huseac.fas.harvard.edu

Welcome to the HUSEAC

Harvard's electroacoustic music resources are concentrated in the Harvard University Studio for Electroacoustic Composition (HUSEAC) located in Paine Hall Rooms 22, 31, 32, and 33, with an office in Room 21. For a closer look at our HYDRA Loudspeaker Orchestra click. The HUSEAC facilities are open to graduate composition students and those enrolled in electroacoustic music seminars. Questions about equipment and access should be directed to Professor. Subscribe to the HUSEAC Events Mailing List.

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Welcome to the HUSEAC | huseac.fas.harvard.edu Reviews

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Harvard's electroacoustic music resources are concentrated in the Harvard University Studio for Electroacoustic Composition (HUSEAC) located in Paine Hall Rooms 22, 31, 32, and 33, with an office in Room 21. For a closer look at our HYDRA Loudspeaker Orchestra click. The HUSEAC facilities are open to graduate composition students and those enrolled in electroacoustic music seminars. Questions about equipment and access should be directed to Professor. Subscribe to the HUSEAC Events Mailing List.

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1 student resources

2 sign out calendar

3 hydra

4 studio personel

5 courses

6 history

7 facilities

8 here

9 hans tutschku

10 huseac director

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Welcome to the HUSEAC | huseac.fas.harvard.edu Reviews

https://huseac.fas.harvard.edu

Harvard's electroacoustic music resources are concentrated in the Harvard University Studio for Electroacoustic Composition (HUSEAC) located in Paine Hall Rooms 22, 31, 32, and 33, with an office in Room 21. For a closer look at our HYDRA Loudspeaker Orchestra click. The HUSEAC facilities are open to graduate composition students and those enrolled in electroacoustic music seminars. Questions about equipment and access should be directed to Professor. Subscribe to the HUSEAC Events Mailing List.

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huseac.fas.harvard.edu

1

HUSEAC - Courses

http://huseac.fas.harvard.edu/Courses/index.html

Intimate Sound Sculptures: Studio Course. Music 263r. Hans Tutschku. Half Course (Fall Term). Music 167. Hans Tutschku. One course in theory/composition or permission of the instructor. Course list updated Fall 2012*. Subscribe to the HUSEAC Events Mailing List. And receive announcements about upcoming concerts and events. Involving the Harvard University Studio for Electroacoustic Composition. This is a very low-traffic, secure, announcements-only list - your information will not be shared or solicited.

2

Welcome to the HUSEAC

http://huseac.fas.harvard.edu/index.html

Harvard's electroacoustic music resources are concentrated in the Harvard University Studio for Electroacoustic Composition (HUSEAC) located in Paine Hall Rooms 22, 31, 32, and 33, with an office in Room 21. For a closer look at our HYDRA Loudspeaker Orchestra click. The HUSEAC facilities are open to graduate composition students and those enrolled in electroacoustic music seminars. Questions about equipment and access should be directed to Professor. Subscribe to the HUSEAC Events Mailing List.

3

HUSEAC - Personel

http://huseac.fas.harvard.edu/Personel/index.html

HUSEAC Director, Fanny P. Mason Professor of Music. More information about his work can be found at. Http:/ www.tutschku.com. Bio coming very soon. Subscribe to the HUSEAC Events Mailing List. And receive announcements about upcoming concerts and events. Involving the Harvard University Studio for Electroacoustic Composition. This is a very low-traffic, secure, announcements-only list - your information will not be shared or solicited.

4

HUSEAC - HYDRA

http://huseac.fas.harvard.edu/Hydra/index.html

The Hydra loudspeaker orchestra is a sound projection system designed for the performance of electroacoustic music with or without the participation of instrumentalists. A loudspeaker orchestra consists of loudspeakers distributed throughout a performance space used for the spatial diffusion of an electroacoustic work. Well established diffusion systems in Europe, with evolved performance practices, include the Acousmonium, conceived and developed at the. Groupe de Recherches Musicales. 2012 HUSEAC Harva...

5

HUSEAC - Resources

http://huseac.fas.harvard.edu/Resources/index.html

All Studio sessions must be booked in advance via the online calendar. The HUSEAC FAQ is a growing database of frequently asked questions and answers. For access to all studio equipment User Manuals sign in below. Subscribe to the HUSEAC Events Mailing List. And receive announcements about upcoming concerts and events. Involving the Harvard University Studio for Electroacoustic Composition. This is a very low-traffic, secure, announcements-only list - your information will not be shared or solicited.

