Von Bingen Week 4. Week 5 The Monstrous and Marvelous.

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old mistress: What is a Feminist intervention???

http://oldmistress.blogspot.com/2007/02/what-is-feminist-intervention.html

Tuesday, 6 February 2007. What is a Feminist intervention? It seems that the challenge posed by the traditional approach to art history, as construted by Vasari in his book. Le Vite De' piu eccelenti Architetti, Pittori et Scultori Italiani'. Is that it is heavily biased towards the. The basic historical canon was formed purely on value judgements, where only men were accorded the title 'genius', a title which was not restricted to singular use, but was purposefully constructed as a. What becomes clear i...

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old mistress: Griselda Pollock, 'Feminist Interventions in Arts Histories'

http://oldmistress.blogspot.com/2007/02/griselda-pollock-feminist-interventions.html

Wednesday, 7 February 2007. Feminist Interventions in Arts Histories'. Taken from Vision and Difference, 1998, (Routledge Classics 2003) England. Labels: Reading for portfolio week one. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3.

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old mistress: Joan wallach Scott: 'Gender: A Useful Category in Historical Analysis'

http://oldmistress.blogspot.com/2007/02/joan-wallach-scott-gender-useful.html

Wednesday, 7 February 2007. Gender: A Useful Category in Historical Analysis'. This was too complicated for me to read, i gave up half way through! Labels: week one lecture reading. Subscribe to: Post Comments (Atom). WELCOME to my blog for the module. Old Mistresses: Women and Gender. Taught at the University of. I consider contemporary thinkers on the gender issues, theories of the body, and new approaches to writing art history. Memories of Helena Week 3. Memories of Helena Week 3.

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old mistress: Linda Nochlin: 'Why Have There Been No Great Women Artists?'

http://oldmistress.blogspot.com/2007/02/linda-nochlin-why-have-there-been-no.html

Wednesday, 7 February 2007. Why Have There Been No Great Women Artists? In her case study of two artists, Linda Nochlin suggests that it is not prsonal circumstances that are directly responsible for the exclusion of women from the art scene, but rather it is the social and institutional errors which have made it impossible for female paricipation. John Stuart Mill,. The Subjection of Women'. Had attended that major stepping stone to artistic success, the Ecole des Beaux-Arts." pp 25-26 Nochlin. This is ...

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Hans Bellmer!!!!!!!

Friday, 17 August 2007. Polish French artist Hans Bellmer (1902-75) is best known for his series of photographs of his Doll,. The crucial element to Bellemers work is that he used his own face as the mould for the mask of the doll. Either for practical reasons, he could have got a model though, or most likely it is further exploration of the ambiguity and transcendence of the masculine feminine body towards a mutual hemaphrodite. Thursday, 16 August 2007. Therese Lichtenstein, Sue Taylor. His later work ...

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