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Fragments of a MelodyWrite, or do not. There is no try.
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Fragments of a Melody | hulegu.blogspot.com Reviews
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Write, or do not. There is no try.
Fragments of a Melody: December 2009
http://hulegu.blogspot.com/2009_12_01_archive.html
Fragments of a Melody. Write, or do not. There is no try. Saturday, 26 December 2009. Nawa'i in Historical Context (1). Maria Subtelny at University of Toronto is supreme among English-language scholars who focus on this period. Her most recent work, Timurids in Transition: Turko-Persian Politics and Acculturation in Medieval Iran. However, while it does a fine job detailing complex political machinations and interpreting the economic record - notably waqf. Maria Szuppe does a fine job analyzing politica...
Fragments of a Melody: October 2012
http://hulegu.blogspot.com/2012_10_01_archive.html
Fragments of a Melody. Write, or do not. There is no try. Friday, 12 October 2012. In one of my earliest posts. Context i.e. as a religious personality (p.371). Subscribe to: Posts (Atom). Nick Walmsley is a postdoctoral researcher in the crazy/beautiful city of Jerusalem. This used to be an academic blog, but now it's a platform for writing. Nick can often be found in the other room, grumbling about the culture. View my complete profile. Autonomous region (Xinjiang blog). New Books in Islamic Studies.
Fragments of a Melody: January 2011
http://hulegu.blogspot.com/2011_01_01_archive.html
Fragments of a Melody. Write, or do not. There is no try. Monday, 24 January 2011. I've reached that point in my preliminary research where I've exhausted most of the published English-language source material, and I'm moving into the realms of Uzbek and Russian publications, more particularly, academic journals. The initial phase has been to tootle around the stacks of IU Wells Library. This - children - is bibliographic research the old-fashioned way. Star of the East), O'zbek tili va adabiyoti. It's a...
Fragments of a Melody: December 2010
http://hulegu.blogspot.com/2010_12_01_archive.html
Fragments of a Melody. Write, or do not. There is no try. Wednesday, 29 December 2010. What role for theory in historiography? Is a question historians constantly ruminate on. When I was at school in the UK, there were generally reckoned to to be four "schools" of historiography through which historians interpreted British history, namely Whig/Liberal, Marxist, Revisionist, Post-Revisionist. In his tidy polemic, The Whig Interpretation of History. Vol 11, no. 1 (1941) opened up new avenues for like-m...
Fragments of a Melody: November 2012
http://hulegu.blogspot.com/2012_11_01_archive.html
Fragments of a Melody. Write, or do not. There is no try. Monday, 19 November 2012. A week or so ago I attended a workshop organized by the recently-established Catapult Center for Digital Humanities and Computational Analysis. At IUB. The workshop was on Omeka. Omeka is becoming increasingly popular with humanists whose research incorporates strongly visual components: manuscripts, photographs, paintings, illustrations &c. The attractions for someone like me, who is interested in the rich world of m...
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kimbrulée | kimbrulée
https://kimbrule.wordpress.com/author/powerska
Photographs and Post-Archive Processing. For earlier blog posts about the software that I use on a regular basis as well as links to other blogs that have covered topics like taking photographs in the archives or working with DevonThink (DT), please see my first … Continue reading →. How I use DevonThink in the archive. Something more articulate than “ugh” (re: state-sanctioned discrimination). An Intro to Archival Methods. One of the things I find fascinating about anthropology and history as discipline...
May | 2012 | kimbrulée
https://kimbrule.wordpress.com/2012/05
Monthly Archives: May 2012. How I use DevonThink in the archive. Before I discuss some of the archival nitty-gritty, I think it’s important to note that the structure of my database (my own personal archive) reflects my personal predilections and occasional blindspots. As Rachel at A Historian’s Craft has written, an … Continue reading →. Something more articulate than “ugh” (re: state-sanctioned discrimination). Photographs and Post-Archive Processing. How I use DevonThink in the archive.
