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Institute for Advanced Technology in the Humanities: Homer's Trojan Theater

Institute for Advanced Technology in the Humanities. William R. Kenan, Jr., Professor of Classics. In Homer's Trojan Theater, I argue for the centrality of vision in Homeric poetics and its importance both for the poet in constructing, and for his audience in comprehending, the course of his narrative. Battle scenes, which take up a third of the poem, pose an exceptional challenge to a narrator. The action, I contend, is conceived in spatial terms and visualized in the mind's eye of the narrator. Orienta...

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Institute for Advanced Technology in the Humanities: Homer's Trojan Theater | homerstrojantheater.org Reviews
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Institute for Advanced Technology in the Humanities. William R. Kenan, Jr., Professor of Classics. In Homer's Trojan Theater, I argue for the centrality of vision in Homeric poetics and its importance both for the poet in constructing, and for his audience in comprehending, the course of his narrative. Battle scenes, which take up a third of the poem, pose an exceptional challenge to a narrator. The action, I contend, is conceived in spatial terms and visualized in the mind's eye of the narrator. Orienta...
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Institute for Advanced Technology in the Humanities: Homer's Trojan Theater | homerstrojantheater.org Reviews

https://homerstrojantheater.org

Institute for Advanced Technology in the Humanities. William R. Kenan, Jr., Professor of Classics. In Homer's Trojan Theater, I argue for the centrality of vision in Homeric poetics and its importance both for the poet in constructing, and for his audience in comprehending, the course of his narrative. Battle scenes, which take up a third of the poem, pose an exceptional challenge to a narrator. The action, I contend, is conceived in spatial terms and visualized in the mind's eye of the narrator. Orienta...

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Institute for Advanced Technology in the Humanities: Homer's Trojan Theater

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Institute for Advanced Technology in the Humanities. William R. Kenan, Jr., Professor of Classics. In Homer's Trojan Theater, I argue for the centrality of vision in Homeric poetics and its importance both for the poet in constructing, and for his audience in comprehending, the course of his narrative. Battle scenes, which take up a third of the poem, pose an exceptional challenge to a narrator. The action, I contend, is conceived in spatial terms and visualized in the mind's eye of the narrator. Orienta...

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classics.virginia.edu classics.virginia.edu

| Department of Classics, U.Va.

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Skip to main content. Students Majoring in Classics. The Major and Minor in Classics. The Distinguished Major (DMP). 2016 Classics Graduate Student Colloquium. Requirements, Exams, Reading Lists. The MT in Latin. Latin SLI Student Testimonials. Library for Classics Research. UVA Art Museum Coin Collection. The Ancient World Online (AWOL). William R. Kenan, Jr. Professor of Classics and the author of. The Wrath of Athena: Gods and Men in the Odyssey. And, most recently,. Which attempts to envision the.

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The Institute for Advanced Technology in the Humanities

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Ayers, Edward L. Barnes, Brooks Miles. Clay, Jenny Strauss. DeBats, Donald A. Della Coletta, Cristina. Grizzard, Frank E., Jr. Hoh, LaVahn G. Kinney, Anne Behnke. Meyer, Elizabeth A. Price, Kenneth M. Rinne, Katherine Wentworth. Smith, Martha Nell. Van Lengen, Karen. Von Daacke, Kirt. Williams, William D. Wilson, Richard Guy. Assistant Professor, Byzantine Art and Archaeology. The Topography of Commemoration in Renaissance Florence, 1250-1550. Voting Viva Voce: Unlocking the Social Logic of Past Politics.

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The Institute for Advanced Technology in the Humanities

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Ayers, Edward L. Barnes, Brooks Miles. Clay, Jenny Strauss. DeBats, Donald A. Della Coletta, Cristina. Grizzard, Frank E., Jr. Hoh, LaVahn G. Kinney, Anne Behnke. Meyer, Elizabeth A. Price, Kenneth M. Rinne, Katherine Wentworth. Smith, Martha Nell. Van Lengen, Karen. Von Daacke, Kirt. Williams, William D. Wilson, Richard Guy. Assistant Professor, Byzantine Art and Archaeology. The Topography of Commemoration in Renaissance Florence, 1250-1550. Voting Viva Voce: Unlocking the Social Logic of Past Politics.

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Digital Classics | Classics Confidential

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Vodcasting Classicists, Sharing Research. Greek Hoplites March Again, with Sonya Nevin. CC’s Anastasia catches up with Sonya Nevin. To discuss two Panoply. Animations featuring Greek hoplites. Sonya talks to us about the spectacle of Greek warfare and how she and Steve K. Simons sought to bring it to life again. To learn more about Panoply’s work animating ancient warfare read Sonya’s chapter in. With grateful thanks to Steve for all his help. September 9, 2015. September 9, 2015. Thank you very much eve...

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Homer, Mapping and Mnemonics, with Jenny Strauss Clay | Classics Confidential

https://classicsconfidential.co.uk/Classics_Confidential/Home.html

Vodcasting Classicists, Sharing Research. Homer, Mapping and Mnemonics, with Jenny Strauss Clay. Is famous for her work on Homer. With a focus on how these archaic Greek hexameter poems maps out an epic cosmos. But today she will talk about a different kind of mapping, based on what has been labelled the spatial turn in Classical studies. Her recent book, Homer’s Trojan Theater. She has continued in this direction with a new project investigating Homer’s Catalogue of Ships ( Iliad. March 25, 2013. Fill i...

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Institute for Advanced Technology in the Humanities: Homer's Trojan Theater

Institute for Advanced Technology in the Humanities. William R. Kenan, Jr., Professor of Classics. In Homer's Trojan Theater, I argue for the centrality of vision in Homeric poetics and its importance both for the poet in constructing, and for his audience in comprehending, the course of his narrative. Battle scenes, which take up a third of the poem, pose an exceptional challenge to a narrator. The action, I contend, is conceived in spatial terms and visualized in the mind's eye of the narrator. Orienta...

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