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HOME THAT WAS

WITHIN THE HOME THAT WAS. 8220;Home That Was” suggests similarly rich possibilities, as a non-existent space is transformed and given back the lives and memories it once held. Assistant Curator of European Decorative Arts and Sculpture. Philadelphia Museum of Art. 1) Quoted in Marilyn Oliver Hapgood, Wallpaper and the Artist, New York, 1992, p. 8. Subscribe to: Posts (Atom). And Vine Streets in Philadelphia, Home That Was. Assisted by: Thomas Walton. Project Manager: Kevin Brown.

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HOME THAT WAS | homethatwas.blogspot.com Reviews

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WITHIN THE HOME THAT WAS. 8220;Home That Was” suggests similarly rich possibilities, as a non-existent space is transformed and given back the lives and memories it once held. Assistant Curator of European Decorative Arts and Sculpture. Philadelphia Museum of Art. 1) Quoted in Marilyn Oliver Hapgood, Wallpaper and the Artist, New York, 1992, p. 8. Subscribe to: Posts (Atom). And Vine Streets in Philadelphia, Home That Was. Assisted by: Thomas Walton. Project Manager: Kevin Brown.

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HOME THAT WAS | homethatwas.blogspot.com Reviews

https://homethatwas.blogspot.com

WITHIN THE HOME THAT WAS. 8220;Home That Was” suggests similarly rich possibilities, as a non-existent space is transformed and given back the lives and memories it once held. Assistant Curator of European Decorative Arts and Sculpture. Philadelphia Museum of Art. 1) Quoted in Marilyn Oliver Hapgood, Wallpaper and the Artist, New York, 1992, p. 8. Subscribe to: Posts (Atom). And Vine Streets in Philadelphia, Home That Was. Assisted by: Thomas Walton. Project Manager: Kevin Brown.

INTERNAL PAGES

homethatwas.blogspot.com

1

HOME THAT WAS

http://homethatwas.blogspot.com/2010/09/blog-post_8014.html

Subscribe to: Post Comments (Atom). And Vine Streets in Philadelphia, Home That Was. Is a temporary artwork created during the summer of 2010. Benjamin Volta worked with a team of intergenerational artists from the City of Philadelphia Mural Arts Program to create wallpaper patterns that explore consumption, memory, and loss. Attached to the exterior wall of a neighboring row home, the wallpapers are installed on the thin plaster remains of a house that no longer exists. Assisted by: Thomas Walton.

2

HOME THAT WAS: BRAINSTORM PROCESS

http://homethatwas.blogspot.com/2010/09/brainstorm.html

Subscribe to: Post Comments (Atom). And Vine Streets in Philadelphia, Home That Was. Is a temporary artwork created during the summer of 2010. Benjamin Volta worked with a team of intergenerational artists from the City of Philadelphia Mural Arts Program to create wallpaper patterns that explore consumption, memory, and loss. Attached to the exterior wall of a neighboring row home, the wallpapers are installed on the thin plaster remains of a house that no longer exists. Assisted by: Thomas Walton.

3

HOME THAT WAS: PATTERNS

http://homethatwas.blogspot.com/2010/09/wallpaper-patterns.html

Subscribe to: Post Comments (Atom). And Vine Streets in Philadelphia, Home That Was. Is a temporary artwork created during the summer of 2010. Benjamin Volta worked with a team of intergenerational artists from the City of Philadelphia Mural Arts Program to create wallpaper patterns that explore consumption, memory, and loss. Attached to the exterior wall of a neighboring row home, the wallpapers are installed on the thin plaster remains of a house that no longer exists. Assisted by: Thomas Walton.

4

HOME THAT WAS: 09.2010

http://homethatwas.blogspot.com/2010_09_01_archive.html

WITHIN THE HOME THAT WAS. 8220;Home That Was” suggests similarly rich possibilities, as a non-existent space is transformed and given back the lives and memories it once held. Assistant Curator of European Decorative Arts and Sculpture. Philadelphia Museum of Art. 1) Quoted in Marilyn Oliver Hapgood, Wallpaper and the Artist, New York, 1992, p. 8. Subscribe to: Posts (Atom). And Vine Streets in Philadelphia, Home That Was. Assisted by: Thomas Walton. Project Manager: Kevin Brown.

5

HOME THAT WAS

http://homethatwas.blogspot.com/2010/09/blog-post_7683.html

WITHIN THE HOME THAT WAS. 8220;Home That Was” suggests similarly rich possibilities, as a non-existent space is transformed and given back the lives and memories it once held. Assistant Curator of European Decorative Arts and Sculpture. Philadelphia Museum of Art. 1) Quoted in Marilyn Oliver Hapgood, Wallpaper and the Artist, New York, 1992, p. 8. Subscribe to: Post Comments (Atom). And Vine Streets in Philadelphia, Home That Was. Assisted by: Thomas Walton. Project Manager: Kevin Brown.

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homethatwas.blogspot.com

HOME THAT WAS

WITHIN THE HOME THAT WAS. 8220;Home That Was” suggests similarly rich possibilities, as a non-existent space is transformed and given back the lives and memories it once held. Assistant Curator of European Decorative Arts and Sculpture. Philadelphia Museum of Art. 1) Quoted in Marilyn Oliver Hapgood, Wallpaper and the Artist, New York, 1992, p. 8. Subscribe to: Posts (Atom). And Vine Streets in Philadelphia, Home That Was. Assisted by: Thomas Walton. Project Manager: Kevin Brown.

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