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Hugo O'Connor's blog: personal scrapbook

Hugo O'Connor's thoughts and rantings

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Hugo O'Connor's blog: personal scrapbook | hugo.net.au Reviews

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Hugo O'Connor's thoughts and rantings

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1

Causation | Hugo O'Connor

http://hugo.net.au/2010/02/25/causation

The Surface ». February 25, 2010. The following may seem obvious to you, my esteemed reader, but for myself I’ve enjoyed having these concepts laid out – articulated. For this reason I highly recommend. The Cambridge Introduction to Narrative. Which I’m paraphrasing:. Post hoc ergo propter hoc. Happens, then B. Happens. So A. Being read in narrative as what is. 8220; Ordering events in a sequence gives the impression of cause and effect. 8220;The King died and then the Queen died.”. 8216;The Mirror’.

2

The Potential of Cinemas | Hugo O'Connor

http://hugo.net.au/2011/08/20/the-potential-of-cinemas

Are Our Minds Broken? The Potential of Cinemas. August 20, 2011. The Coffee-House: A Cultural History by Markman Ellis, 2005. Perhaps cinemas should look to the Coffee-House of 17th Century London for some inspiration…. On that note, David Lynch is planning some exciting things in Paris. Be Sociable, Share! This entry was posted in cinema. Or leave a trackback: Trackback URL. Are Our Minds Broken? Post a Comment Cancel reply. Published nor shared. Required fields are marked *. You may use these.

3

The Power of Music | Hugo O'Connor

http://hugo.net.au/2011/07/10/the-power-of-music

The Responsibilities of Cinema. Point of View ». The Power of Music. July 10, 2011. Here is Harry Dean Stanton. Performing José López Alavéz’s. Song Cancion Mixteca. An instrumental version of the song, played by Ry Cooder. Was used in Wim Wender’s. 8216; Paris, Texas. 8216; – to heartbreaking effect. Cinema can completely disarm an audience, leaving them defenceless against the full power of great music. Be Sociable, Share! This entry was posted in filmmaking. The Responsibilities of Cinema.

4

writing | Hugo O'Connor

http://hugo.net.au/category/writing

July 11, 2011. Film might never reach its potential if it is constrained by path-dependent notions. Perhaps certain notions and ideas are only accidental habits. Perhaps in the fullness of time, those ideas might constitute the evidence of an art form that was in its infancy. One such idea is that a film must side with one particular character, […]. Also posted in filmmaking. April 12, 2010. Also posted in filmmaking. March 19, 2010. Also posted in filmmaking. February 25, 2010. The following may seem ob...

5

Levels of Reality | Hugo O'Connor

http://hugo.net.au/2010/02/11/levels-of-reality

February 11, 2010. 8230;literature does not recognise Reality as such, but only levels. I’ve also enjoyed Italo Calvino’s. 8216;The Uses of Literature’. In particular his essay ‘Levels of Reality in Literature’. It’s fools errand to try distill Calvino’s lucid argument into a blog post, but this is a scrapbook. After all – so here is the vibe of it;. He goes on to demonstrate his thesis through analysis of the classics. How, for instance, in. A Midsummer Night’s Dream. Now, chew on. Be Sociable, Share!

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Hugo O'Connor's blog: personal scrapbook

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