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tutschku.com

Works | Hans Tutschku

http://www.tutschku.com/works

Ensemble for intuitive Music, Weimar (Germany). List of all works. Remembering Japan – part 1. 16 channel electroacoustic composition , 9:48 min. Voice – unrooted. Soprano and electronics , 16:00 min. Improvisation with Vijay Iyer (piano) and Hans Tutschku (live-electronics) , 29:00 min. For violin, violoncello, piano, percussion and electronics , 15:00 min. Violoncello and 8-channel live-electronics , 18 min. For piano and electronics , 23:00 min. 16-channel electroacoustic composition , 31:00 min.

tutschku.com

Ensemble for intuitive Music, Weimar (Germany) | Hans Tutschku

http://www.tutschku.com/efim

Ensemble for intuitive Music, Weimar (Germany). Ensemble for intuitive Music, Weimar (Germany). Daniel Hoffmann, Matthias von Hintzenstern, Hans Tutschku, Michael von Hintzenstern. I will help you, whenever I get a chance, to continue in the discovery and clarification of the intuitive music.” This fruitful collaboration culminated in 2005 in studio recordings of six intuitive compositions from the cycle Für kommende Zeiten under Stockhausen’s direction for his CD label. 8212; Michael von Hintzenstern.

tutschku.com

Daniel Hoffmann | Hans Tutschku

http://www.tutschku.com/efim/daniel-hoffmann

Ensemble for intuitive Music, Weimar (Germany).

tutschku.com

multimedia | Hans Tutschku

http://www.tutschku.com/multimedia

Ensemble for intuitive Music, Weimar (Germany). Multimedia works and exhibitions. Interactive sound sculptures and photo installation. Choreography : Larissa Douglas Koch. Klangwald – Lichtgestein. Open-air multimedia composition with sound and light projection. For dance, video and ensemble , 40:00 min. 8230; a secret …. Interactive sound and video installation. Die Süsse unserer traurigen Kindheit. The sweetness of our sad childhood). Video in collaboration with Kerstin Wagener, ZKM Karlsruhe.

tutschku.com

ceramics | Hans Tutschku

http://www.tutschku.com/test-ceramics

Ensemble for intuitive Music, Weimar (Germany). Since several years I have been interested in ceramics and followed various courses with potters from different countries. Here are come examples of recent pieces:.

tutschku.com

sound installations | Hans Tutschku

http://www.tutschku.com/works/sound-installations

Ensemble for intuitive Music, Weimar (Germany). Sound installations and sound sculptures. Interactive sound sculptures and photo installation. Outdoor sound installation for the Carpenter Center for the Visual Arts. Sound installation in three parts. 8230; a secret …. Interactive sound and video installation. Die Kirche als Klangskulptur. The church as sound sculpture). The invisible bell tower). Open air sound installation.

tutschku.com

instrumental | Hans Tutschku

http://www.tutschku.com/works/instrumental

Ensemble for intuitive Music, Weimar (Germany). Instrumental works (with and without electronics). Voice – unrooted. Soprano and electronics , 16:00 min. For violin, violoncello, piano, percussion and electronics , 15:00 min. Violoncello and 8-channel live-electronics , 18 min. For piano and electronics , 23:00 min. For bass clarinet and electronics , 10:15 min. For oboe, bass clarinet and electronics , 11:30 min. For oboe and electronics , 11:30 min. For bass clarinet and electronics , 11:30 min. For me...

tutschku.com

Film | Hans Tutschku

http://www.tutschku.com/film

Ensemble for intuitive Music, Weimar (Germany). Auf der Suche nach noch nie gehörten Klängen. Ein Film von Uli Aumüller und Gösta Courkamp. The breath, the air, the light (Der Atem, die Luft, das Licht). Film music for Marco Gastini.

tutschku.com

Texts | Hans Tutschku

http://www.tutschku.com/texts

Ensemble for intuitive Music, Weimar (Germany). Collection of articles and teaching ressources. Using max.bach and max.cage. JIM 2015 Montréal, Keynote. Alice aux pays de l’électroacoustique. Physical gesture and space in my creative process. Presentation at the Japanese Society for Sonic Arts. Lecture and concert at Kunitachi College Tokyo. The use of iOS devices in recent compositions of mixed music. The other side – interview. Ralph Paland: Zur Musik und kompositorischen Poetik von Hans Tutschku.

tutschku.com

Photography | Hans Tutschku

http://www.tutschku.com/photography

Ensemble for intuitive Music, Weimar (Germany). Photography has been important to me since my grandpa made me the gift of my first camera when I was 10. These shots are from the project “The other side” and involve image projection on dancers. There is no photoshop or other digital processing involved. Tell me … a secret! Those photographs were turned into interactive sound panels.

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Welcome to the HUSEAC

Harvard's electroacoustic music resources are concentrated in the Harvard University Studio for Electroacoustic Composition (HUSEAC) located in Paine Hall Rooms 22, 31, 32, and 33, with an office in Room 21. For a closer look at our HYDRA Loudspeaker Orchestra click. The HUSEAC facilities are open to graduate composition students and those enrolled in electroacoustic music seminars. Questions about equipment and access should be directed to Professor. Subscribe to the HUSEAC Events Mailing List.

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