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Greenwood Street Projects: October 2013

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Wednesday, October 2, 2013. Robyn Archer on Jude Rae. A little something via Artbank 20/20 Talks. Links to this post. Subscribe to: Posts (Atom). Kalli Rolfe Contemporary Art. Robyn Archer on Jude Rae. Simple template. Powered by Blogger.

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Greenwood Street Projects: June 2014

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Sunday, June 8, 2014. SUPERVISED BY MICHAEL GRAF. 45h X 27.5w cm. Glass, acrylic, American oak, mechnical components, florescent light, steel. 2 parts: 90h X 35.5w X 26d cm and 65h X 31w X 44.5d cm plinth. Everything depends on what we would rather do than change, 2010 - 2013. Wood, acrylic paint, nylon, string. Courtesy the artist, Jane O’Neill, and Gallery Funaki. Customised card table, antique hemp scarf, acrylic and marble dust on paper. 22 parts: 8 X 8 cm each, table: 63h X 76w X 76d cm.

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Greenwood Street Projects: PERSISTENT JOY_ Installation Images

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Friday, March 21, 2014. PERSISTENT JOY Installation Images. André Giesemann and Daniel Schulz. André Giesemann and Daniel Schulz {left}. Works from "Vom Bleiben". 46 x 36 cm framed. Ink and stains on paper. André Giesemann and Daniel Schulz. Left} Tresor/Globus 2009 Berlin. Right} Golden Gate 2010 Berlin. 22 x 27 cm unframed {each}. Untitled (Chamber Music 2009-2014). 29 x 28.5 cm. Type - C Photograph. Courtesy the artist and Neon Parc, Melbourne. Left} Smiley - Lost 2012. Image size 60 x 50 cm.

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Greenwood Street Projects: April 2014

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Friday, April 4, 2014. Donald Holt’s Persistent Joy is a mix of works that he has personally collected, cajoled and snatched from their makers. And then sites of communal pleasure depicted in. Giesemann and Daniel Schulz’s post-euphoric club interior photos, plus Stefan Marx’s stylised, synecdochically iconic mirror ball (wow – got to use the “s” word! Like the spinning mirror ball, the party stops and starts at the flick of a switch. Links to this post. Subscribe to: Posts (Atom).

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Greenwood Street Projects: A response.

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Friday, April 4, 2014. Donald Holt’s Persistent Joy is a mix of works that he has personally collected, cajoled and snatched from their makers. And then sites of communal pleasure depicted in. Giesemann and Daniel Schulz’s post-euphoric club interior photos, plus Stefan Marx’s stylised, synecdochically iconic mirror ball (wow – got to use the “s” word! Like the spinning mirror ball, the party stops and starts at the flick of a switch. Subscribe to: Post Comments (Atom). Kalli Rolfe Contemporary Art.

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Greenwood Street Projects: September 2013

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Friday, September 13, 2013. Sight Undone - Jude Rae. 8220;These are the most elusive of matters: perception, consciousness, the nature. Of being, how to sustain an awareness of what it is to be present to oneself.”. 8220;A sincere artist is not one who makes a faithful attempt to put on to canvas what is in. Front of him, but one who tries to create something which is, in itself, a living thing.”. 8220;[T]he work - the work of art, the literary work - is neither finished nor unfinished:. Of it prompts in...

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Greenwood Street Projects: May 2014

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Monday, May 19, 2014. Donald Judd states: Material, space and colour are the main aspects of visual art. As is abundantly clear from a reading of his extensive notes on colour for the Large Glass. 1915-23), Duchamp’s work forces us to reconsider the role of colour (as with almost everything else). A key element in his “farewell to painting”, Tu’m. Tomislav Nikolic’s PREDICT. An untitled painting made by an artist who has slipped from history forms the outer reach of Chronochromie. Links to this post.

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Greenwood Street Projects: January 2014

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Friday, January 31, 2014. Kung Hei Fat Choy 2014. Tom during installation rehearsal Jan 2014. Jewellery: Bin Dixon Ward. Links to this post. Subscribe to: Posts (Atom). Kalli Rolfe Contemporary Art. Kung Hei Fat Choy 2014! If gte mso 9] 0 0. Simple template. Powered by Blogger.

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Greenwood Street Projects: PERSISTENT JOY - COMING SOON

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Saturday, March 1, 2014. PERSISTENT JOY - COMING SOON. We are a happy lot. Always able to have a good time, looking for laughs and larks. This idea spawned a swathe of industrialists, entrepreneurs, industrial and graphic designers to heighten the illusion. The result is a pantheon of ephemera and design objects that are tailored to reinforce a sense of occasion and have subsequently become iconic in them selves. This enigmatic echo is the touchstone for the project. These images are records of good time...