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Jeudi 13 août 2015. Having just the one thing. Red Ash. oil on canvas. 160x120cm. Red Ash. oil on canvas. 77x60cm. It is not uncommon for an artist of any discipline to feel that they have just the one offering in them: I would like to think that we can work with that and not worry about fighting it. Juste la tentative de poser quelque chose qui est fidèle à soi-même est un but digne d'intérêt. Nous tous ont des thèmes se reproduisant et je ne pense pas qu'il nous limite, mais nous donne plutôt l'arc...

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ian warburton | ianbevwarburton.blogspot.com Reviews

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Jeudi 13 août 2015. Having just the one thing. Red Ash. oil on canvas. 160x120cm. Red Ash. oil on canvas. 77x60cm. It is not uncommon for an artist of any discipline to feel that they have just the one offering in them: I would like to think that we can work with that and not worry about fighting it. Juste la tentative de poser quelque chose qui est fidèle à soi-même est un but digne d'intérêt. Nous tous ont des thèmes se reproduisant et je ne pense pas qu'il nous limite, mais nous donne plutôt l'arc...

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ian warburton | ianbevwarburton.blogspot.com Reviews

https://ianbevwarburton.blogspot.com

Jeudi 13 août 2015. Having just the one thing. Red Ash. oil on canvas. 160x120cm. Red Ash. oil on canvas. 77x60cm. It is not uncommon for an artist of any discipline to feel that they have just the one offering in them: I would like to think that we can work with that and not worry about fighting it. Juste la tentative de poser quelque chose qui est fidèle à soi-même est un but digne d'intérêt. Nous tous ont des thèmes se reproduisant et je ne pense pas qu'il nous limite, mais nous donne plutôt l'arc...

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ianbevwarburton.blogspot.com

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ian warburton: décembre 2014

http://www.ianbevwarburton.blogspot.com/2014_12_01_archive.html

Lundi 22 décembre 2014. Shock Therapy and the end of the year. Six studies for a garden . A London day trip and two exhibitions was in itself delightful but a massive shock in that I thought I. If anyone is intending to visit either of these exhibitions the Constable will close on the 11th January, the Rembrandt on the 18th. As for what I have been doing: it has been mostly drawing with a bit of revision. I like to make changes to things when I have had time to think. Mercredi 10 décembre 2014.

2

ian warburton: janvier 2015

http://www.ianbevwarburton.blogspot.com/2015_01_01_archive.html

Vendredi 30 janvier 2015. Small garden works on paper. Small garden.oil on paper. 18x12cm. Garden drawing.(Stipa) ink and emulsion on paper.80x60cm. Garden drawing (Stipa). ink and emulsion on paper. 80x60cm. Ink and emulsion on paper.80x60cm. As a post script to the last post I have added these because the marks that can be derived from vegetation must be useful to me and I'll be interested to see where this leads. Mardi 27 janvier 2015. New drawings from the edge of woods. Ink on paper. 60x40cm. Of cou...

3

ian warburton: Having just the one thing.

http://www.ianbevwarburton.blogspot.com/2015/08/having-just-one-thing.html

Jeudi 13 août 2015. Having just the one thing. Red Ash drawing. ink and emulsion on paper. Red ash and field pattern. oil on canvas.160x120cm. Red Ash. oil on canvas.77x60cm. Red Ash. oil on canvas. 77x60cm. It is not uncommon for an artist of any discipline to feel that they have just the one offering in them: I would like to think that we can work with that and not worry about fighting it. Juste la tentative de poser quelque chose qui est fidèle à soi-même est un but digne d'intérêt. Nous tous ont ...

4

ian warburton: Postcard.

http://www.ianbevwarburton.blogspot.com/2015/07/postcard.html

Mardi 14 juillet 2015. Drawing for Red Ash tree. ink, charcoal, emulsion on paper. 84x70cm. Red Ash. oil on canvas. 60x60cm. Bush 3rd version. oil on canvas. 160x120cm. RS Thomas begins a poem, Here is a post card from middle age, you must come here someday. Whatever his protagonist expected it to be like I know not: but in looking at a painting I like to see if I can see the story unfolding, like reading a letter: to be a part of the conversation and see history unfold. Ce petit buisson; ce grand arbre,...

5

ian warburton: juillet 2015

http://www.ianbevwarburton.blogspot.com/2015_07_01_archive.html

Mardi 14 juillet 2015. Drawing for Red Ash tree. ink, charcoal, emulsion on paper. 84x70cm. Red Ash. oil on canvas. 60x60cm. Bush 3rd version. oil on canvas. 160x120cm. RS Thomas begins a poem, Here is a post card from middle age, you must come here someday. Whatever his protagonist expected it to be like I know not: but in looking at a painting I like to see if I can see the story unfolding, like reading a letter: to be a part of the conversation and see history unfold. Ce petit buisson; ce grand arbre,...

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sharonknettell.blogspot.com

Painting from life: Confronting the Boredom of Realism

http://sharonknettell.blogspot.com/2015/05/confronting-boredom-of-realism.html

Musings about painting from the human figure and the human experience. I feel, for me, that painting the human figure from life is the best way I can express myself. Is it better than working from a photograph, I will let others judge. Monday, May 11, 2015. Confronting the Boredom of Realism. Rendering is tedious. I can see why Kehinde Wiley http:/ kehindewiley.com/. Goes to China and hires workers to paint his backgrounds. Photography has taken the need to scrupulously render stuff and made it super...

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Jeudi 13 août 2015. Having just the one thing. Red Ash. oil on canvas. 160x120cm. Red Ash. oil on canvas. 77x60cm. It is not uncommon for an artist of any discipline to feel that they have just the one offering in them: I would like to think that we can work with that and not worry about fighting it. Juste la tentative de poser quelque chose qui est fidèle à soi-même est un but digne d'intérêt. Nous tous ont des thèmes se reproduisant et je ne pense pas qu'il nous limite, mais nous donne plutôt l'arc...

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