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Howling Wretches

A transcription of the entirety of Jean-Luc Godard's press conference for Prénom Carmen. At the 1983 Venice Film Festival. What led you, at the same time as several other international filmmakers, to shoot your version of. First, the film is not called. And in the film, at one point a series of questions is answered: “What comes before the name? What is its name? And, moreover, must it be named? Must we names things or should things come to you without being named? It is maybe because. It’s because...

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Howling Wretches | howlingwretches.blogspot.com Reviews

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A transcription of the entirety of Jean-Luc Godard's press conference for Prénom Carmen. At the 1983 Venice Film Festival. What led you, at the same time as several other international filmmakers, to shoot your version of. First, the film is not called. And in the film, at one point a series of questions is answered: “What comes before the name? What is its name? And, moreover, must it be named? Must we names things or should things come to you without being named? It is maybe because. It’s because...

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Howling Wretches | howlingwretches.blogspot.com Reviews

https://howlingwretches.blogspot.com

A transcription of the entirety of Jean-Luc Godard's press conference for Prénom Carmen. At the 1983 Venice Film Festival. What led you, at the same time as several other international filmmakers, to shoot your version of. First, the film is not called. And in the film, at one point a series of questions is answered: “What comes before the name? What is its name? And, moreover, must it be named? Must we names things or should things come to you without being named? It is maybe because. It’s because...

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howlingwretches.blogspot.com

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Howling Wretches: February 2014

http://www.howlingwretches.blogspot.com/2014_02_01_archive.html

Secret Défense (Rivette, 1997). Secret Défense: Small Trafficking in Death. After a foray into musical comedy, with the intersecting adventures of three Parisian girls in Haut, bas, fragile. Jacques Rivette now guides Sandrine Bonnaire between the countryside and Paris, but a Paris that is distinctly less playful, closer to the Paris of Paris nous appartient. Without a single note of music – aside from the credits – or dancing, Secret Défense. Curiously, though, Secret Défense. As if by a boomerang effec...

2

Howling Wretches: August 2014

http://www.howlingwretches.blogspot.com/2014_08_01_archive.html

Along with this I still have this absurdity of being foreign, noble, an orphan,. Of living in a castle lost in the countryside, and I am in the hands of a great, hypochondriac lord who looks like Chateaubriand’s father. What do you want me to do about it? Did I choose this place? Jean-Marie Straub, Danièle Huillet, 1954-2013). Thursday, August 14, 2014. Death in the Garden (Luis Buñuel, 1956). The Criminal Life of Archibald de la Cruz. Or of anarcho-atheists (. L’âge d’or. That is the Dawn. In this work ...

3

Howling Wretches: September 2013

http://www.howlingwretches.blogspot.com/2013_09_01_archive.html

Renoir: The Grandeur of Primitives. The Grandeur of Primitives. I often admire recent films but it's an admiration within reason. I rarely lose it and I remain sensible. I think: "My God, what a beautiful photographic effect… " "That actor's performance is great…," "This dialogue is perfect…," "Great direction…," etc., and I bore myself to death. Happy were the Etruscan potters who, for decorating their vases, only knew two colors. Originally published in Ciné-Club. No 7, May 1948. Subscribe to: Posts (A...

4

Howling Wretches: May 2012

http://www.howlingwretches.blogspot.com/2012_05_01_archive.html

Jusqu'à la victoire/Ici et Aillieurs. Pages 467-473 of Antoine de Baecque's. GODARD BIOGRAPHIE on the making of Godard and Gorin's. In 1968 and No to the Defeatist Solution. In 1969, the first militant films against the Israeli attacks and the Rogers Plan. It is also by the intermediary of the Fatah, at least due to its financial, logistical, and ideological support, that a Western “anti-Zionist cinema” is born with films such as Jean-Pierre Olivier de Sardan’s Palestine vaincra. I am an Arab. That they ...

5

Howling Wretches: December 2012

http://www.howlingwretches.blogspot.com/2012_12_01_archive.html

Two responses from filmmakers to a questionnaire from the January 2000 issue of. 1 In your opinion, what are the major events — films, filmmakers, actors, images, techniques, etc. — that have marked the 1990s? 2 How did your filmmaking evolve over the course of the decade and how do you see it evolving in the next one? The death of Antonio Reis. My four films, between 1989 and 1999. Less and less money for making them. I need less to make them. 1990) and DH, JMS’. The Grapes of Wrath. A Place in the Sun.

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Howling Wretches

A transcription of the entirety of Jean-Luc Godard's press conference for Prénom Carmen. At the 1983 Venice Film Festival. What led you, at the same time as several other international filmmakers, to shoot your version of. First, the film is not called. And in the film, at one point a series of questions is answered: “What comes before the name? What is its name? And, moreover, must it be named? Must we names things or should things come to you without being named? It is maybe because. It’s because...

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