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Projections @Hendrix | writing about film writing

writing about film writing

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Projections @Hendrix | writing about film writing | hendrixfilm.wordpress.com Reviews

https://hendrixfilm.wordpress.com

writing about film writing

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1

Building with Light | Projections @Hendrix

https://hendrixfilm.wordpress.com/2015/10/22/building-with-light

Writing about film writing. October 22, 2015. December 10, 2015. Two of the best films I saw at NYFF had the same idea, constructing and reconstructing the memories of their filmmakers and characters to create compelling stories wreathed in afterglow: Arnaud Desplechin’s. A brace of French films exploring youthful relationships. For the titular Daniel (Ange Dargent) and Théo (Théophile Baquet) of. The Ghost in the Machine. Context Is Everything →. Leave a Reply Cancel reply. Enter your comment here.

2

Pursuing Beauty | Projections @Hendrix

https://hendrixfilm.wordpress.com/2015/12/03/pursuing-beauty

Writing about film writing. December 3, 2015. December 10, 2015. Last week, I spent four days in my tiny hometown, where the biggest news items were a newly-acquired chicken with feathers on her feet and the six ducks that Mr. Ron, you know, from church, had promised to give us out of his kill from the season’s opening day. When I wasn’t busy keeping abreast of local happenings, I of course watched and listened:. In the Mood for Love. This week, I’ve written a paper about. In the Mood for Love. Maggie’s ...

3

newtoncr | Projections @Hendrix

https://hendrixfilm.wordpress.com/author/newtoncr

Writing about film writing. December 4, 2015. December 10, 2015. 8220;Salad Days” by Mac Demarco. Back at the start of this semester, I was fortunate enough to lead an orientation trip. I took a small group of incoming freshman to Crystal Bridges, an art museum in northwest Arkansas, and became friends with a handful of the attending students. Through a shared interest in film, I connected most with one student in particular, Emil. Eventually, he showed up at the library with an extra copy of his paper, ...

4

Understanding Vulnerability | Projections @Hendrix

https://hendrixfilm.wordpress.com/2015/10/30/understanding-vulnerability

Writing about film writing. October 30, 2015. October 30, 2015. I joked with Dr. McKim the other day saying how I need a disclaimer before I speak to someone about film. What would it say? She asked. I’m not surebut I know I need one, I responded. Cue laughter. Now, thanks to Amelie Hastie, I believe I have a potential disclaimer: I’m a vulnerable spectator. I feel as though in my last blog post, when I envisioned the hypothetical review of. Again, I must thank Hastie. Her article In The Clouds,. Hastie’...

5

Taking Control | Projections @Hendrix

https://hendrixfilm.wordpress.com/2015/12/04/feeling-blue

Writing about film writing. December 4, 2015. December 10, 2015. Whenever finals roll around, I find myself filled with an urge to read and watch whatever I want. The immediate motivation is a pleasurable method of procrastination, but it’s also a rebellion of sorts against the structure of academic life an escape from curriculum. Recently, my willful digression has led me to the films of Kieslowski. I’ve seen the second half of The Double Life of Veronique. As deadlines loom ever closer, perhaps a break...

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Writing about film writing. December 4, 2015. December 10, 2015. 8220;Salad Days” by Mac Demarco. Back at the start of this semester, I was fortunate enough to lead an orientation trip. I took a small group of incoming freshman to Crystal Bridges, an art museum in northwest Arkansas, and became friends with a handful of the attending students. Through a shared interest in film, I connected most with one student in particular, Emil. Eventually, he showed up at the library with an extra copy of his paper, ...

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