An Intro to Archival Methods | kimbrulée
https://kimbrule.wordpress.com/2012/04/10/an-intro-to-archival-methods
Sketches on research-in-progress: photographs in the archives. Something more articulate than “ugh” (re: state-sanctioned discrimination) →. An Intro to Archival Methods. Sorts of questions that don’t seem to be a part of most mentor-mentee conversations. 8211; $56 for an academic license at UM; I think I may’ve paid $90 when I purchased it a couple years ago. 8211; free for 2MB (and you can get bonus storage space if you recruit friends); I buy a yearly subscription of 50MB for $99. I must admit that I ...
Something more articulate than “ugh” (re: state-sanctioned discrimination) | kimbrulée
https://kimbrule.wordpress.com/2012/05/09/something-more-articulate-than-ugh-re-state-sanctioned-discrimination
An Intro to Archival Methods. How I use DevonThink in the archive →. Something more articulate than “ugh” (re: state-sanctioned discrimination). I know that I’m far behind on my posts on archives, but I’m pretty miffed and disappointed about the most recent news. From North Carolina. (And THIS was the week I was supposed to abstain from reading US news because it’s just depressing.) I think about marriage a lot –. I’m a woman,. Have little respect for either. Union such as marriage is to have children &#...
How I use DevonThink in the archive | kimbrulée
https://kimbrule.wordpress.com/2012/05/12/how-i-use-devonthink-in-the-archive
Something more articulate than “ugh” (re: state-sanctioned discrimination). Photographs and Post-Archive Processing →. How I use DevonThink in the archive. Before I discuss some of the archival nitty-gritty, I think it’s important to note that the structure of my database (my own personal archive) reflects my personal predilections and occasional blindspots. As Rachel at A Historian’s Craft has written. Rachel’s entries on working with DT, this post. About approaching the archive from the THC21. This ent...
April | 2012 | kimbrulée
https://kimbrule.wordpress.com/2012/04
Monthly Archives: April 2012. An Intro to Archival Methods. One of the things I find fascinating about anthropology and history as disciplines is how often they are defined by their respective methods. An anthropologist is an anthropologist because he does field work; a historian is a historian because she … Continue reading →. Photographs and Post-Archive Processing. How I use DevonThink in the archive. Something more articulate than “ugh” (re: state-sanctioned discrimination).
Photographs and Post-Archive Processing | kimbrulée
https://kimbrule.wordpress.com/2012/06/03/photographs-and-post-archive-processing
How I use DevonThink in the archive. Photographs and Post-Archive Processing. For earlier blog posts about the software that I use on a regular basis as well as links to other blogs that have covered topics like taking photographs in the archives or working with DevonThink (DT), please see my first. Taking photographs in the archives. Inside the hierarchical folder organization on my Mac – how I file the photographs that I take. A brief follow-up about using tags. To organize my actual notes. RESEARCH: W...
June | 2012 | kimbrulée
https://kimbrule.wordpress.com/2012/06
Monthly Archives: June 2012. Photographs and Post-Archive Processing. For earlier blog posts about the software that I use on a regular basis as well as links to other blogs that have covered topics like taking photographs in the archives or working with DevonThink (DT), please see my first … Continue reading →. Photographs and Post-Archive Processing. How I use DevonThink in the archive. Something more articulate than “ugh” (re: state-sanctioned discrimination). An Intro to Archival Methods.
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Fragments of a Melody
Fragments of a Melody. Write, or do not. There is no try. Monday, 7 December 2015. Blood Orange - Cupid Deluxe (2013). His ineluctable influence on Central Asian culture. I kept myself to myself. There were few foreign researchers and scholars about. The government discouraged anyone from doing research on anything other than the safest and potentially least embarrassing or critical topics. I had no problems there. Navāʾī is the national poet of Uzbekistan. Live recordings kept me moderately sane. Had pr...
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