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The Hidden Repertoire – A celebration of chamber operaA celebration of chamber opera
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The Hidden Repertoire – A celebration of chamber opera | hiddenrepertoire.wordpress.com Reviews
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A celebration of chamber opera
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Whither Opera – The Hidden Repertoire
https://hiddenrepertoire.wordpress.com/2015/10/09/whither-opera
A celebration of chamber opera. Other Musical Blogs to Note. October 9, 2015. I am writing this not only as an introduction to the entire project of the Hidden Repertoire, but as a response to two intrinsically different posts on Alex Ross’ blog. Looking at them chronologically, there is Park Life. Celebrating the 50 years of the New York Philharmonic’s immensely successful performances in the Park. The second, Crisis 1970. Paints a different picture in the following decade. Leave a Reply Cancel reply.
Der langwierige Weg in die Wohnung der Natascha Ungeheuer – The Hidden Repertoire
https://hiddenrepertoire.wordpress.com/2015/10/30/der-langwierige-weg-in-die-wohnung-der-natascha-ungeheuer
A celebration of chamber opera. Other Musical Blogs to Note. Der langwierige Weg in die Wohnung der Natascha Ungeheuer. October 30, 2015. October 30, 2015. Duration: About an hour. However, Henze did not overtly place any significant leftist message in his works until he began espousing his communist ideals in a selection of vocal works that include. Das Floss der Medusa. Der langwierige Weg in die Wohnung der Natascha Ungeheuer. The writer of the text for. The work’s title translates to The Tedious Way ...
Insights in Chamber Orchestration – The Hidden Repertoire
https://hiddenrepertoire.wordpress.com/2015/11/30/insights-in-chamber-orchestration
A celebration of chamber opera. Other Musical Blogs to Note. Insights in Chamber Orchestration. November 30, 2015. November 30, 2015. Gabriel Fauré was known to have no interest in the orchestra and cared little for musical effects and unorthodox musical instruments that his later contemporaries began using in their orchestrations. For Fauré economy was important and transparency of lines was his chief style, looking backwards to Pre-Romantic styles for instrumental clarity. Is a fusion of seemingly disp...
What Price Confidence? – The Hidden Repertoire
https://hiddenrepertoire.wordpress.com/2015/11/22/what-price-confidence
A celebration of chamber opera. Other Musical Blogs to Note. November 22, 2015. Ernst Krenek was born in Vienna on August 23. 1900 and died on December 22. 1991 in Palm Springs. What Price Confidence? Was completed in 1945, written to a libretto by the composer. The first performance was in Saarbrücken, May 23. 1962 The instrumentation consists of piano. Duration: About Forty-Five Minutes. The Source of the Libretto? Takes ideas from the novel. But not explicit characters or locations. Instead, it de...
Music and the Revolution: What is the point of political music? – The Hidden Repertoire
https://hiddenrepertoire.wordpress.com/2015/11/05/music-and-the-revolution-what-is-the-point-of-political-music
A celebration of chamber opera. Other Musical Blogs to Note. Music and the Revolution: What is the point of political music? November 5, 2015. November 5, 2015. Therefore a catchy tune cannot be an anti-war song, because it does not impart the distressing realities of war upon the listener. Since we cannot put any political meaning onto music itself, only the text, then what is the point of the music? Does it make a difference? The Year of 1917. More than often these works are ignored because of the poli...
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11 | May | 2014 | The Passacaglia Test
https://thepassacagliatest.com/2014/05/11
The provision and purview of classical music. Daily Archives: May 11, 2014. May 11, 2014. Three simple things to wish for, in the opera discourse. 1/3. Probably almost everyone with a social media feed that includes any of the UK’s publicly-funded opera companies has been aware of the Inside Opera event on 10th May, a live webcast. Covering activity and events in seven opera companies across England, Northern Ireland, Scotland and Wales. What are some basic essentials for a better discourse about opera?
