heavythinking.org

hackteria.org

Hackteria

http://hackteria.org/wiki

General discussions, questions, news and info surrounding all topics about Open Source Biological Art, DIYbio, hackteria related events, tardigrade hunting, Art/Science, lasers, DIY microscopy, synthetic biology for artists, KitchenLabs, fungi, BioHacking, DIY fermentation, BioElectronix, workshops and labs. Main maillist for all former participants of workshops and labs, who want to stay in contact with the network. See the archives (Aug - Sep 2011) of the old Lab2011 list here. April - Mai 2015. Hackte...

silentlight.blogspot.com

Saccades: Voice Figures

http://silentlight.blogspot.com/2010/11/voice-figures.html

Photophonics • Eyes • Ears. 21 November, 2010. Quite a lot has cropped up on the web about Margaret Watts-Hughes's 'Eidophone' in recent years. The Cymatics crowd talk a lot about it (it kind of is Cymatics, but from the late 19th Century). Louise O'Connor and Nick Laessing have made some and performed with them. What you won't find, however, is any more than a very few images of her 'Voice Figures' - that is to say the ones that were. Quote from Isabel Barrington in The London Spectator,. Media, produce...

silentlight.blogspot.com

Saccades: Two Machines: 2 - Oramics

http://silentlight.blogspot.com/2009/02/two-machines-2-oramics.html

Photophonics • Eyes • Ears. 19 February, 2009. Two Machines: 2 - Oramics. System is currently residing in my workshop, until it gets moved to a permanent home. As you can see, it's in a bit of a sorry state, having had several owners since the passing of Daphne Oram. Why was Oram planning on adding a keyboard element? Hi ROB thats amazing you actually have the oramics machine! I wrote my dissertation on the link between sound and drawing Im on the (BA drawing course at camberwell). We chatted briefly aft...

silentlight.blogspot.com

Saccades: The Haptic Optic

http://silentlight.blogspot.com/2009/07/haptic-optic.html

Photophonics • Eyes • Ears. 18 July, 2009. How do you record an object properly? Is it always pertinent to photograph, or draw something, for example? How about something which is similar to both, but is really neither? Next, will be the contact printer that used to belong to the London Filmmakers' Co-op. Looks beautiful to me, especially the eyes staring at me in the 2nd picture. Though Im not sure how it relates to Daphne Oram. July 25, 2009 at 9:39 AM. Nice to hear from you Mr (Miss?

silentlight.blogspot.com

Saccades: Amber

http://silentlight.blogspot.com/2011/02/amber.html

Photophonics • Eyes • Ears. 19 February, 2011. Like much of my work, the sound and image are generated from the same light sources, and recorded simultaneously. What you see/hear are shop windows along Regent Street in Central London, with their various digital lighting systems buzzing away. The cross-fades in the audio coincide directly with the cross-dissolves in the image, mimicking each other. Was it the particular frequency of the modulations we hear? June 28, 2011 at 11:08 AM.

silentlight.blogspot.com

Saccades: Light Traps

http://silentlight.blogspot.com/2009/05/light-traps.html

Photophonics • Eyes • Ears. 13 May, 2009. It's all been done before in all sorts of ways you know - by the structuralist/materialist film makers in the '70's, people like Guy Sherwin and Liz Rhodes (not that I'd compare myself to them of course), and using video, the Vasulkas amongst others. Nonetheless, it can be satisfying to discover you've made a video that has the camera in it as an explicit and essential ingredient. May 14, 2009 at 9:14 AM. Subscribe to: Post Comments (Atom).

mediaartdesign.net

Berlin, arts technologies et événements [ Dominique Moulon ]

http://www.mediaartdesign.net/FR_berlin.html

A propos de l'auteur. BIAN de Montréal : Automata. Japon, art et innovation. Biennale de Lyon 2015. La 56e biennale de Venise. TodaysArt, La Haye, 2014. Du numérique dans l’art à Bâle. BIAN de Montréal : Physical/ité. Berlin, festivals et galeries. Biennale de Lyon, et en suite. Ars Electronica, Total Recall. La 55e biennale de Venise. Le festival Elektra de Montréal. Pratiques numériques d’art contemporain. Berlin, arts technologies et événements. Sound Art @ ZKM, MAC and 104. Panorama, le quatorzième.

perte-de-signal.org

MAI 2015 | Perte de Signal

http://perte-de-signal.org/mai-2015

Aller au contenu principal. Aller au contenu secondaire. RUSTINES LAB, avec Stephanie Castonguay, Maxime Damecour et Emmanuel Lagrange Paquet. PERTE DE SIGNAL présente Mytho-logic. Une exposition qui rassemble de nouvelles œuvres de Stéphanie Castonguay, Maxime Damecour et Emmanuel Lagrange Paquet. Ces travaux représentent le résultat du Projet émergent, un programme de parrainage, initiée par le centre d’artistes, où les trois artistes montréalais ont bénéficié de 2 ans de soutien à la création. Se déro...

silentlight.blogspot.com

Saccades: Fever Dream

http://silentlight.blogspot.com/2009/10/fever-dream_8372.html

Photophonics • Eyes • Ears. 17 October, 2009. Copied from handwritten notes found in a copy of "Phylogenesis of the Ear" by Louis Guggenheim MD. Author unknown. Tropical – S.E Asia, Borneo, Sumatra etc. Consult Howard. Re. cases in urban centres. Europe.…. This acts to restore the integrity of the ossicle chain in an almost perfect inverse of the tympanic reflex, which has evolved to protect the inner ear from damage due to sudden loud events. It then winds back (wrong term? Also, for further reading see:.

silentlight.blogspot.com

Saccades: Tethered Objects

http://silentlight.blogspot.com/2010/11/tethered-objects.html

Photophonics • Eyes • Ears. 17 November, 2010. An attempt at a couple of thermo-acoustic oscillators. I didn't manage to get these tuned properly, so there's no sound to accompany the photos. But I will. They were produced for 'Works with sunlight'. At Meantime Arts in Cheltenham earlier in the year, and require a decent amount of sunlight, so they'll remain silent until next summer I should think. Subscribe to: Post Comments (Atom). The Institute for Figuring.