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HCR 2008 home

The purpose of HCR is to create an experiential day, that brings together academics in a transgressive, but not prescriptive ACTION. In the words of Clifford Shultz: the HCR performance always aims to be an epiphany. 8211; it is a small frame for collaborative research performed with some sense of radical urgency. Arth-class, it looks something like this:. Post-apocalyptic WALL-E in the PIXAR spectacle (year 2700). Post-ironic WALL-E at the San Francisco Waste Dump (year 2008). In the process of making t...

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HCR 2008 home | hereticaltrash.com Reviews
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The purpose of HCR is to create an experiential day, that brings together academics in a transgressive, but not prescriptive ACTION. In the words of Clifford Shultz: the HCR performance always aims to be an epiphany. 8211; it is a small frame for collaborative research performed with some sense of radical urgency. Arth-class, it looks something like this:. Post-apocalyptic WALL-E in the PIXAR spectacle (year 2700). Post-ironic WALL-E at the San Francisco Waste Dump (year 2008). In the process of making t...
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2 poetry
3 trashworx
4 reading
5 heritage
6 review
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8 llocation l
9 oad l
10 ifters e
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HCR 2008 home | hereticaltrash.com Reviews

https://hereticaltrash.com

The purpose of HCR is to create an experiential day, that brings together academics in a transgressive, but not prescriptive ACTION. In the words of Clifford Shultz: the HCR performance always aims to be an epiphany. 8211; it is a small frame for collaborative research performed with some sense of radical urgency. Arth-class, it looks something like this:. Post-apocalyptic WALL-E in the PIXAR spectacle (year 2700). Post-ironic WALL-E at the San Francisco Waste Dump (year 2008). In the process of making t...

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1

trashworx | HCR 2008 home

http://hereticaltrash.com/scrapworx

Was at SCRAP –. 801 Toland Street. Assemblage and digital photography at the Scroungers Center for Reusable Arts Parts. SCRAP (“sources for the resourceful”) is a recycling warehouse that for 30 years has offered materials for re-use, re-creation and eduction. It is a workspace oa active in the Altered Barbie Show. Partcipants made temporary installations and boxes based on what was brought and what was found during the day or at the location. No Responses Yet to “trashworx”. Feed for this Entry.

2

reading | HCR 2008 home

http://hereticaltrash.com/reading

Bachelard, G. (1994). The Poetics of Space. Belk, R. W. (1985). Materialism: Trait Aspects of Living in the Material World. Journal of Consumer Research, 13. Belk, R. W. (1986). Art versus science as ways of generating knowledge about materialism. In D. Brinberg and R. J. Lutz (Eds.),. Perspectives on Methodology in Consumer Research. Pp 3-36). New York: Springer Verlag. Borgerson, J. (2005). Materiality, Agency, and the Constitution of Consuming Subjects: Insights for Consumer Research. Cambridge, Mass:...

3

poetry | HCR 2008 home

http://hereticaltrash.com/poetry

Far from the dust of the San Francisco dump, renowned Amercian poet Lorna Dee Cervantes read her work. Lorna describes her emphatic and resonating HCR performance in her blog. And includes some sound advice for next year’s heretical organisers:. 8230;….For their 14th, they ought to invite the found puppet genius, Liebe Wetzel and her Lunatique Fantastique.”. These are three of the suitable poems that she performed for the particpants and the passers-by, from her volume. 100 100-Word Love Poems:. You were...

4

dump | HCR 2008 home

http://hereticaltrash.com/dump

The consumer researchers touring the San Francisco Waste Dump were first given a vivid impression of garbage – without the soothing artful recycling angle – by facility manager Debrorah Munk. Her references to the Eastern Garbage Patch. Are to be found on www.algalita.org. The goal of the Artist In Residence Program at SF Recycling and Disposal, Inc. No Responses Yet to “dump”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Address never made public). You are commenting using y...

5

heritage | HCR 2008 home

http://hereticaltrash.com/poetics

1st HCR 1996 –. Standing: Fuat Fırat, Doug Holt, Jim Gentry, Cliff Shultz, Bill Kilbourne, Søren Askegaard, Per Østergaard, Russ Belk, Linda Scott, John O’Guinn, Craig Thompson, Hope Schau & Ken Kambara. Sitting: Eric Arnould, Suzanne Beckmann, Alladi Venkatesh, Colette, Lisa Peñaloza, Güliz Ger, Laurie Meamber and Linda Price. HCR 2008 is a subjective and aesthetic expression of consumer research, and is. Flavour of heretical playfulness. 8220;I do see my work as a little bit. 1996 – 2008. How would pas...

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HCR 2008 home

The purpose of HCR is to create an experiential day, that brings together academics in a transgressive, but not prescriptive ACTION. In the words of Clifford Shultz: the HCR performance always aims to be an epiphany. 8211; it is a small frame for collaborative research performed with some sense of radical urgency. Arth-class, it looks something like this:. Post-apocalyptic WALL-E in the PIXAR spectacle (year 2700). Post-ironic WALL-E at the San Francisco Waste Dump (year 2008). In the process of making t...

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