Cavalli resumed | The Passacaglia Test
https://thepassacagliatest.com/2014/03/29/cavalli-resumed
The provision and purview of classical music. March 29, 2014. Baroque opera is in mini-season these weeks in London, with staged productions of Handel’s. And concert performances of Rameau’s. Presumably a version of his. Late-baroque opera, of course, from the 1700s roughly; though with English Touring Opera’s production of Francesco Cavalli’s. Is very much a work of its time and place, just as Cavalli was central to Venetian Opera in its formative years. Giovanni Faustini’s libretto was one of twe...
chaconato | The Passacaglia Test
https://thepassacagliatest.com/author/chaconato
The provision and purview of classical music. October 18, 2015. Opera tickets are not “expensive”. In the week when another senior journalist, this time from the BBC, has felt it necessary to raise the question of opera ticket prices (even if the interviewee’s response successfully dismissed the expensive label used), it is more than timely to update the price comparison previously published. Entry-price of anything comparable. Let’s rephrase that, for all those suffering from opera-cliché syndrome: ...
opinion | The Passacaglia Test
https://thepassacagliatest.com/category/opinion
The provision and purview of classical music. October 18, 2015. Opera tickets are not “expensive”. In the week when another senior journalist, this time from the BBC, has felt it necessary to raise the question of opera ticket prices (even if the interviewee’s response successfully dismissed the expensive label used), it is more than timely to update the price comparison previously published. Entry-price of anything comparable. Let’s rephrase that, for all those suffering from opera-cliché syndrome: ...
Quote | Format | The Passacaglia Test
https://thepassacagliatest.com/type/quote
The provision and purview of classical music. It seems we can’t find what you’re looking for. Perhaps searching can help. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. Join 29 other followers. The Oxford Culture Review. On An Overgrown Path. It's time to sc…. On Opera tickets are not “e…. Artists as Advocates…. On Opera tickets are not “e…. On Opera tickets are not “e…. Opera is not expensi…. On Opera tickets are not “e….
quotation | The Passacaglia Test
https://thepassacagliatest.com/category/quotation
The provision and purview of classical music. It seems we can’t find what you’re looking for. Perhaps searching can help. Follow Blog via Email. Enter your email address to follow this blog and receive notifications of new posts by email. Join 29 other followers. The Oxford Culture Review. On An Overgrown Path. It's time to sc…. On Opera tickets are not “e…. Artists as Advocates…. On Opera tickets are not “e…. On Opera tickets are not “e…. Opera is not expensi…. On Opera tickets are not “e….
discussion | The Passacaglia Test
https://thepassacagliatest.com/category/discussion
The provision and purview of classical music. March 29, 2014. Baroque opera is in mini-season these weeks in London, with staged productions of Handel’s. And concert performances of Rameau’s. Presumably a version of his. Late-baroque opera, of course, from the 1700s roughly; though with English Touring Opera’s production of Francesco Cavalli’s. Is very much a work of its time and place, just as Cavalli was central to Venetian Opera in its formative years. Giovanni Faustini’s libretto was one of twe...
25 | March | 2014 | The Passacaglia Test
https://thepassacagliatest.com/2014/03/25
The provision and purview of classical music. Daily Archives: March 25, 2014. March 25, 2014. L’Ormindo: a tale of two theatres. Opening night for the Royal Opera/Early Opera Company production of Francesco Cavalli’s. Are highly-trained musicians, and the majority of the audience will have crossed the river from Royal Opera House, the idiom seems merely insulting. Worse, the marketing team have made up a new version of theatre history with the bizarre assertion that the Venetian Teatro San Cassiano, where.
03 | April | 2014 | The Passacaglia Test
https://thepassacagliatest.com/2014/04/03
The provision and purview of classical music. Daily Archives: April 3, 2014. April 3, 2014. A double pain to suffer, first in act and then in telling. In just over four weeks from today, English National Opera stages the world premiere production of. With music by Julian Anderson and a libretto by Frank McGuinness. It’s based on the primordial trilogy by Sophocles, retelling the events not just of the familiar. But also of the other two subsequent plays,. In 1982 Audi founded the Almeida Theatre. Is a di...
29 | March | 2014 | The Passacaglia Test
https://thepassacagliatest.com/2014/03/29
The provision and purview of classical music. Daily Archives: March 29, 2014. March 29, 2014. Baroque opera is in mini-season these weeks in London, with staged productions of Handel’s. And concert performances of Rameau’s. Presumably a version of his. Late-baroque opera, of course, from the 1700s roughly; though with English Touring Opera’s production of Francesco Cavalli’s. Is very much a work of its time and place, just as Cavalli was central to Venetian Opera in its formative years. Giovanni Faustini...
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The Hidden Repertoire – A celebration of chamber opera
A celebration of chamber opera. Other Musical Blogs to Note. Insights in Chamber Orchestration. November 30, 2015. November 30, 2015. Gabriel Fauré was known to have no interest in the orchestra and cared little for musical effects and unorthodox musical instruments that his later contemporaries began using in their orchestrations. For Fauré economy was important and transparency of lines was his chief style, looking backwards to Pre-Romantic styles for instrumental clarity. Is a fusion of seemingly disp...
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