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Fatal Conclusions

Reflections, Reviews and News from the worlds of Opera and Classical Music. Sunday, 1 March 2015. Semperoper Dresden: Der Rosenkavalier and Elektra. From OPERA, March 2015, pp. 328-9]. The Semperoper’s Strauss-anniversary celebrations came full circle at the end of 2014 with the return, with a new cast, of Barbara Frey’s Elektra. With which it had all started in January. The main attraction, however, was a reprise of Uwe Eric Laufenberg’s 2000 production of Der Rosenkavalier. Manuela Uhl sang a powerful,...

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Fatal Conclusions | hugoshirley.blogspot.com Reviews

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Reflections, Reviews and News from the worlds of Opera and Classical Music. Sunday, 1 March 2015. Semperoper Dresden: Der Rosenkavalier and Elektra. From OPERA, March 2015, pp. 328-9]. The Semperoper’s Strauss-anniversary celebrations came full circle at the end of 2014 with the return, with a new cast, of Barbara Frey’s Elektra. With which it had all started in January. The main attraction, however, was a reprise of Uwe Eric Laufenberg’s 2000 production of Der Rosenkavalier. Manuela Uhl sang a powerful,...

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Fatal Conclusions | hugoshirley.blogspot.com Reviews

https://hugoshirley.blogspot.com

Reflections, Reviews and News from the worlds of Opera and Classical Music. Sunday, 1 March 2015. Semperoper Dresden: Der Rosenkavalier and Elektra. From OPERA, March 2015, pp. 328-9]. The Semperoper’s Strauss-anniversary celebrations came full circle at the end of 2014 with the return, with a new cast, of Barbara Frey’s Elektra. With which it had all started in January. The main attraction, however, was a reprise of Uwe Eric Laufenberg’s 2000 production of Der Rosenkavalier. Manuela Uhl sang a powerful,...

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hugoshirley.blogspot.com

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Fatal Conclusions: July 2014

http://www.hugoshirley.blogspot.com/2014_07_01_archive.html

Reflections, Reviews and News from the worlds of Opera and Classical Music. Tuesday, 1 July 2014. Freeing the Imagination: An Interview with Brigitte Fassbaender. July 2014, pp. 829-835]. That appointment came to an end in 2012, but further directing engagements are proliferating, many of them with a distinctly Straussian flavour: next year she’s in charge of a new Rosenkavalier. In Baden-Baden, a Capriccio. Is planned for 2017 at Oper Frankfurt (where she staged a new Ariadne. Operetta and plays. &#...

2

Fatal Conclusions: September 2014

http://www.hugoshirley.blogspot.com/2014_09_01_archive.html

Reflections, Reviews and News from the worlds of Opera and Classical Music. Friday, 26 September 2014. WNO: Guillaume Tell; ROH: Barbiere. Is there a fundamental, insuperable problem with staging Rossini’s Guillaume Tell. On a budget, without the resources to conjure up the sense of scale that was part of grand opéra. 8217;s appeal and raison d’être. Friday, 19 September 2014. Benjamin Britten, when seeing his Peter Grimes. 8212;also starring Stuart Skelton—still fresh in the mind from last season,...

3

Fatal Conclusions: December 2014

http://www.hugoshirley.blogspot.com/2014_12_01_archive.html

Reflections, Reviews and News from the worlds of Opera and Classical Music. Friday, 19 December 2014. Un ballo in maschera and Tristan und Isolde at the ROH. Ever since the announcement was made that the Royal Opera House would entrust a new production of Un ballo in maschera. To Katharina Thoma, whose 2013 Ariadne auf Naxos. Would the cast- a big-voiced bunch, but hardly the most willing or adventurous thesps- be happy to play along with what she'd come up with? Un ballo in maschera. Liudmyla Monastyrsk...

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Fatal Conclusions: Un ballo in maschera and Tristan und Isolde at the ROH

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Reflections, Reviews and News from the worlds of Opera and Classical Music. Friday, 19 December 2014. Un ballo in maschera and Tristan und Isolde at the ROH. Ever since the announcement was made that the Royal Opera House would entrust a new production of Un ballo in maschera. To Katharina Thoma, whose 2013 Ariadne auf Naxos. Would the cast- a big-voiced bunch, but hardly the most willing or adventurous thesps- be happy to play along with what she'd come up with? Un ballo in maschera. Liudmyla Monastyrsk...

5

Fatal Conclusions: October 2014

http://www.hugoshirley.blogspot.com/2014_10_01_archive.html

Reflections, Reviews and News from the worlds of Opera and Classical Music. Sunday, 12 October 2014. ENO: The Girl of the Golden West; WNO: Mosè in Egitto. Puccini’s La fanciulla del West. Thursday, 2 October 2014. From OPERA, October 2014, pp. 1212-20]. But his only appearances at Covent Garden have been in 2009’s concert performances of Linda di Chamounix. Subsequently released on Opera Rara), as Massenet’s Albert in 2004, and as Belcore in the Laurent Pelly L’elisir d’amore. He was Germont père. This ...

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operachic.typepad.com

Opera Chic: Alexander Pereira

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I'm a young American woman in Milan.and you're not. I go to La Scala a lot.and you don't. April 14, 2014. Pereira in the Eye of the La Scala Storm. Even before hes to be officially sworn-in as La Scalas new intendant on October 1, Alexander Pereiras in hot water. Rumors abound that angry board members are calling for Pereiras resignation based on misconduct, stemming from the fact that he made the purchases before his official contract starts on October 1 (he doesnt actually have the power to sign ...

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Fatal Conclusions

Reflections, Reviews and News from the worlds of Opera and Classical Music. Sunday, 1 March 2015. Semperoper Dresden: Der Rosenkavalier and Elektra. From OPERA, March 2015, pp. 328-9]. The Semperoper’s Strauss-anniversary celebrations came full circle at the end of 2014 with the return, with a new cast, of Barbara Frey’s Elektra. With which it had all started in January. The main attraction, however, was a reprise of Uwe Eric Laufenberg’s 2000 production of Der Rosenkavalier. Manuela Uhl sang a powerful,...

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