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Text Technologies

Thoughts on the textual and literary, & on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval

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Text Technologies | historyoftexttechnologies.blogspot.com Reviews
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Thoughts on the textual and literary, &amp;amp; on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval
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Text Technologies | historyoftexttechnologies.blogspot.com Reviews

https://historyoftexttechnologies.blogspot.com

Thoughts on the textual and literary, &amp;amp; on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval

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historyoftexttechnologies.blogspot.com historyoftexttechnologies.blogspot.com
1

Text Technologies: December 2012

http://historyoftexttechnologies.blogspot.com/2012_12_01_archive.html

Thoughts on the textual and literary, and on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval. Wednesday, December 5, 2012. Swerving from the Straight and Narrow: Greenblatt's Fictional Medieval Period. Although Stephen Greenblatt published his blockbuster The Swerve. In 2011, a recent book review in the Los Angeles Review of Books. Http:/ lareviewofbooks.org/article.php? From a text technological perspective, Greenblatt shows a total disregard for textual production, t...

2

Text Technologies: January 2015

http://historyoftexttechnologies.blogspot.com/2015_01_01_archive.html

Thoughts on the textual and literary, and on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval. Sunday, January 25, 2015. Teaching Medieval Manuscripts Online: Digging Deeper. Filming at CUL with the team, July 2014. And filming at Stanford's Green Library, Special Collections. More on the course-design process to come next time! Subscribe to: Posts (Atom). Text Technologies: a History. Stanford, California, United States. View my complete profile.

3

Text Technologies: March 2015

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Thoughts on the textual and literary, and on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval. Thursday, March 19, 2015. Student Evaluations from 'Digging Deeper 1'. To Austin, Lima to Lisbon, St Petersburg to Sydney. Corpus Christi College, Cambridge, 66. And here http:/ news.dice.com/2013/12/18/moocs-fail/. But I believe such modes of learning have genuine pedagogic and academic value. We hope you can join us! Subscribe to: Posts (Atom). Text Technologies: a History.

4

Text Technologies: The Origin and Context of the Salisbury Magna Carta

http://historyoftexttechnologies.blogspot.com/2015/06/the-origin-and-context-of-salisbury.html

Thoughts on the textual and literary, and on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval. Thursday, June 11, 2015. The Origin and Context of the Salisbury Magna Carta. The Origin and Context of the Salisbury Magna Carta. Elaine Treharne (Stanford University). And Andrew Prescott (University of Glasgow). 1220), we suggest that similarities between hands in that book and the hand of S. The 1215 Engrossments of Magna Carta. Among the highlights of the 800th anniversar...

5

Text Technologies: January 2013

http://historyoftexttechnologies.blogspot.com/2013_01_01_archive.html

Thoughts on the textual and literary, and on text technologies from Babylonian cuneiform to Twitter, with an eye on the medieval. Sunday, January 27, 2013. What's in a Name? 8216;A name is the first and final marker of individual rights, one fixed part of the ever-changing human world. A name is the most basic characteristic of our human rights; no matter how poor or how rich, all living people have a name, and it is endowed with good wishes, the expectant blessings of kindness and virtue.’. The Vietnam ...

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The Anthrobscene by Jussi Parikka | Steve Mentz

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SAA 2016: Shakespearean Communities. The Anthrobscene by Jussi Parikka. June 12, 2015. This short book, one of U. Minnesota P’s new “Forerunners” series, is a great little one-nighter for those of us weighing Anthropocene thoughts. The Press blurb tells it — “This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.”. Emphasizes the obscene nature of despoiling wild spaces:. We have shifted from being a society that until mid-twentieth century was base...

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Uncategorized | Steve Mentz

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SAA 2016: Shakespearean Communities. New York Theater (F16). September 2, 2016. Some of these dates might shift around, but I’ve got a rough schedule of plays that I’ll be bringing members of my election-season Shakespeare class to this fall in New York. It should be a great line up! Th 9/22: Public Theater’s Mobile Unit Hamlet. 7 pm, 425 Lafayette St, Manhattan). Th 10/13: New York Shakespeare Exchange’s Lucrece. 7:30 pm; Teatro Latea at the Clemente, 107 Suffolk #200, between Delancy and Rivington).

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Are you not my mother?: Taymor’s Tempest | Steve Mentz

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SAA 2016: Shakespearean Communities. Are you not my mother? December 15, 2010. I’d heard about it already, so I took my grad students to Taymor’s. Last night with low expectations. Lots of overly sweet stuff was already baked into the cake — the. But what I didn’t expect was seeing Helen Mirren, a wonderful actor, fail so miserably. I like the idea of a female Prospero. But I’ve never seen a version of. Before where the bits without the wizard were always best. Filed Under: Blue Humanities. Overall, I fe...

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The sea! the sea! | Steve Mentz

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SAA 2016: Shakespearean Communities. Here I am climbing “over the top” on the Joseph Conrad in Mystic in 2006. My primary scholarly passion is for things blue, vast, and salty. I’ve been calling this obsession blue cultural studies. Or the blue humanities since 2008. Here are two of my favorites —. The Ocean in the English Imagination, 1550 -1750. An exhibition at the Folger Shakespeare Library, June – September 2010. The Mariner’s MIrror (1588). New York Times, August 19, 2010. Washington Post, 7/7/10.

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Wet Work for How We Write | Steve Mentz

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SAA 2016: Shakespearean Communities. Wet Work for How We Write. July 15, 2015. I’m very excited to be joining Suzanne Conklin Akbari’s fast-moving project, How We Write: Thirteen Ways of Looking at a Blank Page. The project asks a variety of academic writers from assorted professional levels and disciplines, to write about how we (really) get words onto pages. I wrote about what I usually write about:. What if we think of writing as an encounter with all the alien environments outside us? Money and the A...

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Othello by Titan Theatre Company | Steve Mentz

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SAA 2016: Shakespearean Communities. Othello by Titan Theatre Company. April 27, 2015. Roughly seven hours before the curtain went up on the Titan Theatre’s all-female Othello, I was talking with my brilliant graduate student Tara Bradway about how she prepares to play male roles, including most recently Shakespeare’s King Richard II. (Check out her fabulous Adirondack Shakespeare Company. Go see their plays if you’re upstate! Later that night at the lovely Queens Theatre. Though I think not because of t...

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Stone, Fire, Water, Smoke, Fish | Steve Mentz

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SAA 2016: Shakespearean Communities. Stone, Fire, Water, Smoke, Fish. June 23, 2015. The Churchill River from above. I’m back from the Churchill River. Lake country northwest of Lac La Ronge Provincial Park. In Saskatchewan, from a week of fishing and family. On the flight home I finished Jeffrey Cohen’s new book. A gorgeous lovesong to lithic form, narrative endurance, and the urgent need to connect. A great match of place and book! My favorite thing about. Black Bear at Black Bear Lake. Will notice the...

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Steve Mentz

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SAA 2016: Shakespearean Communities. New York Theater (F16). September 2, 2016. Some of these dates might shift around, but I’ve got a rough schedule of plays that I’ll be bringing members of my election-season Shakespeare class to this fall in New York. It should be a great line up! Th 9/22: Public Theater’s Mobile Unit Hamlet. 7 pm, 425 Lafayette St, Manhattan). Th 10/13: New York Shakespeare Exchange’s Lucrece. 7:30 pm; Teatro Latea at the Clemente, 107 Suffolk #200, between Delancy and Rivington).

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Two Gents and The White Devil: Stratford 2014 (1 of 2) | Steve Mentz

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SAA 2016: Shakespearean Communities. Two Gents and The White Devil: Stratford 2014 (1 of 2). August 7, 2014. Two Gentlemen of Verona. At the Royal Shakespeare Theater. During the interval, Andy Kesson, whom some suspect to be obsessed with a certain Elizabethan playwright, mentioned to me that some critics think. 8212; with rhetorical play and emotional opacity. The pay-off for Greene-lovers like me is a heightened attention to and awareness of rhetorical forms and generic flexibility. This lingu...The q...

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Resources | Steve Mentz

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SAA 2016: Shakespearean Communities. A few of my favorites in the vast and complex world of e-Shakespeare. Global Shakespeares: Video and Performance Archive. The Shakespeare Association of America. Subscribe to the Bookfish. New York Theater (F16). Globe 2016: Shrew and Macbeth. WSC 2016, Day 3: Alchemist and Faustus. Audio and Video Recordings. Shakespearean Communities: SAA 2016. Geoffrey Chaucer Hath a Blog. History of Text Technologies. My words fly up…. Ren Prof's Blog. Subscribe to the Bookfish.

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